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Indepth Arts News: "Markus Schaller: Formen Sprache" 2008-01-22 until 2008-03-22 Gallery at the Guardini Foundation Berlin, , DE Germany
His latest works, especially created for this exhibition, testify anew the symbiosis of industrial technique and the love for words and language. With the
help of heavy machinery he embosses his intimate thoughts onto heavy metal objects, and thus creates a perfect combination of poetry and sculpture.
By doing so, the artist has set a milestone within today´s loud and flashy art scene.
Markus Schallers exhibition ´Formen Sprache´ comprises 18 artworks and will be on view at the gallery of the Guardini Foundation through March 22nd, 2008.
On two floors, ten world premieres will be shown alongside early works like ´40 hammers´ and ´One warm up´. By engaging with Schaller´s works,
the visitors are invited to enter into a dialogue with those works. The artist aims at “creating rooms where communication can come to life and flourish: communication with the artwork, and between the viewers.“
Whether in the form of minimalist spacial installations, of human-like figures or a 36m2 constellation made of steel plates embossed with words –
Markus Schaller´s sculptures are and remain the ambassadors of his texts and thoughts. “For Markus Schaller, the lettering incorporated or tattooed
in these sculptures and the addition of a language shortened to lexical signs and hieroglyphs, have grown from fascination to obsession. Material calls
for spirit, steel for words“.
In relation to his metal sculptures, Schaller will also be showing abstract black charbon paintings. These paintings are, artistically speaking, completely
independent from his three-dimensional works, even though they are interlinked by the choice of material. Iron dust, produced during the act of forging,
as well as graphite, carbon and pure sulphate for emphasis are used by the artist to create these works of art.
Schaller´s paintings only start to ´speak´ within the viewers´mental associations, while his sculptures take us directly into a dialogue. Thus, in many
ways, the artist manages to give us a understanding of the ´readability of things´.
The exhibition will be accompanied by a 112-page catalogue; written by
Dr. Wieland Schmied and Andrea Pagnes and published by Navado Press.
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