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Artist: M: CHARLES MARTIN
Alphabetical Artist Index:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Museum Image Collections: (55)
Les Cerises (Cherries) pl. XI from Modes et Manieres d"Aujourd Hui (Fashions and Manners of Today), 1913
Charles John Watson, Rue St. Martin, 19th - 20th century
John Martin, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1846
John Martin, [The Fall of the Rebel Angels] Book 1. line 44, bound at p. 3 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [Satan on the Burning Lake] Book 1. line 192, bound at p. 7 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [Satan Arousing the Fallen Angels] Book 1. line 314, bound at p.13 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1824
John Martin, [Pandemonium] BOOK 1. LINE 710, bound at p.25 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [Satan Presiding at the Infernal Council] Book 2. line 1., bound at p.29 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1824
John Martin, [The Conflict between Satan and Death] Book 2. line 727., bound at p.55 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [The Courts of God] Book 3. line 365., bound at p.79 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [Satan Viewing the Ascent to Heaven] Book 3. line 501., bound at p.83 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [Eve at the Fountain] Book 4 line 453, bound at p.107 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John Martin, [Satan Contemplating Adam and Eve in Paradise] Book 4. line 502., bound at p.109 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [Eve*s DreamãSatan Aroused] Book. 4 line, 813., bound at p.121 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [The Angels Guarding Paradise at Night] Book 4 line 866., bound at p.123 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John Martin, [ParadiseãAdam and EveãThe Morning Hymn] Book 5. line 136., bound at p.133 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [Paradiseãwith the Approach of the Archangel Raphael], Book 5. line 308., bound at p.139 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [Raphael Conversing with Adam and Eve] Book 5, line 519, bound at p.147 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John Martin, [Creation of Light] Book 7. line 339, bound at p. 203 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [Satan Tempting Eve] Book 9 line 780, bound at p. 265 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846)[Creation of Light] Book 7, line 339, bound at p. 203 in the book, The Paradise Lost of John Milton (London
John Martin, [Eve Presenting the Forbidden Fruit to Adam] Book 9, line 995., bound at p. 273 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1824
John Martin, [Adam Hearing the Voice of the Almighty] Book 10, line 108, bound at p. 273 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John Martin, [Bridge over Chaos] Book 10, line 312 & 347., bound at p. 291 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John Martin, [Adam Reproving Eve], Book 10, line 863, bound at p. 311 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John Martin, [HeavenãRivers of Bliss] Book 11. line78, bound at p. 321 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1825
John Martin, [Approach of the Archangel Michael] Book 11. line 226, bound at p. 327 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1826
John Martin, [Adam and Eve Driven Out of Paradise] Book 12, line 641, bound at p. 373 in the book, The Paradise Lost of John Milton (London: Charles Whittingham, 1846), 1827
John Martin, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1838
John Martin, [The Fall of the Rebel Angels], Book 1 line 44, bound at p. 3 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1825
John Martin, [Satan on the Burning Lake], Book 1 line 192, bound at p. 7 in the book, The Paradise Lost of Milton (London: Charles Tilt, 1838), 1825
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In the News: (16)
Rober Storr Promoted to Senior Curator at the MOMA
Glenn D. Lowry, Director of The Museum of Modern Art, has announced that Robert Storr
has been...
The Light of Nature: Van Dyck
The twenty-nine known landscape
drawings by Anthony van Dyck
...
THE LIGHT OF NATURE: Landscape drawings and watercolours by Van Dyck and his contemporaries
A special exhibition
in the Rubens House in Antwerp
...
Smithsonian’s American Art Museum and National Portrait Gallery
Announce Upcoming Renovation
A major renovation of the Old Patent Office Building in Washington, D.C., historic home of the Smith...
Present Tense 4
Mystery and double-entendre, skewed perspectives, minimalist shapes, and the relations between old a...
MASS MoCA Welcomes MoCI Curator, Superfiction Expert
On Friday, December 3 at 7:00 PM, MASS MoCA (The
Massachusetts Museum of Contemporary Art) will hos...
How you look at it: 20th-century Photography
Karl Kraus once wrote Art is that which becomes the world. The art
form which has set its mark...
Fair Opens Tomorrow in the National Hall Olympia
The 20th Century Art & Design Fair will have an exciting mix of art, furniture, ceramics, objects an...
Work of Charles and Ray Eames: A Legacy of Invention
Charles and Ray Eames practiced design at its most economical and its most expansive. From the time ...
Intelligence: New British Art 2000
New British Art 2000: Intelligence is the first in a series of major exhibitions of
contempo...
The Power of Appearances: Renaissance and Reformation Portrait Prints
The Power of Appearances: Renaissance and Reformation Portrait Prints will explore the nature of the...
South Florida Cultural Consortium 2001 Fellowships
As part of its Regional Initiatives Program,
the Palm Beach Institute of Contemporary Art in Lake W...
MADE IN WOODSTOCK and SOLO: JURI KIM/ SILENT VOICE
Made In Woodstock, curator Ariel Shanberg. artists: Susan Evans, Kunie Sugiura, Nina Kuo, Charles Ma...
Lure of the West: Treasures from the Smithsonian American Art Museum
Lure of the West: Treasures from the Smithsonian American Art Museum features
sixty-four paintings ...
Vital Forms: American Art and Design in the Atomic Age, 1940-1960
What do a Predicta television set, a 1950s sports car, a Slinky, Tupperware, K rations, Eva Zeisel c...
The Encounter, 1802: Art of the Flinders and Baudin Voyages
In 2002, Australia commemorates the historic encounter between the pioneering maritime explorers Mat...
Related Sites: (2)
Martin, Charles
. Tate Collections, with a multitude of images. 1812 or 20 - 1906
Martin, Charles
Website Matches: (18)
http://www.chasm.org/family/...
http://chasm.org/...
http://gopher.princeton.edu/~cmmartin/...
http://www.chem.ufl.edu/~crmartin/...
http://www.cmgauthier.qc.ca/index1.htm...
http://claudemartin.tripod.com/f-carrier.html...
http://www.invent.org/book/book-text/51.html...
http://perso.wanadoo.fr/chmartin/...
http://www.princeton.edu/~cmmartin/...
http://www.imdb.com/Name?Smith,+Charles+Martin...
http://www.oberlin.edu/~EOG/OYTT-images/CMHall.html...
http://www.charlesmartinsimon.com/...
http://browse.addall.com/Browse/Author/2057713-1...
http://www.chasm.org/...
http://www.infoplease.com/ipa/A0767148.html...
http://www.securbar.com...
http://www.alu.ch/AluminiumBody.htm...
http://angelfire.lycos.com/ks/GayICQ...
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