Artist Information:
Rosie Rainbow
Crediton,
United Kingdom
Member Since: Feb 2009
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Artist Statement:
Artist’s Statement
Rosie Rainbow
I've been working on this
since I was a child, mediating
the world with image, form and
colour, I have continued to
work through births and
deaths, horror and laughter
and the knowledge that
painting is dead.
I paint my perception of
experience contextualised by
my environment - from my brain
to yours - from my body to
yours - echoing the mucous of
humanity - creating dimensions
- both vibrant and drab –
excavating colour and form on
canvas and wood using oils and
mixed media.
As a child I discovered
boundaries and dark hidden
nooks, woodlands and rubbish
dumps which used to be rich
with rank rotting smells and
layered textural wonderlands
to be manipulated in order to
construct more messages in
response to that entity that
was communicating with me.
Patterns from stone, holly
leaf and ivy, petals, daisies,
thistles. Endless material
organized within damp earth or
watery backgrounds were
communications with life
itself. As time goes on I
remember observing fascinated,
again and again, the dark
coming, from the safety of a
high wall.
Painting is addictive and when
I can I encourage others to
indulge, they seem to blossom,
this has given me increased
confidence ...
Further Information
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Rosie Rainbow's Free Artist Portfolio
Welcome to Rosie Rainbow's Portfolio.
Artist’s Statement
Rosie Rainbow
I've been working on this since I was a child, mediating the world with image, form and colour, I have continued to work through births and deaths, horror and laughter and the knowledge that painting is dead.
I paint my perception of experience contextualised by my environment - from my brain to yours - from my body to yours - echoing the mucous of humanity - creating dimensions - both vibrant and drab – excavating colour and form on canvas and wood using oils and mixed media.
As a child I discovered boundaries and dark hidden nooks, woodlands and rubbish dumps which used to be rich with rank rotting smells and layered textural wonderlands to be manipulated in order to construct more messages in response to that entity that was communicating with me.
Patterns from stone, holly leaf and ivy, petals, daisies, thistles. Endless material organized within damp earth or watery backgrounds were communications with life itself. As time goes on I remember observing fascinated, again and again, the dark coming, from the safety of a high wall.
Painting is addictive and when I can I encourage others to indulge, they seem to blossom, this has given me increased confidence ... |
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