Artist Information:
Elizabeth Kellogg
Somerville, MA
United States
Member Since: Jul 2009

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Artist Statement:
My work is multiple layers of ephemera, family photographs, found objects and iconography that are sealed with resin to contain the imaginal space of the story that the images tell. Each piece begins with an image that compels me, a doll’s shoe, a saint card, a photograph of my mother as a child, a character from a favorite children’s book or myth, anything that evokes a visceral response. I am particularly attracted to dichotomous imagery, for example, the juxtaposition of security and fear peculiar to dolls. Then I experiment with the narratives created when that image is woven together with other symbols. I carefully map out each layer, calculating the interaction of colors and considering the symbolic suggestion of each element, its relationship to other elements, and how that will affect the composition and the allegory as a whole.
I explore the potency of imagery and the uniqueness of personal responses to universal symbols and stories.
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Further Information
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Artist Exhibitions:
Reconstructing Time (2009) Yavapai College Art Gallery, Prescott, AZ
Artrageous 23 (2009) Montserrat College of Art, Beverly, MA
Juror commendation
Jurors: Joshua Buckno, Nielson Gallery; Susan Lanoue, Lanoue Fine Art; Tony Fusco, Fusco & Four
Stratum (2009) Cambridge Arts Association, Cambridge, MA
Juror: Camilo Alvarez, Samson Projects
Wasted and Forgotten (2008) ...
Further Information
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Artist Galleries:
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Artist Reviews:
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Collections:
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Commissions:
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Elizabeth Kellogg's Free Artist Portfolio
Welcome to Elizabeth Kellogg's Portfolio. My work is multiple layers of ephemera, family photographs, found objects and iconography that are sealed with resin to contain the imaginal space of the story that the images tell. Each piece begins with an image that compels me, a doll’s shoe, a saint card, a photograph of my mother as a child, a character from a favorite children’s book or myth, anything that evokes a visceral response. I am particularly attracted to dichotomous imagery, for example, the juxtaposition of security and fear peculiar to dolls. Then I experiment with the narratives created when that image is woven together with other symbols. I carefully map out each layer, calculating the interaction of colors and considering the symbolic suggestion of each element, its relationship to other elements, and how that will affect the composition and the allegory as a whole.
I explore the potency of imagery and the uniqueness of personal responses to universal symbols and stories.
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