|
|
Artist Statement:
ARTISTS ITALIAN CONTEMPORARY:
BIOGRAPHY ESSENTIAL ARTIST
Angelo Mazzoleni was born in
Florence on June 7, 1952 .. It
starts soon his artistic
activity, cultivated already
in the youth, under the
guidance of some teachers and
attending courses at the
Accademia Carrara Bergamo.In
these years, participates in
the first exhibitions painting
in Lombardy and in other
Italian regions. Some travel,
particularly in Germany and
Paris, enrich his artistic and
cultural baggage and affect
its first part of pittorica.Si
also interested in discovering
paleontology in particular
some important fossils,
donated to museums in Milan
and Bergamo, including a
erionide a generally still
unknown and which was given
its name in the relevant
publications scientifiche.L
'interest in the mystery of
the past, for history,
especially early in his
ancestral size, is one of the
other elements that
characterize the His research
also in the field of painting,
even before the foundation,
with other artists, the group
"NEW ART SINCRETICA." "The
evolutionary path of the
artist, now thirty years, is
marked by a personal search
for the origins of the world
of its vital forces Which,
despite the variety of themes
and techniques, appears as a
single inner journey through
time and ...
Further Information
| |
Artist Exhibitions:
EXHIBITIONS YEARS 80-2008
1980 Bologna, National Art
Gallery. Display Collective
1980 Bergamo, Circolo
Artistico Bergamasco. Display
Collective
1983 Bergamo, Capricorn
Gallery. See Staff
1983 Bergamo, Ars Gallery. See
Staff
1984 Bergamo, Garitta Gallery.
Display Collective
1984 Lecco, Bovara Gallery.
Display Collective
1985 Milan Gallery Modigliani.
Display Collective
1985 Rho (...
Further Information
|
|
Artist Galleries:
Artists italian Contemporary :
Angelo Mazzoleni art
Galleries:
Tartaglia Gallery-Rome
Artitalia Milanofiori-Milan
Calcagno galleries -Catania
Promotionart gallery-Bergamo
Artisrecensio-Verona...........
.
...
Further Information
|
|
Artist Reviews:
Coming Soon!
|
|
Collections:
Coming Soon!
|
|
Commissions:
Coming Soon!
|
|
|
Angelo Mazzoleni Biography:
| Biographical information for Angelo Mazzoleni can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
|
Age
|
54
|
| |
| Gender |
Male
|
| |
| Status |
not provided
|
| |
| Children |
99
|
| |
| Religion |
not provided |
| |
| Education |
High School |
| |
| Hobbies / Interests |
not provided |
| |
| Favorite Artistic Medium |
Mixed Media
|
| |
| Favorite Arthistory Movement |
Contemporary Art - (Now)
|
| |
| Favorite Visual Artist |
not provided
|
| |
| Favorite Work of Art |
not provided
|
| |
| Biggest Artistic Inspiration |
NEW SYNCRETIC ART MOVEMENT OFF ANGELO MAZZOLENI ARTIST ITALY |
| |
| Why Did You Become An Artist |
not provided |
| |
| Your Personal Biography |
ARTISTS ITALIAN CONTEMPORARY:
ANGELO MAZZOLENI-BIOGRAPHY
Art and search
“The origins ,primordial forces, new art syncretic and lasts sperimentations”
Angelo Mazzoleni was born in Florence on 7th June 1952, he lives and works in Bergamo and is an interesting and original painter with a consolidated renown. He attended some courses at the Carrara Academy in Bergamo and started with his artistic activity when he was young, under the guide of some masters. He has painted for more than 30 years.
His education is marked by a varied and very personal research of the world origins and its vital force through three main moments:
- the study of the infancy and the primitive history, through the nominal representation of man’s primordial forces and energy (historical origins);
- the research of the archetypes of existence and life, both through the scompositions in plans of the reality and through material compositions, the more ovoidal or different structures whose main themes are: symbology bound with paths of light, temples and labyrinths.
- Recently, the artist is developping an interesting research of “syncretic” type. From that it was born the foundation, with some other artists from Bergamo, of a new group-movement “NEW SYNCRETIC ART', still in phase of developpement, while in the same way the artist is continuing to experiment some new and innovating expressive forms.
In general, all his educational course is tended to an historical and spiritual synthesis between past and present, to represent and penetrate the sources of life, the mysterious and ancestral dimensions of human soul and of the world.
WEBSITE OFFICIAL:
WWW.ANGELOMAZZOLENI.COM
EMAIL : mazzoleniangelo@libero.it
Critic notes about Angelo Mazzoleni last works'
In the very interesting Angelo Mazzoleni’s last works some beautiful and original mixed techniques on various supports, there’s a real wish to communicate, to transmit, to correspond, thanks to the great force that these works emit; this force involves the observer, and obliges him to stop and think. In fact it’s like a liberation of an intrinsic energy that obliges to read it further to the material, and awakens some questions, doubts, anxiety.
It’s an eschatological research of the artist, there are existential and transcendental problems that always trouble man to be in the center of his works; that’s the opinion about something “divine”, superior (the moltitude of temples, the magic of the “door of the night” or the crepuscolar one, etc.) that is re-created by Mazzoleni, as he lives it totally, thanks to the apport of a matter, and of a materiality, that is transformed and ennobled by this artistic operation.
These mixed techniques, the amazing ovules, with their dramatic effects, mean for the first thing to recognize the poetry of an artist, sensitive and malleable, able to catch the force of suggestion transmitted by the mixing of matter, colour and sign in an affirmation of the values, that born from the deep and intensive breath of a big and remote feeling, but without a limit of space and time.
Love for the matter and its potentialities and dialectical research mark Angelo Mazzoleni’s works, that in these specific works of art reveal its big communicative capability, ready to talk about an indifferent and anonymous society, like ours is ever and ever, where the human values, the divines ones, fall down in the shade that wraps the past and makes the future intelligible”.
Perugia - Luciano Lepri (journalist - art critic)
Further wrote about him:
S. Di Carlo - Fed. Crit. d' arte Roma, L. Lazzari (critic and journalist), A. De Santis, D. Merino, L. Lorenzi (critic), G. Barachetti, L. Lepri (journalist - art critic) - Perugia, C. Cutrufo (Historial of the art), G. Latronico (critic of the art), G. Bonomo (critic of the art), G. Sillato (Historial of the art) - Verona, 'La Sapienza' University, Rome
Flash art, Catalogo Arte Mondadori
National services Tv 2 and others TV .
Address: via M. Domini 8-24121 -Bergamo-Italy
Tel: 035-245159
Tel Cel.: 3473503238
mazzoleniangelo@libero.it
THE ART OF TOTAL ANGELO MAZZOLENI
By G. Latronico
'That Angelo Mazzoleni is an studded with microcosms of archetypes and symbols of the distant, of innocence betrayed, paradise lost nell'obbrobrio of original sin and regained the ideal purity.
Sources of being, the source of life, labyrinths of the present insurmountable barriers, chain indissoluble, prisons are unbearable that even salvation in artistic catharsis, to the sound of itinerant musicians.
Only through his art beyond the material needs, the human misery and ephemeral earthly vanity, seeking spirit in the field, in essence and substance things in life.
Totem archaic; solar idols; girls primordial reminiscent of the demoiselles d'Orléans Pablo Picasso, searching for their roots, a return to his roots and regain lost authenticity. The linearity of the landscape, the conceptuality of composition and the brightness of connective tissue express a unique painting, off the charts, thick archaic, interest ethnic and universal significance.
The musician, saxophonist, wandering musician, go around the vast world to give a sonata, a smile, a melody to people unknown, at the cost of hardship, sacrifice and personal suffering, all printed in the solitude of their eyes sad, ammaccatì and tired.
The dimensions of light s'irradiano to 360 degrees, in order to illuminate medieval environments; arcane solitude, primitive habitat, in a three-dimensional perspective, in a chiaroscuro accentuated in a depth aerodynamics.
The sun, moon, stars often shine on human calamities, to invite people to raise their eyes and reach up to heaven through purification, and finishing art.
PRIMORDIAL THE SIZE AND COSMIC DELL'IO: THE BOOK 'NEOSINCRETIC' off ANGELO MAZZOLENI
Since first glance, the painting appears Angelo Mazzoleni characterized by a level of maturity and completeness theoretical highly significant, which makes this artistic experience not only the flow of a spontaneous emotional state but also, and above all, the constant search for reasoned and a precise ideological system. That suggests that the Master is, in fact, a kind of painting that is nourished, the same extent, the spontaneity of 'inspiration and careful investigation on the mechanisms that regulate and move the ranks of human consciousness. Almost a scientific study on how I investigate himself, deep within the maze of its interior size, detail and universal at the same time. The main impression is that of an absolutely conscious, made even more complete by the fact that the artist describes and illustrates personally, with great lucidity and clarity, it is aware of the objectives to be attained and roads to be followed to do so. This gives the idea of a philosophical system studied in any detail and whose point of view is beyond the strictly optical painting of artist. Art is always striving for knowledge and discovery of the world, through the discovery of self, but not always the substrate over which it feeds is so well defined in terms of pure thought. Much more often, it is pursuit of a momentum, the celebration of beauty, creation of new visions, or simple representation of nature, and a few times the size to which runs is so deeply archetypal intellectually elevata.Nella subdivision and that the artist will ago, and that, moreover even emerge from the surface of individual works, show that to Mazzoleni is a very precise, not ever proceed blindly, but that has always clear some common thread to follow. The first section of works reminiscent of the personal experience of the artist and child, which seems to immortalize brief flashes of life and memories of that experience related to child passed; emerge thus works as childhood Games (oil ), Memoirs d 'childhood (oil) or Memories of Florence (oil), which recall, so obvious even in the titles, the issue of return to the past, a return almost nostalgic or, at least, relived with the affection that l binds intimately 'adult spent the sweetness of childhood. But in the second stage, one that the artist called primordial forces in theatre history, it comes to a search for innocence and purity that shows the individuality of the original purity of the world: works as Primordi (oil) and ancient scriptures (oil) abandonment attests to a type of painting that deliberately, recalls the great cave paintings of primitive with clear fidelity and almost-my spirit. Here is the heart of the search for Mazzoleni, who falls in the shoes of the progenitors of the world - becomes the 'primitive man horse that drew on the walls of caves of Altamira - and assume the point of view, contemplating reality as was the first man on land, with simplicity, wonder, and desire to scopertaMa this is, perhaps, only the preparatory time before the true revelation: the third phase, which identifies with Mazzoleni Syncretism and testing of the so-called painting ovulate. Works as Porta night (oil and mixed) Dimensions (oil and mixed) and Memory sacred icon neosincretismo (oil and mixed) mark berthing new beaches, which are no longer those of the rediscovery of childhood ' I and the world, but suggests perhaps the rise to a more human dimension even, but lunar space perhaps, towards which man casts his highest desire of knowledge: the discovery of the above it. In a sense, therefore, Angelo Mazzoleni proceeds for well-defined stages, each of which is the necessary step toward the final ascent.
The celebration of memories and environments that have populated his childhood, even before the artist, is the awareness of their roots, introspective moment where I discovered himself, takes note of its identity and fixed in their genetic heritage and cultural signs of their provenance individual l 'identification with the primitive man causes, in a single moment, the entire history, from its ancient origins, in confluisca his personal experience, in which the particular and the universal are reflected and identify up to be confused, because the story of one is the same for others, and no longer exists boundary between the human being and the world that surrounds In it is communion with the universe, which depends upon reconciliation with the Io himself, first, and the world, then - or with the thousands of years of history that brought him here and now, in this particular moment and this particular context. And the merger with the 'universe is nothing if not a very strong push that brings the artist beyond conceptual and physical barrier and the freedom to the highest form of knowledge of self and of the world. Man becomes the same through this journey of knowledge, and is in the visionary and expressive power of the mind and heart that everything human is found and reunited, the power of that guides us in one direction or another and that of 'the man who scrutinizes searching signs of a truth from owning and revealing.
This is the meaning of the works of Angelo Mazzoleni, meaning that the viewer can grasp regardless of the knowledge aprioristica thinking that inspires. The production of this artist speaks for itself effectively, with loquacità and clarity, regardless of any theory: the search for the Master is the same primitive man, of all ages, who turns his gaze to the sky with the a spirit of Prometheus enchanted by the world and yet, but give it. The desire that pervades the 'individual / artist Mazzoleni is a desire to merge with reality and with all its primordial forces. Hence the idea of a perfect identification between man and the universe, the feeling of a kind of pantheism profane, which celebrates the forces of nature and the world as a reflection of inner strength that leads man towards analysis and the profound discovery of his surroundings. The same spirit and the same soul and the individual pervade the land, man and the modern primitive, as if thousands of years of progress annullassero in favor of a dimension of absolute knowledge and uncontaminated, which feeds only of the extraordinary power that ' man infuses the world and at the same time, the world receives. This is the meaning of Neosincretismo Angelo Mazzoleni, who, in terms of pure painting technique, teorizza the fusion of past and present experiences, as well as on the conceptual closely, advocates the idea of man as the focal point to which all converge the forces of history and of the universe, and which operates in the synthesis of these extreme. Indeed, in the intentions of its founder, Mazzoleni precisely the Neosincretismo is an attempt to merge different artistic styles, belonging to different eras and trials, a summary of the technical and expressive possibilities that will reach one form of art, capable , thanks to its absolute uniqueness, to give substance to higher synthesis conceptual artist who works imply. This is evident in paintings of the Master, who deliberately draws the most diverse experiences of the history of past and contemporary (many of his works contain references seem obvious, as well as to paint walls of 'primitive art, style and dreamy fantasy by Chagall, to a geometric abstraction of an avant-garde or the feminine features of a Modigliani) for a eclecticism in which - he says - find the real distinctive, and the only possible uniqueness of his paintings. Do not, therefore, adherence to a single scheme, a topos that become the hallmark of that painter, but the choice of a plurality of styles and techniques where regain hand, unity and fullness. And this is the synthesis of mediums and ideological content that the painting by Angelo Mazzoleni search systematically.
Merging the different styles, different techniques which, over the centuries, man has used, it means ensuring that the pure painting technique is uniform, in a sense, the project overall philosophy which art by Angelo Mazzoleni you bearer: finding in the focal point of existence, the whole of creation and driving forces of land and generate life. The I contains within himself this infinite universe, precisely because its research to know and give meaning to things, it establishes the existence deep and vital. It, however, that 'universe was born and he comes for a perpetual mystery of creation that he constantly tries to investigate and clarify. In its commitment thus profanamente as alpha and omega of this vast world, the man proceeds in its path of knowledge and discovery of the primordial forces - more than ever present and lives - which move its very existence, collective and individual.
DANIELA D'ORTENZIO - Journalist art (JOURNAL OF EQUIPèCO)
OVA AND THE DIMENSIONS OF LIGHT - 'Notes on recent critical work of Angelo Mazzoleni'
L. Lepri
In the latest interesting works of Angelo Mazzoleni, as beautiful as the original, mixed techniques on various media, there is not a hidden desire to communicate, transmit, corresponds thanks to the great strength that this work can unleash, force involving the observer , forcing a pause to reflect. It is as if liberassero a sort of intrinsic energy that does not consider leaving the second the usual parameters of taste east ethical forces to a reading that goes beyond the material used, raising questions insinuate doubt, creating anxiety. And 'research eschatological that of our artist, the transcendent and existential problems that afflict man ever to be at the heart of its work is the belief in something divine, higher education (the many temples here, the magic of 'door of the night' or the 'twilight, etc..), which recreates Mazzoleni, vivendolo full, thanks to a subject and a material is then processed and ennobled by his artistic operation. These techniques mixed drugs' ova ', with their dramatic effects, signìficano first recognize the poetry of an artist, sensitive and malleable, able to accept the power of suggestion forwarded dall'amalgamarsi matter, color and in a sign affirmation of values that are born from deep breath and intense feeling of a large and remote, but without the limitations of space and time. The love for the area and its potential and research dialectic characterize the work of Angelo Mazzoleni, who works in these specifications reveals his great communication skills, ready to speak of a detached and anonymous society, which our increasingly is , where human values, and those divine transcendence fall increasingly in the wrapping of the past and make intelligible the future.
Perugia, - Luciano Lepri (journalist-art critic art) |
| |
|
contact artist
