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Artist Statement:
Brian Burris has been painting for over twenty years.
He is a primitive, in the sense that he is self-taught.
Originally, he more closely identified with the
abstract expressionists, with the emphasis on the
'automatic' or subconscious act of painting, the
accompanying emotional intensity and the
anti-figurative, sometimes violent and grotesque
aesthetic, and the press as refered to him as a hard-drinking, bare-knuckles fighting hulk, comparing to both Hunter S. Thompson (and I had never met the late Mr. Thompson but Mr. Burris assures me he's no Hunter Thompson) and Jack Kerouac.
After a seven-year hiatus, Mr. Burris returned to
painting and segued into the more minimalist style
seen in color field painters like Clyfford Still, Rothko,
and Barnett Newman. In comparing him to actual painters, Rothko most frequently comes up. Burris began to explore the
parallel themes of the spiritual, and the unconscious
mind, reflected in the painting process itself
progressing according to both the will of the
subconscious and the properties of paint and
canvas, letting the execution and the subject matter
become analogous to the unconscious psyche
asserting and expressing itself, where unconscious
meets chance, spirituality borders on psychology,
and the...
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Artist Exhibitions:
Most current exhibitions:
25) July ’07: ArtsWorcester, 'A Cool Breeze': Summer Member’s Exhibition.
26) Sept '07: Mechanic's Hall, 150th Anniversary Open House, Worcester Mass.
27) Oct '07: 'Honoring Memory', Gallery 181, Lawrence Mass. (juried).
28) Nov '07: ArtsWorcester 'Fire & Ice 2007'.
29) Nov '07: Art House 2007 Art ...
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Artist Galleries:
representation:
Dzian Gallery, Water Street, Worcester Mass
Aurora Gallery, Main Street, Worcester Mass
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Brian Burris Biography:
| Biographical information for Brian Burris can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
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Age
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41
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| Gender |
Male
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| Status |
not provided
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| Children |
99
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| Religion |
not provided |
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| Education |
Associate Degree |
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| Hobbies / Interests |
Lieutenant, Worcester Fire Dept.,
EMT
avid motorcyclist |
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| Favorite Artistic Medium |
Painting Acrylic
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| Favorite Arthistory Movement |
Abstract Expressionism - (1940 - 1955)
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| Favorite Visual Artist |
Rothko
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| Favorite Work of Art |
hmn
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| Biggest Artistic Inspiration |
trauma, emotional duress
life, death, the universe & beyond |
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| Why Did You Become An Artist |
because I have to |
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| Your Personal Biography |
I've been painting twenty-three years, themes of death and
loss; abstracts, 'aleatory' invocations in acrylic, post-action school process
layering.
The symbolism of my work is communicated in texture and composition: a montage of distressed and abraded themes, of loss, abandonment and longing, metaphor in three parts—of psychological dissolution--asymmetry, destruction of the partitioning of hierarchies of self—conflict of id, ego and superego; the metaphysical, an archetypal landscape and the horizon that is our consciousness. All executed in extreme and mean ratio: allegorical proportion with deviations, disintegration (these delineations, the repression of traumatic memory, the traumatic initiatory crisis, to die, and so transformed, become nameless with no room for want) on the periphery the edges of perception.. stark fields in contrast: metaphor for the summum of the human psyche.
I am a painter. I call my style 'process abstracts' due similarities to process or layering techniques. I heavily distress my pieces, which have evolved a
recognizable style. I show in corporate, retail and gallery settings a dozen times a year or so, have had three solo shows in as many years, and have sold thirty pieces since coming out of a seven-year, self-imposed hiatus.
I am also a Worcester firefighter—lieutenant actually—riding with trauma cowboys, Valkyrie-borne Huey gunners flying out of the horizon, like Vietnam, only in big red trucks). I’ve seen trauma and fire. From these my themes arise: Grace comes violent. My work has been termed ‘dark and brooding’ in the press, but I prefer melancholy in the classic sense, a memento mori.
I maintain a studio in Worcester. My work is primarily handled through ArtsWorcester, which encompasses four different venues. My body of work: paintings, show history, CV, artist’s statements, previous show graphics—all can be viewed at www.burrisworks.com.
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