Artist: G: GILPIN

Pikes Peak and Colorado Springs ca. 1926 Laura Gilpin platinum print on paper sheet: 11
WilliamAn Essay upon Prints by William Gilpin (London: J. Robson, 1768), 1768
Unknown artist or artists, Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792) , vol. 2 (of 2) , 1792
Unknown artist or artists, Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792) , vol. 1 (of 2) , 1792
Unknown artist or artists, Plate 1, opposite page 16 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 2, opposite page 49 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 3, opposite page 52 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 4, opposite page 59 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 5, opposite page 63 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 6, Situation of Hopeton House, after page 68 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (L
Unknown artist or artists, Plate 7, opposite page 69 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 8, opposite page 73 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 9, opposite page 81 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 10, opposite page 89 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 11, opposite page 125 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792
Unknown artist or artists, Plate 12, opposite page 131 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 179
Unknown artist or artists, Plate 13, afte r page 132 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 14, opposite page 133 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792
Unknown artist or artists, Plate 15, opposite page 135 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792
Unknown artist or artists, Plate 16, opposite page 151 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 179
Unknown artist or artists, Plate 17, Loch-Tay, after page 152 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamir
Unknown artist or artists, Plate 18, opposite page 153 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792
Unknown artist or artists, Plate 19, opposite page 161 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792
Unknown artist or artists, Plate 21, opposite page 177 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792
Unknown artist or artists, Plate 22, Situation of Inverary Castle, after page [179] in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd
Unknown artist or artists, Plate 23, opposite page 181 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792
Unknown artist or artists, Plate 24, opposite page 185 in the first volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776... particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 179
Unknown artist or artists, Plate 1, opposite page 3 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 2, opposite page 13 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776...particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)
Unknown artist or artists, Plate 3, opposite page 19 in the second volume of the book Observations Relative Chiefly to Picturesque Beauty Made in the Year 1776..particularly the High-Lands of Scotland by William2nd ed. (London: R. Blamire, 1792)

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Gilpin, Sawrey and Barret, George, Senior
. Tate Collections, with a multitude of images. 1733-1807, 1728 or 32 - 1784
Gilpin, Sawrey

Gilpin, Rev. William

Gilpin, Rev. William
. Tate Collections, with a multitude of images. 1724-1804
imitator of Gilpin, Rev. William
. Tate Collections, with a multitude of images. 1724-1804

Website Matches: (25)

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