Artist Information:
Dana Popescu
bucharest,
Romania
Member Since: Aug 2005
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Artist Statement:
Dana Popescu
Born in 1972
Lives and works in
Bucharest
Graduated in 1997 of Fine
Arts Academy, at painting
Between 1995 – 2004
exhibitions in art’s galleries
from Romania and Italy (at
Venice).
Reason:
Like life which is captive
in the universe who’s great
sense can never be known by us
totally and so we cannot feel
the joy of understanding, so
these paintings reveal to us a
world of “incomplete image”,
of frustration resulting from
this absence and from
permanently desire for
recompose and reconstitute the
truth. This artist is
interested of
sewerage-channel, fields and
strings. Underground sewerages
of towns symbolize here the
option to hide and isolate the
dirt, not only residual dirt,
but spiritual human dirt. The
artist sees the effort to
organization, to builded these
sewerages which are necessary
to civilization like a desire
to hide under appearances a
dirt which possibly exists
anywhere.
Dana Popescu began to
represent alive material in it
decomposition-- resulting a
magma, which is permanently
throbbing with eddys to
Sewerage. The resulted image
is recovered as artistic
language from abstract art in
which she introduces some
ironical elements: axe’s
systems, electric lines,
stars, and arrows. These mark
on...
Further Information
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Artist Reviews:
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Dana Popescu's Free Artist Portfolio
Welcome to Dana Popescu's Portfolio.
Dana Popescu
Born in 1972
Lives and works in Bucharest
Graduated in 1997 of Fine Arts Academy, at painting
Between 1995 – 2004 exhibitions in art’s galleries from Romania and Italy (at Venice).
Reason:
Like life which is captive in the universe who’s great sense can never be known by us totally and so we cannot feel the joy of understanding, so these paintings reveal to us a world of “incomplete image”, of frustration resulting from this absence and from permanently desire for recompose and reconstitute the truth. This artist is interested of sewerage-channel, fields and strings. Underground sewerages of towns symbolize here the option to hide and isolate the dirt, not only residual dirt, but spiritual human dirt. The artist sees the effort to organization, to builded these sewerages which are necessary to civilization like a desire to hide under appearances a dirt which possibly exists anywhere.
Dana Popescu began to represent alive material in it decomposition-- resulting a magma, which is permanently throbbing with eddys to Sewerage. The resulted image is recovered as artistic language from abstract art in which she introduces some ironical elements: axe’s systems, electric lines, stars, and arrows. These mark on... |
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