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Artist: C: JOHN CARTER

Alphabetical Artist Index: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Museum Image Collections: (39)

WH, "steered three winning crews." (John Corrie Carter, Esq.), Men of the Day No. 2279, from Vanity Fair Supplement, 1912
The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
Portrait of John Carter at Work, frontispiece in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
Painted Butterfly, opposite page 16 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
Bird on Flower, opposite page 17 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
Syrian Goat, opposite page 18 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
Head after Rembrandt, opposite page 23 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
Sketch of Desk, Brush, and Pencil used by Carter, opposite page 26 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
Virgin and Child by Carter, opposite apge 28 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
Wood-cut of our Lord, opposite page 31 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
"The Sick Horse," opposite page 39 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
"The Head of a Fox," opposite page 39 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
Letter, opposite page 43 in the book The Life of John Carter by Frederick James Mills (New York: Hurd and Houghton, 1868), 1868
Edgar in King Lear, Act III, Scene III, 18th - 19th century
Bardolph, Henry IV, Act II, Scene IX, 18th - 19th century
Falstaff, Henry IV, Act V, Scene IV, 18th - 19th century
Beatrice, Much Ado About Nothing, Act I, Scene II, 18th - 19th century
Shylock, Merchant of Venice, Act IV, Scene I, 18th - 19th century
Poet, Midsummer Night"s Dream, Act V, Scene I, 18th - 19th century
Lear, Act III, Scene III, 18th - 19th century
Caliban, The Tempest, Act II, Scene II, 18th - 19th century
York, Henry IV Part 2, Act V, Scene IV, 18th - 19th century
Richard II, Act III, Scene II, 18th - 19th century
Cassandra, Troilus & Cressida, Act II, Scene IV, 18th - 19th century
Ophelia, Hamlet, Act IV, Scene VII, 18th - 19th century
York, Henry IV Part 2, Act V, Scene IV, 18th - 19th century
Falstaff, Henry IV Part 2, Act V, Scene IV, 18th - 19th century
Bardolph, Henry IV, Act II, Scene IX, 18th - 19th century
Beatrice, Much Ado About Nothing, Act I, Scene II, 18th - 19th century
Shylock, Merchant of Venice, Act IV, Scene I, 18th - 19th century

More Images ...

In the News: (9)

Illusions of Eden: Visions of the American Heartland
The character and values of the American Midwest have exerted a profound influence on the way the n...
Remington and Russell: Masterpieces of the American West from the Amon Carter Museum
To see one of the nation's premier collection of works by the masters of American Western art, Fred...
Apple TART: Virtual Tart meets the Big Apple Sponsored by Visual Arts League
In a rural province of New Zealand a backwater where cows, Rugby, beer and surf are the main interes...
Ansel Adams: A Life s Work
Sometimes I get to places when God's ready to have somebody click the shutter. -- This is how the l...
UNBRIDLED: An Exhibition of Photographers Sponsored by Joes Basement
This is an exhibition of personal photographs by photographers represented by Carter Represents at t...
Richard Avedon in the American West
From the very start, the Kunstmuseum has assumed the mission of taking a fresh look at the classics...
Extreme Connoisseurship - How Traditional Study of Objects Can Be Adapted to Illuminate Current Works
The Fogg Art Museum and the adjoining Sert Gallery and Café will be the settings for Extreme Connois...
David McManaway's Studio by David H. Gibson
The McKinney Avenue Contemporary (The MAC) presents David McManaways Studio by David H. Gibson, an ...
Watermelon Flats 1987+15: The BBAP Board Show
Fifteen years ago, from May 30, to July 26 1987, 27 Houston artists launched a revolution. After bei...

Related Sites: (1)

newcastleartists.com
Online Gallery of Contemporary Art Oil Paintings Sculpture Mixed Media and fine art produced by Arti...

Website Matches: (22)

http://www.tarzan.com/...
http://www.jcbl.org/...
http://www.geocities.com/dr_susan_carter/index.html...
http://www.johncarterworldwide.com/...
http://www.brown.edu/Facilities/John_Carter_Brown_Library/...
http://www.geocities.com/sparkle_weaver/...
http://homepages.ihug.co.nz/~carter/...
http://www.geocities.com/jacinda_noelle...
http://www.losalamos.com/hovernut...
http://www.angelpixiedust.com/...
http://www.johncarter.com/index.htm...
http://www.encyclopedia.com/articles/01918.html...
http://www.thistleworkstudio.com/pdc/bios.html...
http://www.taichi.co.nz/...
http://www.geocities.com/incognito0686/...
http://www.angelfire.com/realm/carby/...
http://www.carterforcongress.com/...
http://www.barparts.com/...
http://www.cs.utah.edu/~retrac/...
http://www.johncarterworldwide.com/index1.html...
http://www.johncarterworldwide.com/links.html...
http://browse.addall.com/Browse/Author/2039720-1...

 

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