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Artist Statement:
Art in America
Feb, 2003
Bill Radawec at Shaheen
Contemporary - Cleveland
Thomas McEvilley
Bill Radawec was living in Los
Angeles when the big
earthquake of 1994 hit. His
apartment developed cracks in
the walls at about 40 places.
He decided to make an art work
of the earthquake damage.
Ascending a ladder, carrying a
drawing board, he drew each of
the cracks in detail and
measured the depths of the
various parts of each fissure,
which were between one and
five millimeters deep. He
marked the corresponding parts
of each drawing with a number,
1 through 5, to indicate the
depth of the fissure at that
exact point.
Then he took sheets of paper
one millimeter thick. On the
first one he drew the
uppermost layer of a crack and
cut it out with an X-acto
knife. Putting another sheet
underneath that one, he drew
the parts that were one
millimeter deep, and cut them
out. Then, with another sheet,
he drew the parts that were
two millimeters deep, cut them
out, and so on. The drawing
was done with pen, pencil and
Wite-Out. Finally each crack
was represented by a stack of
five sheets that replicated
it...
Further Information
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Artist Exhibitions:
William Radawec
BORN: Cleveland, Ohio
EDUCATION: Baldwin-Wallace
College, B.A., 1974
University of New Mexico, 1975
SOLO EXHIBITIONS:
2007 Out of the Blue…, exit
(a gallery space), Cleveland
2005 (A Study), raw & co
gallery, Cleveland
2004 Berlitz Visual Art
Gallery, New York
Sawtelle, the Sequel,
Beaker Gallery, Tampa
2003 ...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
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Commissions:
Coming Soon!
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Bill Radawec Biography:
| Biographical information for Bill Radawec can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
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Age
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0
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| Gender |
Male
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| Status |
Committed
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| Children |
99
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| Religion |
other |
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| Education |
Post Graduate Work |
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| Hobbies / Interests |
Painting, sculpture, drawing, installation, civil war, architecture, American history |
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| Favorite Artistic Medium |
Installation Indoor
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| Favorite Arthistory Movement |
Conceptual Art - (1960 - 1975)
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| Favorite Visual Artist |
Bruce Nauman
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| Favorite Work of Art |
Vision by Bruce Nauman
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| Biggest Artistic Inspiration |
International Artist |
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| Why Did You Become An Artist |
not provided |
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| Your Personal Biography |
William Radawec
BORN: Cleveland, Ohio
EDUCATION: Baldwin-Wallace College, B.A., 1974
University of New Mexico, 1975
SOLO EXHIBITIONS:
2007 Out of the Blue…, exit (a gallery space), Cleveland
2005 (A Study), raw & co gallery, Cleveland
2004 Berlitz Visual Art Gallery, New York
Sawtelle, the Sequel, Beaker Gallery, Tampa
2003 In the Basement, Irvine Fine Arts Center, Irvine, California
2002 Shaheen Modern and Contemporary Art, Cleveland
1999 Shaheen Modern and Contemporary Art, Cleveland
1998 Scar, Miller Fine Arts, Los Angeles
1997 Retro, POST, Los Angeles
6+7
1996 Four Doors, Santa Ana, California, (with Jeanne Patterson)
Intimate Views, Scarabb Gallery, Cleveland
Richard Heller Gallery, Santa Monica (brochure)
Gallery 3770, San Diego (brochure)
1993 AMO Contemporary Art, Los Angeles
1990 Millworks, Akron, (a collaboration with LouAnne Greenwald)
SOLO EXHIBITIONS – continued
1989 Tenth Street Market, Cleveland
1987 Kent State University, Kent, Ohio
480 Broome Street, New York
1985 Windows on White, New York
1984 Abrabica, Cleveland
1983 Rebenack Gallery, Akron
1982 Willoughby Fine Arts Gallery, Willoughby, Ohio
1980 Coventry Art Gallery, Cleveland Heights, Ohio
1978 Kovar Art Gallery, Cuyahoga Community College, Parma, Ohio
GROUP EXHIBITIONS:
2008 You Are Here, SPACE Gallery, Pittsburgh
2007 WOW, The Brewery Project, Los Angeles
Kiss the Sky, Summit Artspace, Akron
2006 Works in Progress, The Attic, Oakland, CA
Epicenter, Sonoma County Museum, Santa Rosa, Ca
2005 Inkjet, Artists Image Resources, Pittsburgh
INTRINSIC, B.K. Smith Gallery, Painesville, OH
POST @ POST, 1995 TO 2005, POST, Los Angeles
Addicted to Love, Cleveland Public Theatre, Cleveland
Locus Project, Miami
Incognito, Santa Monica Museum of Art, Santa Monica
2004 Where We Live: Outside and In, Overtones Gallery, Venice, CA,
curated by Kristina Newhouse
Site Unseen, Newsense Gallery, Lakewood, OH
War Room, Artists Image Resources, Pittsburgh
Tiny Works, Project, Witchita, KS
Tinseltown Two, domestic setting, Los Angeles
2003 8 – Hours of Making Art, Penelec Gallery, Allegheny College,
Meadville, PA
Preliminary Inventories, Zygote, Cleveland
Beauty Stripped Bare / LA Black + White, BGH Gallery, Santa
Monica, CA curated by Joe Jarrell
Pandemonium!, Cleveland Public Theater, Cleveland
Tinseltown, domestic setting, Los Angeles
2002 Robert Levine, Claire McConaughy, Bill Radawec, Norjea, Akron
One, superior (an exhibition space), Cleveland
GROUP EXHIBITIONS – continued
48 Hours of Making Art, B.K. Smith Gallery, Lake Erie College,
Painesville, OH, (catalogue)
Relative Objects, POST, Los Angeles
2001 Asterisk, Cleveland
Southern Exposure, San Francisco
Norjea, Akron
Irvine Fine Arts Center, Irvine, CA
2000 For Example, Acuna Hansen Gallery, Los Angeles
Elena Zass Gallery, Laguna Beach, CA
Wall Space, Miller Durazo Gallery, Los Angeles
Strange Nature, Acuna Hansen Gallery, Los Angeles
Beret’s Final Show, Beret International Gallery, Chicago
DRS Project Wall, Roberts and Tilton Gallery, Los Angeles
Patrons Lover’s and Other Romantics, Santa Barbara
Contemporary Arts Forum, Santa Barbara, CA
1999 Millennial Tension, POST, Los Angeles
Room Service, The Living Room, Santa Monica
Nine Lives: Painting at the End of the 20th.Century, B.K Smith
Gallery, Lake Erie College, Painesville, OH
Skin Deep, Patricia Correia Gallery, Santa Monica
Miller Durazo, Los Angeles
Fin ed Siecle, (end of the century), Terrain, San Francisco
1998 Robert Miller Gallery, Los Angeles
Drawing Show, Meyerson & Nowinski Art Associates, Seattle
1997 Drawings, Gallery LASCA, Los Angeles
Stirred not Shaken, Refusalon, San Francisco, (catalogue)
Out Auction, Santa Monica Museum, Santa Monica
GROUP EXHIBITIONS – continued
118 W / 24 N, Kulturzentrum bei den Minoriten, Graz, Austria
Without You We’re Nothing, Refusalon, San Francisco
POST, Los Angeles
1996 Facing the Dragon, Artopia, Los Angeles
Left of Center, New Art from Los Angeles, Ten in One Gallery,
Chicago
Blast Art Benefit, 8 Greene Street, New York
Green, Factory Place Gallery, Los Angeles
Radical Artifice, California Medical Arts, Los Angeles
In the Name of the Circle, Artopia, Los Angeles
June 22, Tree / House, Los Angeles
Summer Group show, Scarabb Gallery, Cleveland
They Came From Beyond, Malibu Art Ranch, Malibu, CA
L.A.C.E. Benefit, Jan Baum Gallery, Los Angeles
Superstore D Lux, Up & Co, New York
The Innocence of Ornaments, St. Marks Position, New York
1995 Winter Group show, Gallery LASCA, Los Angeles
Hodgepodge Lodge, Art Store, Los Angeles
In the Pocket, Random Gallery, Los Angeles, Travels to Luckman
Gallery, CalState L.A., Los Angeles
December Twentieth, Richard Heller Gallery, Santa Monica
Night of 1000 Drawings, Artists Space, New York
Nature Re (Contained), Irvine Fine Arts Center, Irvine, CA
AUGUST 28, Rio Hondo College, Whittier, CA
Either / Or, flamingo EAST, New York, Organized by Kenny
Schacter
A Vital Matrix, domestic setting, Los Angeles, Curated by Jane
Hart, (catalogue)
Human / Nature, The New Museum of Contemporary Art, New
York
GROUP EXHIBITIONS – continued
Salon Scans Couleur: Black, White and Grey Matter, Robert
Berman Gallery, Santa Monica
A Working Title, e-space, Santa Monica
1994 Film Club, Four Walls, Brooklyn, New York
Turning Silver into Gold, Cleveland Center for Contemporary Art,
Cleveland
Sawtelle, domestic setting, Los Angeles
Slightly Connected, Cacao, Los Angeles
Object of Metaphor, Cerritos Community College, Norwalk, CA
Toys / Art / Us, Castle Gallery, College of New Rochelle, New
Rochelle, New York, Curated by Lori Friedman, (brochure)
Caren Golden Fine Art, New York
1993 L.A. night for Life, Robert Berman Gallery, Santa Monica
One Nail, 1529 Wellesley, Los Angeles
Coupled, Insomnia, Los Angeles, Curated by Charles LaBelle and
Allen Tombello
Summer Art Fare, Cleveland Center for Contemporary Art,
Cleveland
Mondo Lot, Robert Berman Gallery, Santa Monica, Curated by
Dianna Cohen, (catalogue)
New Vulgarians, Cleveland State University, Cleveland, Curated
By Eric Susyne, (catalogue)
Wendy Furman, LouAnne Greenwald, Jeanne Patterson, Lori
Precious, Bill Radawec, Rena Small and Laura Whipple,
domestic setting, Los Angeles
1992 Boomerang, Thomas Solomon’s Garage, Los Angeles
The 1.5 Show, Muranushi / Lederman in cooperation with
Organization of Independent Artists
Cruciforms , 1529 Wellesley, Los Angeles
GROUP EXHIBITIONS – continued
Artgrab, Randall Scott Gallery, Los Angeles
Space, Cleveland
A Small Show, 1529 Wellesley, Los Angeles
1991 Cleveland Center for Contemporary Art, Cleveland
Uncensored, Millworks, Akron
C.A.G.E., Cincinnati
1990 History, Hallwalls, Buffalo, NY
William Busta Gallery, Cleveland
Equilibrium, National City Bank, Cleveland
The Vox Gallery, Akron
The People’s Art Show, Cleveland State University, Cleveland
1989 Arthur Roger Gallery, New Orleans
A – Z, Cleveland Center for Contemporary Art, Cleveland
City Without Walls, Newark, NJ
Naturally Active, Cleveland State University, Cleveland
AIDS Benefit, Aquilon, Cleveland
Sin, Hallwalls, Buffalo, NY
Together, Aquilon, Cleveland
Seven Northern Ohio Artists, Willoughby School of Fine Art,
Willoughby, OH
The Vox Gallery, Akron
Visual Poetry, Center Cultural Sao Paulo, Sao Paulo
Civic ReVision, Spaces, Cleveland
Joyce Porcelli Gallery, Cleveland
Skin Show, Hallwalls, Buffalo, NY
1987 Off the Wall, Cleveland Center for Contemporary Art, Cleveland
Visible Attractions, Metro Gallery, Cuyahoga Community College,
Cleveland
GROUP SHOWS – continued
Home on the Range, Mentor, Ohio
1986 William Radawec and Scott Miller, Art Behind Bars, Cleveland
1985 Material Concern, B.K. Smith Gallery, Lake Erie College,
Painesville, OH
New Figuration, Joyce Porcelli Gallery, Cleveland
10 X 10 = 100, Joyce Porcelli Gallery, Cleveland
The Vox Gallery, Akron, Ohio
MASS, Travels show organized by Group Material for Hallwalls,
Buffalo, NY, Arts Consortium, Cincinnati, OH, Spaces,
Cleveland, Alija, A center for Contemporary Art,
Newark, NJ, New Museum of Contemporary Art, New
York, L.A.C.E., Los Angeles, University of Sydney, Sydney
Payola, Mo David, New York
20 / 20, B.K. Smith Gallery, Lake Erie College, Painesville, OH
1984 Multiples, Jack Tilton Gallery and Printed Matter, New York
Fashion Moda, Space, Cleveland
Salon des Artists, Gracie Mansion Gallery, New York
Peter Fends Space, New York
C.A.G.E., Cincinnati
1983 C.A.G.E. Cincinnati
A – More Store, Jack Tilton Gallery, New York
1982 Contemporary Arts Forum, Santa Barbara and Scripps College,
Claremont, CA
1981 Philadelphia Arts Alliance, Philadelphia
Coventry Art Gallery, Cleveland Heights, OH
GROUP SHOWS – continued
1979 Stifel Fine Art Gallery, Wheeling, WV
Seventh National Exhibition of Drawing and Prints, Charlottesville,
VA, (catalogue)
1978 Davidson Gallery, Seattle, (catalogue)
Park Gallery, Cleveland, (catalogue)
1976 Tusculum College, Greenville, TN, (catalogue)
1975 The Cleveland Museum of Art, Cleveland, (catalogue)
SELECTED BIBLIOGRAPHY:
2007 Utter, Douglas Max, “Turning Point”, Free Times, January
17 - 23, p.24
Lewis, Zachary, “Review: Out of the Blue, Scene, January
17 - 23, p.26
Durbin, Rodger, “Sky the Limit in Summit Artspace Show”,
Westside Leader, July 12 – 18, p. 22, 25
Shinn, Dorothy, “Goodbye brings the blues”, Akron Beacon
Journal, July 15, p. E5
2005 Lewis, Zachary, “Review: A Study”, Scene, September 14 – 20,
p. 26
Bly Lyz, “Storytime with Uncle Bill”, Free Times, September
14 – 20, p.54
Tranberg Dan, “Hard to Escape Recurring Theme”, The Plain
Dealer, December 30, p. 25
2004 Zellen, Jody, “Continuing and Recommended”, ArtScene, June,
p. 22
2003 McEvilley, Thomas, “Bill Radawec at Shaheen Contemporary”,
Art in America, February, p. 120
Newhouse, Kristina, “Interview”, zerodgreesart.com, April
Newhouse, Kristina, “Sequel at domestic setting”, artnet
Magazine, April 17
Wood, Eve, “Basement Memories”, artnet magazine, May 15
Frank, Peter, “Register Distance, Black + White / L.A.,
Christine Cunninghan”, LA Weekly, May 16 – 22, p. 141
Taxel, Laura Faye, “Benefit Organizers Plan a Dinner That Will
Provide Many Meals”, The Cleveland Plain Dealer,
September 3, Pf. 4
Brown, Tony, “A Find Alternative”, The Cleveland Plain Dealer,
September 12, p. 44WE
SELECTED BIBLIOGRAPHY – continued
2002 Susyne, Eric, “Asterisk Gallery”, zingmagazine, Volume XVI,
Winter, p. 224
Tranberg, Dan, “A Center Launches Spring Season with Two
Show”, The Cleveland Plain Dealer, Friday, March 22,
p. 37
Tranberg, Dan, “A Little Space goes a Long Way to Recharge
Local Art Scene”, The Cleveland Plain Dealer, Friday, April
12, p. 55
Utter, Douglas Max, “Between the Cracks”, Cleveland Free Times,
July 17 – 23, p. 60
Tranberg, Dan, “Earthquake’s Aftermath is ‘Crack Up’ Artist’s
Inspiration”, The Cleveland Plain Dealer, Friday, July 15,
p. 55, 56
2000 “The Crème De L.A. Crème, Art”, The Los Angeles Times, August
10, p. 20
Tumlir, Jan, “90’s Art in Los Angeles”, artext , November 2000 -
January 2003, p. 42 – 51
1999 Tranberg, Dan, “Alive and Painting”, Cleveland Free Times,
September 1 – 7, p. 68
Frank, Peter, “Art Picks pf the Week”, LA Weekly, April 2 – 8,
p. 152
1998 LaBelle, Charles, “LSD (Lemon Sky Discussion) with Jane Hart
and Mr. X”, “zingmagazine, Volume IV, Fall, p. 238 – 231
Fredericksen, Eric, “Drawing Lessons”, The Stranger, July 23,
p. 25
Hackett, Regina, “Drawing Invitational Recalls Personal Taste”,
Seattle Post-Intelligencer, Wednesday, July 22, p. E5
SELECTED BIBLIOGRAPHY – continued
Spaid, Sue, “L.A. Undercover”, Art Papers, March – April,
p. 14 – 17
du Tan, Stephanie, “Bill Radawec’s ‘RETRO’: An Authentically
Fake Prequel to the Future Uncertainty”, zingmagazine,
Volume IV, Winter, p. 202 – 2004
1997 Munchnic, Suzanne, “Art Computer Primer, for Uninitiated”, The
Los Angeles Time, October 6, p. 64
Niegelhell, Franz Von, “Alltagsmaterialiem und Neo – Sur-
Realisum”, Kultur, Sunday, September 14, p. 39
Baker, Kenneth, “Is Small Beautiful”, San Francisco Chronicle,
Saturday, April 5, p, E1
Carter, Ann. “William Radawec: Scarabb Gallery, Cleveland”,
zingmagazine, Volume III, Autumn/Winter, p, 217, 218
1996 Curtis, Cathy, ‘Works Miss Catching the Grass Ring”, The Los
Angeles Time / Orange County, p. F29 R
Hart, Jane, “Letter from L.A.”, artnet magazine, June 5
Scareborough, James, “A Gauche du centre: Nouvel at Los
Angeles”, Art Press, April, p. 74
Wilk, Deborah, “Left of Center”, New Art Examiner, March,
p. 35 – 36
Dunlap, Doree, “A Vision of Our Times”, O.C. Weekly,
March 1 – 17, p. 19
Camper, Fred, “Seeing is Deceiving”, Chicago Reader,
February 9, p. 31
Silman, Amy, “Left of Center”, The Thing, February 2
Mendenhal, Laura, “Documenta: Huntington Beach Center’s
Exposition of Emerging Stars”, Coast, February 1,
p. 28
SELECTED BIBLIOGRAPHY – continued
Curtis, Cathy, “Convergent Ideas, Culture Intersects in
Huntington Beach Show, ‘Documenta”, The Los
Angeles Times / Orange County, January 23, p. 1
Curtis, Cathy, “Baker’s Dozen of the Best Bets Promises Diversity
In Art”, The Los Angles Times / Orange County, January 2,
p. F1 – F3
DiMichelle, David, “In an Entirely Matter, Artist / Curator in L.A.”,
Artweek, January, p. 26 –29
1995 O’Brien, John, “New Alternatives from L.A.”, Art Papers,
November / December, p. 26
Friedman, Terri, “Veerd Science / A Vital Matrix”, zingmagazine ,
Volume 1, Autumn
Benish, Barbara, “Summer L.A.”, “Altelier, p, 9
Gould, Katherine, “At Home with Art”, Westsider, August 2, p. 1,3
Barton, Stephanie, “DIY / domestic setting”, Fizz, #3, p. 138, 139
Pagel, David, “Baby Bergamont Booms”, Art in Auction, April,
p. 46, 48, 50
Tennesen, Michael, “Artin’ Around”, The Los Angeles Times
Magazine, February 5, p. 11
Munchnic, Suzanne, “Beyond the Living Room”, The Los
Angeles Times / Calendar, February 5, p. 51, 54
Zimmer, William, “An Exhibition in New Rochelle Showcases
Sheer Invention”, The New York Times, January 1, p. 12wc
1994 Cohen, Michael, “Alternatives Gallery Update”, Flash Art, October,
p. 110
Jones, Amelia, “Taro Chiezo, Michael Cohen, LouAnne
Greenwald, Charles LaBelle , Marie Lafia”, Artforum,
October, p.109
Brown, Betty Ann, “Gatekeepers, Artist Seize the Means in
Southern California”, Visions, Fall, p 21 – 23
SELECTED BIBLIOGRAPHY – continued
Frank, Peter, “The Art of Higher Learning”, Press – Telegram,
September 4, p, J6
Jarrell, Joe, “William Radawec”, Sculpture, March, p. 20
Gleason, Mat, “Los Angeles Scene”, Coagula Art Journal, Number
11, p. 2
1993 McConaughy, Claire, “Los Angeles Overview”, Cover, December,
p. 14
Litt, Steven, “New Vulgarian Cast Wry Eye on Today”, The
Cleveland Plain Dealer, November 3, p. D9
Sparks, Amy, “Not – So – Vulgar Vulgarians”, Cleveland Free
Times, October 27, p.22
Frank, Peter, “Art Picks of the Week”, LA Weekly, September 17,
p. 109
Anderson, January, “Underground Art Finds Common Ground”,
West L.A. Record, April 7, p. 1
DiMichelle, David, “Making Ends Meet”, Artweek, January 7, p. 14
1992 Litt, Steven, “Three Exhibitions at Spaces Offer Diverse Artistry”,
The Cleveland Plain Dealer, December 27, p. 31
1991 Sparks, Amy, “In the Beginning”, Dialogue, January / February,
p. 20
Cullian, Helen, “Choices”, The Cleveland Plain Dealer,
1990 Cullian, Helen, “Take Them at Their Word”, The Cleveland Plain
Dealer, December 31, p, C1
Shinn, Dorthy, “Anarchy - Art – On – The Cheep is calling Akron
‘Home’”, Unsetting Exhibits Neatness Order”, Akron
Beacon Journal, December 9, p, H1, H7
1989 Freigh, Becky, “Art in Unusual Places”, The Cleveland Plain
Dealer, March 17
1987 Benson, Tracy, “Making the Scene”, Scene. December 6
SELECTED BIBLIOGRAPHY – continued
Sanstrong, Karen, “Fine Arts Show Demands Much of the
Viewers”, The News Harold, September 14
“Seven Artists”, Dialogue, September / October
“Fine Arts Association Opens with a Reception”, Free Enterprise,
August 30
1986 Runyon, Pamela, “For Collectors II”, Contemporary Quartly,
Winter
Cullian, Helen, “Window Art Worth a Peek”, The Cleveland Plain
Dealer, October 2
Porcelli, Joyce, Speakeasy, Volume II
The Newsletter for the Cleveland Center for Contemporary Art,
April
Camden, Vera, “Inspiring Collection, Dialogue
1985 Cullian. Helen, “Even Art Toys will be Toys”, The Cleveland Plain
Dealer, December 8
Cullian, Helen, “Spaces Imports New Work: Foot Artists”, The
Cleveland Plain Dealer, November
Robinson, William, “From Province to Provincialism”, Dialogue,
July
Glaiser, David, “Lakeland Exhibits Shows Case Talented Artists”,
The News Herald, June 7
Cullian, Helen, “Show Features Young Artists”, The Cleveland
Plain Dealer, June 2
Corcoran, James “20 /20”, Dialogue, May / June
Cullian, Helen, “Art Trades Erasing Regional Labels”, The
Cleveland Plain Dealer, May 1
Cullian, Helen, “Critic Choice”, The Cleveland Pain Dealer, April
28
SELECTED BIBLIOGRAPHY – continued
1983 Shinn Dorthy, “Too Often Viewers are Left Guessing”, Akron
Beacon Journal
1982 Glaiser, David, “Fine Arts Feature a (Dis) Arming Exhibit”, The
News Herald, April 30
CATALOGUES:
1998 Bruce, Chris, “drawings,,,”, Meyerson & Nowinski Arts Associates
1997 Gill, Permi, ‘Stirred not Shaken”, exhibition catalogue for
Rufussalon Gallery
1996 Joyce, Julie, “True Bliss”, exhibition catalogue
Rusnock, Andrea K, “William Radawec’s Nature”, exhibition
brochure for Gallery 3770 Park Blvd, and Richard Heller
Gallery
Knode, Marilu, “Interview with Bill Radawec”, exhibition brochure
For Gallery 3770 Park Ave. and Richard Heller Gallery
1994 Friedman,Lori and Young, James E., exhibition essay for “Toy /
Art / Us”
1993 Susyne, Eric, “New Vulgarians”, exhibition catalogue, p. 3,7
1989 Greenwald, LouAnne, “William Radawec”, exhibition brochure
for Tenth Street Market
1987 New Museum of Contemporary Art, “MASS”, exhibition brochure,
April
PROJECTS:
2001 “Cultural Traveler’s Guide”, New Observations, Spring / Summer,
# 128, p. 38
RADIO:
2002 Holtzman, Matt, “Earthquake, Hurricane, Godzilla, Public Radio
International, November 9 -11
PUBLIC COLLECTIONS:
Akron Art Museum, Akron
Buttler Institute of American Art, Youngstown
The Progressive Collection, Cleveland
University Hospitals of Cleveland
Cuyahoga County Public Library, Parma, Ohio
Monsanto Corporation, Chicago
Cedar-Sinai Medical Center, Los Angeles
Donahue and Scanion, Cleveland
Edward Howard & Co., Cleveland
The Capital Group, Los Angeles
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