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Artist Statement:
ALL PRICES ARE CHANGED !
SEE MY WEBSITE:
http://sites.google.com/site/bj
elanart/
- ALL WHAT I DO EXIST IN
NATURE.
HIDDEN. OR NOT.
- ART IS LOVE AND BIG
MYSTERY WITHOUT END.
BREATHING WITH NATURE.
BETWEEN REALITY AND DREAM.
BETWEEN LIFE AND DEATH.
* LIVING AND WORKING IN
VANCOUVER - CANADA AND READY
TO CHANGE COUNTRY & CONTINENT
IN BUSINESS NEEDS.
...
Further Information
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Artist Exhibitions:
SOLO AND GROUP EXHIBITIONS:
SPLIT
OMIS
ZAGREB
VINKOVCI
STUTTGART
PARIS
ST MALO
...
Further Information
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Artist Galleries:
I WANT TO FIND GALLERIST /
COLLECTOR WHO WILL BE ABLE TO
TAKE ALL MY WORKS....
Further Information
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Dinko Bjelan Biography:
| Biographical information for Dinko Bjelan can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
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Age
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57
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| Gender |
Male
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| Status |
Married
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| Children |
1
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| Religion |
not provided |
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| Education |
Professional Degree |
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| Hobbies / Interests |
art & art |
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| Favorite Artistic Medium |
Painting Oil
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| Favorite Arthistory Movement |
Renaissance - (1400 - 1600)
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| Favorite Visual Artist |
MIKELANGELO, REMBRANDT
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| Favorite Work of Art |
"TORONTO EVENING", REMEMBER DRAGAN & DFJ
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| Biggest Artistic Inspiration |
PAIN IN MY BLOOD
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| Why Did You Become An Artist |
BECAUSE I WAS BORN FOR ART |
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| Your Personal Biography |
Attention ! The prices are changed !Look at my website.
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Founder of NAFEXPRESS - NEW ABSTRACT FIGURATIVE EXPRESSIONISM GROUP FOR THE BEST ARTISTS ON THE WORLD
BORN: 1952. IN SPLIT ( EX YUGOSLAVIA )
GRADUATED: 1967 - 1972 - SPLIT, PAINTING ART SCHOOL
PARIS: 1999 - 2006 - MEMBER OF MAISON DES ARTISTES
( SOCIETY OF FRENCH ARTISTS )
PARIS: 2004 - 2006 - MEMBER OF FIGURATION CRITIC GROUP
SOLO AND GROUP EXHIBITIONS:
SPLIT
OMIS
ZAGREB
VINKOVCI
STUTTGART
PARIS
ST MALO
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ABOUT DINKO BJELAN'S PAINTINGS
Painting - a cry, noble concern, anxiety that the image
of human persona, under ordeal of spirit of impersonality,
would entirely degenerate from its primeval quintessential
icon precipitating into abyss of absolute absence of form.
PARIS, 2001. LIOUBICHA PANTITCH
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