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Artist Statement:
The history of Homo sapiens is almost half a million years old.
The history of its fine arts, however, is only a few short millennia.
Yet if we truly wish to understand men--not just their hopes, aspirations, and imagination, but what it means to be "men the wise"--it is to their arts that we turn to: always and above all else.
Which of course creates a special problem for the would-be student of "men." As Laozi famously responded when asked to explain the meaning of Dao: as soon as an explanation is offered--as soon as it is put into words--it would no longer be the Dao.
I believe it is the same with works of art.
For the artists, the moment they try to explain their works, their works cease to be genuine works of art, but are turned into something else entirely. Something that seek to convey their meanings via language and language alone.
This is especially true when the artists, either out of laziness, conformity, or a mere wish to impress, resort to readymade aesthetic theories to explain their works.
Of course I am aware that, by invoking Laozi, I may very well ...
Further Information
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Artist Exhibitions:
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Artist Reviews:
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Collections:
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Commissions:
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Lishan Chang Biography:
| Biographical information for Lishan Chang can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
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Born and raised in Taiwan, Lishan Chang moved to New York City in 1997. His works have been shown in many solo as well as group exhibitions. In 2004, Chang received a grant for outstanding artists from the National Culture and Arts Foundation of Taiwan. His work, Storage Memory, garnered unanimous praise from the judging panel and was awarded the largest-ever grant of its category. More recently, Chang has won fellowships from the Council of Cultural Affairs in Taiwan, the Franconia Sculpture Park/Jerome Fellowship 2007, as well as Freeman Fellowship 2008. He has been an artist in residence at Earth in NYC, the Workspace Program of LMCC in NYC, SUMU/Titanik in Finland, and The International Studio & Curatorial Program in NYC. In addition to abandoned factories, parks, and many other public locations around the US and Taiwan, Chang’s works have been seen at venues including the Washington Pavilion of Arts & Science in SD (2007), Gallery Korea in NY (2007), Walsh Library Gallery in NJ (2007), New Art Gallery in CT (2006), and the Queens Museum of Art in NY (2004). |
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