Oil Paintings

Page 11 of 528
Hana Grosova, Marcia Freedman, James Gwynne, Donna Gallant, Lorrie Williamson, Leo Evans, Hyacinthe Kuller-baron, Lucille Coleman, Wayne Wilcox, Lucille Rella, Kyle Foster, Sarah Longlands offering original Oil Paintings artworks.


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Marcia Freedman: 'JT 8', 2010 Oil Painting, Abstract.    JT_ 8 is an abstract oil painting that was informed by landscape.  Not Yet is an abstract oil painting on canvas that was informed by the figure.                             ...
, 2010
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Marcia Freedman: 'JT 16', 2012 Oil Painting, Abstract.   JT_ 16 is an abstract oil painting that was informed by landscape. .                            ...
, 2012
Abstract - Painting
60 x 48 inches (152.4 x 121.9 cm)
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Marcia Freedman: 'Not Yet', 2012 Oil Painting, Abstract Figurative.   Not Yet is an abstract oil painting that was informed by the figure.                         ...
, 2012
Abstract Figurative - Painting
84 x 72 inches (213.4 x 182.9 cm)
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Marcia Freedman: 'CUZ', 2012 Oil Painting, Abstract Figurative.   CUZ is an abstract oil painting on canvas that was informed by the figure.                          ...
, 2012
Abstract Figurative - Painting
96 x 72 inches (243.8 x 182.9 cm)
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James Gwynne: 'Soaring', 2012 Oil Painting, Birds.  Bald Eagle soaring high among clouds ...
, 2012
Birds - Painting
38 x 42 inches (96.5 x 106.7 cm)
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James Gwynne: 'Hair II', 2002 Oil Painting, nudes. Hair, back view, larger than life ...
, 2002
nudes - Painting
46 x 50 inches (116.8 x 127.0 cm)
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James Gwynne: 'Misty Sky', 2000 Oil Painting, Landscape. Distant clouds barely visible with one white- edged cloud as a focal point of this subtle arrangement ...
, 2000
Landscape - Painting
60 x 65 inches (152.4 x 165.1 cm)
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Donna Gallant: 'Calenbine', 2012 Oil Painting, Floral.      Internal views of florals are the inspiration in this piece.  Painted on 9 - 12 x 12
, 2012
Floral - Painting
36 x 36 inches (91.4 x 91.4 cm)
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Lorrie Williamson: 'Relics from the Past', 2008 Oil Painting, Still Life.  A Still Life painting of objects made from earth products; iron, glass, and clay. Oil glazed and rubbed to give the effect of an antique painting. ...
Still Life - Painting
18 x 14 inches (45.7 x 35.6 cm)
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Leo Evans: '4 SALE YEAR END OIL ON CANVAS', 2005 Oil Painting, Inspirational.
Inspirational - Painting
24 x 36 inches (61.0 x 91.4 cm)
Donna Gallant: 'Fire Lily', 2011 Oil Painting, Floral.      Another piece from the artist's floral series.  Exploring and examming the internal aspects of a flower.  Sumbollic of one' s life, each piece are painted on smaller panels, then assumbled into one large piece and thus creating the whole.     ...
, 2011
Floral - Painting
40 x 48 inches (101.6 x 121.9 cm)
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Hyacinthe Kuller-baron: 'TZARIST DREAM', 2011 Oil Painting, Figurative.   Tzarist Dream by Hyacinthe Kuller Baron.Inspired by images from the classic Sergei Eisenstein film,
Figurative - Painting
2 x 3 feet (0.61 x 0.91 m)
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Lucille Coleman: 'Runaways', 2011 Oil Painting, Children.  This is an original oil painting of a dream I had of hopping a train and running away to throw caution to the wind. I would go to who knows where to do who knows what when I hear the sound of a train but I put two children in...
, 2011
Children - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Lucille Coleman: 'Running Man', 2011 Oil Painting, Figurative.  This is an original oil painting of a man running. It is meant for the viewer to ask questions and glean what they will from the energy emanating from the man running. This artwork is also a greeting card and bookmark under the theme of love with an established greeting...
Figurative - Painting
18 x 24 inches (45.7 x 61.0 cm)
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Wayne Wilcox: 'Beale Street Juke Joint', 2011 Oil Painting, Cityscape.  Beale Street Memphis    ...
Cityscape - Painting
24 x 18 inches (61.0 x 45.7 cm)
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Hyacinthe Kuller-baron: 'ALICE FLOWERS GICLEE', 2010 Oil Painting, Children.   ALICE AMONG THE FLOWERS IS AVAILABLE AS A GICLEE HAND TOUCHED BY HYACINTHE. Limited edition of 100 only. $2500. 00. Contact us for preferred size, canvas or paper and to order specifications. barongallery@ aol. com.Painting featured for the
Children - Painting
2 x 3 feet (0.61 x 0.91 m)
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Lucille Rella: 'Rebirth', 2009 Oil Painting, Theater.
, 2009
Theater - Painting
7 x 5 inches (17.8 x 12.7 cm)
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Lucille Rella: 'Glass Candies', 2009 Oil Painting, Still Life.
Still Life - Painting
7 x 5 inches (17.8 x 12.7 cm)
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Kyle Foster: 'Boutique', 2009 Oil Painting, Beauty.  Oil and 23. 5K Gold ...
, 2009
Beauty - Painting
14 x 18 inches (35.6 x 45.7 cm)
Sarah Longlands: 'Marani sur la Chaise', 1999 Oil Painting, Philosophy.   Mariani violin on my Regency chair.         ...
Philosophy - Painting
40 x 40 cm (15.7 x 15.7 inches)
Kyle Foster: 'Assoluta', 2009 Oil Painting, Dance.
, 2009
Dance - Painting
20 x 20 inches (50.8 x 50.8 cm)
Kyle Foster: 'Flamenco', 2009 Oil Painting, Dance.
, 2009
Dance - Painting
12 x 16 inches (30.5 x 40.6 cm)
Leo Evans: 'C CLASS 4', 2008 Oil Painting, Abstract.  A collection of painting both Acrylic and Oils on canvas painted in 2008 in the mind set of the spirit realm that I couldn't justify with titles but classified as class C paintingsnot a grade but a classification, maybe someday I'll add sub- titles. . . enjoy. Leo Evans...
, 2008
Abstract - Painting
30 x 36 inches (76.2 x 91.4 cm)
Leo Evans: 'C CLASS 3', 2008 Oil Painting, Abstract.  A collection of painting both Acrylic and Oils on canvas painted in 2008 in the mind set of the spirit realm that I couldn't justify with titles but classified as class C paintingsnot a grade but a classification, maybe someday I'll add sub- titles. . . enjoy. Leo Evans...
, 2008
Abstract - Painting
30 x 36 inches (76.2 x 91.4 cm)
Wayne Wilcox: 'Study in Orange', 2009 Oil Painting, Still Life.
Still Life - Painting
30 x 24 inches (76.2 x 61.0 cm)
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Wayne Wilcox: 'Upheaval', 2009 Oil Painting, Abstract Landscape.
, 2009
Abstract Landscape - Painting
40 x 30 inches (101.6 x 76.2 cm)
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Wayne Wilcox: 'Applebrush', 2009 Oil Painting, Still Life.
, 2009
Still Life - Painting
26 x 17 inches (66.0 x 43.2 cm)
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Kyle Foster: 'Communication Number 2', 2009 Oil Painting, Abstract.
Abstract - Painting
36 x 24 inches (91.4 x 61.0 cm)
Hyacinthe Kuller-baron: 'CASSANDRA and WHITE HORSE', 1980 Oil Painting, Figurative.   Artist, Author, Poet, Hyacinthe Kuller Baron creates her own mythology in a series of iconic paintings, Giclee prints and published books that comprise Cassandra's Tear
Figurative - Painting
4 x 4 feet (1.22 x 1.22 m)
Stephen Mead: 'Salutations', 1991 Oil Painting, Visionary.  Evocative mural size work, part of the DVD Murals in Motion, Indieflix.  com....
Visionary - Painting
36 x 54 inches (91.4 x 137.2 cm)
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(Page 11 of 528) - MORE ARTWORKS
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  • Artists Describing Their Art:

    Marcia Freedman - My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition. Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual. The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way. The physicality of the paint joined with resultant symbols is a narrative or dialogue ...

    James Gwynne - The sky and clouds afford the artist a tremendous number of shapes and colors. Movement can be captured in rhythmical patterns and forms. Together, these qualities can be inspirational and aesthetically stimulating when captured on canvas. The environmental paintings show the landscape affected by intrusions by man in the form of grafitti, trash, discarded objects, utility poles, etc. One can say that these are ugly reminders of landscape abuse, or that the beauty of nature dominates whatever intrudes. The figure paintings evolved from drawings done along with students during 30 years of teaching life drawing at the college level....

    Donna Gallant - Art is a daily routine in my life. I see, hear, taste, feel and smell the life that surrounds me and I am inspired by the simplest aspects of this world. Whether it be the way the light hits an object or the way objects or forms move in space. I find it all so fascinating and alive. I try to portray these experiences and expressions through my art making....

    Lorrie Williamson - As time passes and history is made, it is exciting to try and capture a special moment of life in a painting. It might be inspired by an earth-shaking event or just an ordinary daily experience. More often it comes as a result of looking for something meaningful to say about life as it is today by painting a picture of it. I have a passion for painting, and a ongoing desire to master the never-ending possibilities that are inherent in making art. I hope to express a mood or tell a story that will grab and hold your attention and make you want to see more....

    Lorrie Williamson - Lorrie Williamson - Lucille Coleman - Although I'm able to produce other imagery, the figure has been my main subject. I believe that if an artist can capture and express the figure well, he can master any subject. I have explored the following themes to name a few: chic erotica, forms of dance such as latin and hip-hop, the family, conceptual themes pertaining to people in business, men and women in positive leadership roles and societal issues. I enjoy painting subjects and themes by using a loose, bold, direct and painterly brushstroke or flat graphite strokes over a solid drawing. Spontaneity and making visual statements by the "less is more" method is very gratifying for me. In addition, the chiaroscuro lighting of subjects fascinates me and I never tire of its effects of light and shadow. I am influenced by the works of Joaquin Sorolla, John Singer Sargeant, Caravaggio and other painters of his era, Wassily Kandinsky, Phillip Corey, Impressionism, and many great illustrators. ...

    Wayne Wilcox - ArtistaEURtms statements have always seemed redundant to me. The work generally speaks for itself. But here goes.. For me itaEURtms about shapes, color and lines interacting and relating to each other. Representational, abstract, non-objective theyaEURtmre all the same. Light against dark, color against color, line intersecting line. IaEUR~m as comfortable with super realism as I am with abstract expressionism. Then, of course, thereaEURtms the medium. I love the paint. I love the act of painting. I love how it flows and how it takes on a direction on itaEURtms own. ItaEURtms like magic. With one stroke something appears before your eyes that wasnaEURtmt there before. An image. An emotion. With each stroke or drip it changes. ItaEURtms an amazing experience. I highly recommend it. And then thereaEURtms image. I am a visual artist. IaEUR~m after strong images, images that evoke a feeling. Starkness, warmth, love, violence, emptiness, beauty, strength. I want the painting or drawing to stand on itaEURtms own. I am a painter. I cannot escape that fact. There have been times IaEUR~ve tried but I always return. ItaEURtms not what I do. ItaEURtm...

    Lucille Rella - Color, I can't imagine life without it. We are surrounded by it. Our attention is drawn to it and it creates a variety of moods in our environment. It motivates me to paint. A spectrum of lights and darks, high colors and muted tones get me involved in a painting. The wonderful transparency and spontaneity of the watercolor medium, helps me to utilize these qualities in expressing my art work. ...

    Kyle Foster - For a more complete look at Kyle Foster's work:

    Sarah Longlands - I trained at Bristol and Manchester, where I gained a BA hons and completed my post-graduate studies at University College London Slade School of Art. In the words of one of my collectors Ostensibly realistic, her work goes beyond this to explore the nature of reality, and of time and space. The artworks are refined, emphasizing her knowledge and meticulousness in the chosen medium. But her art is not just representational it also has a rare imaginative flair. The objects are changed into something which is beyond the original and which creates a kind of parallel ideal artistic reality. If this sounds a little like surrealism, then maybe that is not so far from the truth, but the work is subtler than that. Having previously exhibited in many exhibitions in both the United Kingdom and France, Gold Fish Galleries in Sarasota, Florida then in the Lincoln Centre in New York and done many commissions for people both in London, the provinces but also in The United States, I finished a commission from Cunard Line in 2003, through the art consultants Onderneming Kunst to do six oil paintings for the penthouses on board the new Queen Mary 2, launched in ...