Photography For Sale - Price Range: $500 - $599

Page 3 of 10
Discover 275 original photography artworks for sale between $500 - $599. Contemporary emerging artists: Bruce Panock, Mir Kian Roshannia, Bernhard Luettmer, Joanna A. Rytel, Harvey Horowitz, Ellen Rosenberg, Reuben Njaa, Nabil William are exhibiting their affordable original art. You can buy artwork online and browse 10 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


Contemporary Art / Photography / Previous / Next
Bruce Panock: 'Yellow Orchis 1', 2009 Color Photograph, Floral.  A still life image.Images are pritned on archival papers with archival inks.Different sizes are available upon request.       ...
Floral - Photograph
16 x 21 inches (40.6 x 53.3 cm)
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Bruce Panock: 'Open Space', 2009 Color Photograph, Landscape.  This image hopes to show the beauty of winter in an abstract way.Images are pritned on archival papers with archival inks.Different sizes are available upon request.     ...
, 2009
Landscape - Photograph
16 x 21 inches (40.6 x 53.3 cm)
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Bruce Panock: 'LA Flower Reversed', 2009 Color Photograph, Still Life.  This image is from a walk through the San Diego Zoo.Images are printed on archival papers with archival inks.Different sizes are available upon request.    ...
Still Life - Photograph
16 x 21 inches (40.6 x 53.3 cm)
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Bruce Panock: 'Ice Sculpture 2', 2009 Color Photograph, Still Life.    This image is from a winter festival in which ice sculptures were featured.  Getting close to the sculpture, picks up the detail of the work and captures the light in the ice.Images are pritned on archival papers with archival inks.Different sizes are available upon request.   ...
Still Life - Photograph
16 x 21 inches (40.6 x 53.3 cm)
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Bruce Panock: 'Ice Sculpture 1', 2009 Color Photograph, Still Life.   This image is from a winter festival in which ice sculptures were featured.  Getting close to the sculpture, picks up the detail of the work and captures the light in the ice.Images are pritned on archival papers with archival inks.Different sizes are available upon request.  ...
Still Life - Photograph
16 x 21 inches (40.6 x 53.3 cm)
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Bruce Panock: 'Black and White Flowers', 2009 Black and White Photograph, Floral.  A different perspective on a flower.  The absence of colors opens the textures of the flower.Images are pritned on archival papers with archival inks.Different sizes are available upon request.       ...
Floral - Photograph
16 x 21 inches (40.6 x 53.3 cm)
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Mir Kian Roshannia: 'Wind', 2008 Color Photograph, Spiritual.  The spirit of wind in Desert ...
, 2008
Spiritual - Photograph
48 x 38 cm (18.9 x 15.0 inches)
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Mir Kian Roshannia: 'Crossing', 2007 Color Photograph, Travel.  Crossing on Desert ...
, 2007
Travel - Photograph
56 x 42 cm (22.0 x 16.5 inches)
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Bernhard Luettmer: 'die Traenen meiner Socke', 2009 Black and White Photograph, Zeitgeist.  die Traenen meiner Socke 2009 ...
Zeitgeist - Photograph
61 x 63 cm (24.0 x 24.8 inches)
Bernhard Luettmer: 'Gambler', 2002 Silver Gelatin Photograph, Famous People.  Barbone a Venezia ...
, 2002
Famous People - Photograph
50 x 50 cm (19.7 x 19.7 inches)
Bernhard Luettmer: 'Love', 1997 Silver Gelatin Photograph, Abstract Landscape.  Silver gelatin print matt.Cararra, Tuscany, Italy ...
, 1997
Abstract Landscape - Photograph
63 x 63 cm (24.8 x 24.8 inches)
Bernhard Luettmer: 'Lavender III', 2008 Silver Gelatin Photograph, Still Life.  Limited Edition silver gelatin 1/ 10 ...
Still Life - Photograph
30 x 40 inches (76.2 x 101.6 cm)
Bernhard Luettmer: 'Lavender I', 1993 Silver Gelatin Photograph, Gestalt.  Lavender series are  silver gelatin prints30 cm per 40 cm limited edition 1/ 10   ...
, 1993
Gestalt - Photograph
30 x 40 cm (11.8 x 15.7 inches)
Joanna A. Rytel: 'Power of stones1', 2006 Color Photograph, Conceptual.  Part of a series
Conceptual - Photograph
20 x 18 inches (50.8 x 45.7 cm)
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Joanna A. Rytel: 'Oil and water', 2005 Color Photograph, Undecided.  A photography from series of
Undecided - Photograph
20 x 18 inches (50.8 x 45.7 cm)
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Joanna A. Rytel: 'Transparency1', 2007 Color Photograph, Digital.  It is a photography from a a series called
Digital - Photograph
22 x 18 inches (55.9 x 45.7 cm)
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Harvey Horowitz: 'Mt Jefferson', 2007 Color Photograph, Landscape.  Giclee Fine Art Canvas 45
Landscape - Photograph
45 x 15 inches (114.3 x 38.1 cm)
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Ellen Rosenberg: 'Unblurred Gender 15', 2007 Black and White Photograph, Portrait.
Portrait - Photograph
20 x 24 inches (50.8 x 61.0 cm)
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Reuben Njaa: 'Landmark plus One San Francisco', 2006 Color Photograph, Abstract Landscape.  Landmarks revisited ...
Abstract Landscape - Photograph
48 x 36 inches (121.9 x 91.4 cm)
Reuben Njaa: 'Landmark San Francisco', 2006 Color Photograph, Abstract Landscape.  Landmark revisted ...
Abstract Landscape - Photograph
48 x 36 inches (121.9 x 91.4 cm)
Reuben Njaa: 'FalfurriasTexas Watertower', 2007 Color Photograph, Abstract Landscape.  Memento of the Absent ...
Abstract Landscape - Photograph
48 x 36 inches (121.9 x 91.4 cm)
Reuben Njaa: 'Cactus Roma Texas', 2006 Color Photograph, Abstract Landscape.  Memento of the Absent ...
Abstract Landscape - Photograph
48 x 36 inches (121.9 x 91.4 cm)
Reuben Njaa: 'Bail Bonds Rio Grande City Texas', 2007 Color Photograph, Abstract Landscape.  Memento of the Absent ...
Abstract Landscape - Photograph
48 x 36 inches (121.9 x 91.4 cm)
Nabil William: 'Dancer 1', 2006 Color Photograph, Portrait.  Dancer ...
, 2006
Portrait - Photograph
10 x 15 inches (25.4 x 38.1 cm)
Reuben Njaa: 'Tauromaquia 9', 2006 Other Photography, Culture.  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore the appeal...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 8', 2006 Other Photography, Culture.  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore the appeal...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 7', 2006 Other Photography, Culture.  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore the appeal...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 5', 2006 Other Photography, Culture.  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore the appeal...
Culture - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Reuben Njaa: 'Tauromaquia 4', 2006 Other Photography, Undecided.  A person would have to be insane to fight a 1,200- pound beast. The objective of the bullfight is, in fact, the opposite: to avoid a brutal confrontation by using the human attributes of intelligence, grace, and elegance. Since moving to Laredo, Texas I began to explore the appeal...
Undecided - Photograph
20 x 24 inches (50.8 x 61.0 cm)
Beatrice Van Winden: 'alone with the elements', 2005 Black and White Photograph, Sports. This photograh comes on fiber paper. It was taken with a traditional camera and professional b/ w slide. It cean be bought on canvas for the same price. ...
Sports - Photograph
22 x 28 inches (55.9 x 71.1 cm)
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(Page 3 of 10) - MORE ARTWORKS

Artists Describing Their Art:

Bernhard Luettmer - The project is to create the image with a short composition as I wanted at times I took in here. Timing and movements of the camera or the machinery are important resources. Photography is listen to the world as we hear a beloved piece of music. For example: I see a tree just in vegetation, the wind gentle caresses the new leaves, the light shines and you hear all this on the skin. Now take a picture with the knowledge that this concentration and on the negative is something of the feeling....

Joanna A. Rytel - Few words about me My journey through the world of art began in Warsaw, Poland in 1965. As a 7 year old I attended an art class with my best friend Marysia. The subject matter might not have been the most ambitious, but the passion for expressing myself through various forms of art remains. Since that first art class I have dipped my fingers in many art forms like oil painting, mixed media, ceramic, mosaic, and photography. I love them all. To me, the most important thing about art is not the form, but the feeling. The feeling of being, of living. 20 years ago I moved to the United States with my daughter Dorota. Soon after arriving here I got involved in the Chicago art scene. In 1991 Gosia Garbalska and I established a non for profit organization called Art Moves International, which was devoted to artist exchange between Eastern Europe and the United States. Later on I represented Polish artists as the curator of Gallery 58, and helped organize many exhibits and art events such as Around the Coyote. After a long period of playing the role of art curator, I decided to focus on my own development ...

Harvey Horowitz - The artistic philosophy that has inspired me in composing my photographs over the last fifty plus years is really quite simple: It is to capture something extraordinary in what is otherwise commonplace to the casual observer. I am fortunate that the gallery which represents me in Montreal, Beaux Arts David Astrof, has shared my point of view. While the artist's conception is important in-so-far-as it expresses something original (and/or freshens how we perceive the world around us), I believe it is equally important that the concept be inspiring and not merely cleverly unique. Photography is not currently my main source of income. My livelihood is management consultation work which takes me around the world. It is traveling, with its expatriate experience of being apart from the familiar, which infects my vision and shapes my choice of perspective. This fuels my inspiration to create a photograph imbued with the magic of that particular setting at that particular moment in time. While travel is a big part of what motivates my creative process, it is this "stranger in a strange land" experience which influences all my work. In my last solo exhibition with Beaux Arts David Astrof, ...

Ellen Rosenberg - aEURoeWhen you approach something to photograph, first be still with yourself until the object of your attention affirms your presence. Then donaEURtmt leave until you have captured its essence.aEUR Minor White Art is neither a profession nor a hobby. Art is a way of being. It is an expression of the human spirit and an integral part of all beings. My creative passion is expressed through the art of photography, allowing for a vocabulary of imagery that is my own. These photographs arise out of my own spirituality, a practice of mindfullness and being fully awake to the present moment. As my journey has taken me deeper into the study of Dharma I have recognized that the camera becomes an extension of my being. I bring the camera to my eyes and aEURoefeelaEUR the image that appears in front of me with a heightened awareness. An opening to the world precisely as it is, offering up all the richness and beauty that is present within this moment of time. I seek to create an intimacy with my photographs, allowing for the viewer to feel the art form, not as a two dimensional visual archive of a moment, but to...

Reuben Njaa - All my work is dependent on form, color, and composition. I believe the most complex emotions can be evoked from the simplest of forms. My style explores the relationship between man-made structures and the digital world; the idea of recognizable shapes and structures living within irrational thoughts and emotions. I find beauty in things that are cast off. When I find a surface I am intrigued by I bring it back to my studio where I paint on it or scrape parts of the surface and then scan it into Photoshop and begin the transformation process. Occasional I paint directly on to the photograph before scanning using a combination of materials such as pencils, acrylic paint, Marshal Oils or watercolors anything to provide more texture to the surface. I work spontaneously and become more detailed as the composition starts to show itself. I think of my photo-paintings as two separate components, one part non-objective abstract art and one part traditional photography, brought together to fashion something new. As an artist, this combining of two different medias intrigues me. Texture is of primary importance in my pieces. I think of the surface of my photo-paintings as the ...