Artist Information:
Michael Anderson
Seoul,
Korea
Member Since: Oct 2009
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Artist Statement:
Happy Mascots!
Mascots are ubiquitous
creatures in Asia. Practically
ever municipality, festival,
or institution has one,
including the police
departments of Seoul
(“Podari”) and Tokyo
(“Pipo-Kun”). They can be
animals, humans, or some
anthropomorphic collision of
the two.
From the myriad of forms
mascots come in I depict their
“archetypical” features in a
manner that puts them on the
threshold of abstraction,
setting up an interplay
between these vernacular
characters and the traditions
of abstract painting.
The geometric shapes (ovals,
diamonds, hexagons, and so on)
serve to bring together the
disparate imagery as a
cohesive body of work and
sometimes allude to parts of
the figure while remaining
abstract. Additionally, the
images often include Asian
motifs (gourd shapes,
ornamental designs from royal
artifacts, and so on).
...
Further Information
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Artist Exhibitions:
MICHAEL ANDERSON /
eastofhere@gmail.com/
www.michaelanderson.co.kr
ART EXHIBITIONS:
2010 Solo exhibition at Jay
Gallery, Seoul, South Korea.
From Oct. 6 to Nov. 2.
2009 Solo exhibition at
Dobaebacsa Project Space,
Seoul, South Korea. July 5-11.
2008 Solo exhibition at
Palace Gallery, Seoul, South
Korea. Feb. 2-...
Further Information
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Artist Galleries:
Represented in Asia by Jay
gallery, Seoul. Looking for
exhibition opportunities
worldwide. Please contact me
at eastofhere@gmail.com
...
Further Information
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Michael Anderson's Free Artist Portfolio
Welcome to Michael Anderson's Portfolio.
Happy Mascots!
Mascots are ubiquitous creatures in Asia. Practically ever municipality, festival, or institution has one, including the police departments of Seoul (“Podari”) and Tokyo (“Pipo-Kun”). They can be animals, humans, or some anthropomorphic collision of the two.
From the myriad of forms mascots come in I depict their “archetypical” features in a manner that puts them on the threshold of abstraction, setting up an interplay between these vernacular characters and the traditions of abstract painting.
The geometric shapes (ovals, diamonds, hexagons, and so on) serve to bring together the disparate imagery as a cohesive body of work and sometimes allude to parts of the figure while remaining abstract. Additionally, the images often include Asian motifs (gourd shapes, ornamental designs from royal artifacts, and so on).
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