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Marcia Freedman's Main Portfolio Page
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Artist Information:
Marcia Freedman
Bloomfield Hills, MI
United States
Member Since: Feb 2006

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Photo of Marcia Freedman, Artist



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Artist Media:
Drawing Charcoal (1)
Mixed Media (4)
Painting Oil (30)
Artist Exhibitions:
Western Illinois University
Art Gallery, Macomb Illinois
Re:View Contemporary Gallery,
Detroit, Michigan
Linda Ross Contemporary +
Projects, Huntington Woods,
Michigan
Dennos Museum Center,
Northwestern Michigan College,
Traverse City, Michigan
Stedman Art Gallery, Rutgers
Campus, Camden New Jersey
Gwenda Jay Gallery, Chicago
Illinois
Butler Institute of American
Art, Youngstown, Ohio
A....

Further Information
Artist Galleries:
lrosscontemporary.com...

Further Information
Artist Reviews:
Coming Soon!
Collections:
University of Michigan Museum
of Art, Ann Arbor, Michigan
Dennos Museum Center,
Northwestern Michigan College,
Traverse City, Michigan
Ernst & Young,Detroit,
Michigan
MGM Casino, Detroit, Michigan
Joshua Tree Highlands
Residency, Joshua Tree,
California...

Further Information
Commissions:
Coming Soon!

Artist Statement for Marcia Freedman

My art process is part of the contemporary cultural dialogue, observing and commenting on events and things that already exist. I use organic forms found within landscape or the human body as a source. My work is based on visceral reactions based on the fluidity of life and changes that occur in the body due to the effects of genetics and/or the environment. Images of pods, organs, body parts, rocks and cellular forms deteriorate into abstract images conjuring up complex associations, perceptions and emotions connected to the human condition.

Source materials are processed so that multiple readings are investigated. Abstract evolving imagery gives insight into the possibilities of processes both artistic and intellectual.

The paintings integrate the personal and memory with organic objects exploring science with nature and the potential they present for investigating new ideas to describe the life cycle. They become a metaphor for internal landscapes and external perceptions but on a wider scale transcend the individual to a broader one, open to further interpretations. Original forms are fragmented, deconstructed, fractured and reconfigured into abstract forms as the creative process dictates the way.

The physicality of the paint joined with resultant symbols is a narrative or dialogue between self and materials, revealing a personal history yet remain ambiguous. Although resultant imagery is non-objective, they are based on the constant inquiry into the reality of life experience.



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