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Artist Statement:
"It is the woman’s beauty and mystery that have made me paint and sculpt in the first place." The artist, who previously painted only one human figure per painting, has recently begun to represent several figures, and these figures are no longer exclusively women. In sculpture also, the single human figures of the beginning are gradually replaced by intertwined figures, that go by two, by couple, or even by trio or quartet. "Previously, it was the individual that questioned me. Now, increasingly, I paint and sculpt attitudes and relationships." Painting and sculpture are based on different relationships: that between the sculptor-painter and his painting or sculpture, that between colors and shapes, that between the spectator and the work of art, and finally, the possible relationship between the different spectators. "However, I have not become a narrative artist, even if the spectator can invent stories about the human figures they see depicted."
- But why only one subject? -
Because the more one concentrates on one - and only one - subject, the deeper one can go, and the more style and technique can speak freely. If one always seeks to change subjects, it becomes difficult to specialize in it.” It is the...
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Artist Exhibitions:
Galerie « L’Entrée des Artistes », Liège
Galerie « Trigone », Liège
CIAC (Centre International d’Art Contemporain), Liège
Château de Péralta, Angleur
Foyer Culturel, Chênée
Le Moulin du Ry de Vaux, Olne
11ème Foire Internationale d’Art à Libramont, Libr’art
Galerie « Maxal », Liè...
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Artist Reviews:
Daniel Janssens's pastels manage to capture the "self-eroticism" of women, apparently overwhelmed by their own poses and gestures (...). His pastels manage to capture women's "availability", in a tonal atmosphere that reinforces its effect. (L. De M., Ars Libris, 1997)
Daniel Janssens knows how to observe his models' ...
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Collections:
Several works are part of private collections in Belgium, France, Luxemburg, Germany, Holland....
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Commissions:
Coming Soon!
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Daniel Janssens (Page 2 of 4)
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