Artist Information:
George Lewis
Framingham, MA
United States
Member Since: May 2001
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Artist Statement:
As the paintings of George
Lewis have become increasingly
abstract, they have also
become increasingly vibrant,
vital, eloquent. For this
consummate artist has mastered
the language of abstract art
and consistently uses it to
communicate his pleasure in
nature with fresh visual
statements.
Instead of representing single
experiences in the ...
Further Information
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Artist Exhibitions:
Selected Exhibitions
Danforth Museum (Framingham
MA)
Attleboro Arts Museum
(Attleboro MA)
Butler Institute of American
Art (Youngstown OH)
Berkshire Art Museum
(Pittsfield MA)
Society of the Four Arts (Palm
Beach FL)
Marblehead Arts Festival, Best
in Show (Marblehead MA)
Miller Gallery (Concinnati OH)
Nimbus Gallery (Dallas TX)
Wistauriahurst Museum (Holyoke
...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Dun and Bradstreet (New York
NY)
Sheraton Corporation (Boston
MA)
Massachusetts Medical Society
(Waltham MA)
Hale and Dorr (Boston MA)
National Bank of Greece
(Boston MA)
Delta Airlines (Cincinnati OH)
Hilton Corporation (Washington
DC)
Steelcase Corporation (Dallas
TX)
Merrill Lynch Pierce Fenner
and Smith (Boston MA)
Bank of Boston (Boston ...
Further Information
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Commissions:
Coming Soon!
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George Lewis's Artist Portfolio
Welcome to George Lewis's Portfolio.
As the paintings of George Lewis have become increasingly abstract, they have also become increasingly vibrant, vital, eloquent. For this consummate artist has mastered the language of abstract art and consistently uses it to communicate his pleasure in nature with fresh visual statements.
Instead of representing single experiences in the manner of traditional landscape painters, George Lewis evokes the essence of many joyous experiences in each painting. In some, color dominates; in others, rhythmic patterns of light. Always, these elements work together to form a unified and harmonious whole, complete in itself. George Lewis states, "I do not paint to shock the viewer with harsh images or bleak forms. The paintings, however, must comfort the eye and go beyond the surface. They must be a moving architecture of forms; and that the play of light and color create a luminous, shifting and subtle world appropriate to the scale of our human needs and pleasures."
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