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Artist Statement:
Being a dancer and always
flexible, my floor bar in
advance in the time, I
started to paint, I said to
myself, 2 wheels are better
than one and so I go my
way...........
The purpose of this portfolio
is to introduce myself as a
dance-exercise, technical
basis teacher ...
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Artist Exhibitions:
Ballet learning with Igor
Fosca, Boris Nikish
Tonin(Rome).
Jazz learning with Amadao,
Molly Molloy, Andre Delaroche.
Bar on the floor learning
with R.Bestonzo(opera de
Paris), Nenuphar Fletas(prima
solist in opera di Buenos
Aires)and Gilles Guillaume
from opera de Paris.
Exhibitions: Jazz and French
Cancan dancer...
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Artist Galleries:
Espace St Cyprien in Toulouse
is a big cultural center where
I did a workshop during 2days,
ending by a broadcast
interview to explain my work
on november the 13th of 2001.
AAC is a school dance where
I was teaching my creativity:
4 bis Cite Veron Paris 75018
near ...
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Artist Reviews:
my creativity can be seen in
others websites:
www.danceart.com
www.yahoo.com
search agnidance
www.msn.com
search agnidance
www.google.com
search agnidance
www.tiscali.co.uk
search agnidance ...
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Commissions:
If you are interested to my
special work we can discuss
the price: it's not a problem.
Workshops can be shorter or
longer, it's up to you....
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Collections for Michele Niels:
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As I said upper my dance creation is always in my heart,so I create a new way to express myself: the painting, enjoying this new form of creativity
Some explanations about my teaching: good teachers but never satisfied I always was looking for a new method all along the years. After a carcrash, I decided to dig deeply this material.The mainkind is a good position of your articulations and a physical building: it's important to start by making your backbone supple( working out solaris plexus, vertebras:lombaires and sacrum) supporting by a deep breath. More your backbone becomes supple, more your hips begin to open. As you are getting stronger, the exercises become harder, that's why several levels are necessary. After a lot of exercises we practice the splits, but instead of proceeding by the pubis, we did it by the knees which gives you a huge strength to the inside of the legs and which work out the "endehors du bas de jambe". My pictures show you this type of work: first and second level, the splits are taken very high, the third level:the dancers are lying on their bas de jambes making strong the muscles of their whole legs, which is necessary for the batteries.My work concerns a lot of people, including dancers. I was teaching in a school of dance near the Moulin Rouge, the heart of Montmartre which was the kingdom of painters like Van Gogh, Toulouse Lautrec and so.
As I said upper I designed to understand the muscles and no longer further I jump in the painting
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