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Artist Statement:
Working Statement
Art is about humanity. It is about our emotions and how we respond to the world we are in. Figurative art has the power to convey emotion in a way that abstraction does not because we have learned the language of the human body and how it displays emotion from the very earliest moments of our lives.
To be effective a sculpture must live and move; stylization can help this. Simplification of the line and form of the figure does not invalidate its ability to communicate. It can enhance it by removing the artists idea of the particular, the original, and letting the observer find their own resemblances – allowing them to identify with it. My current style, with the tapering body shape and exaggerated hands and feet arose from experience drawing in public, seated on the ground. I realized that I shared the viewpoint of a small child and I think this subconscious memory encourages people to feel positively about these images.
My most recent work has been divided between experiments in life-like portraiture, which is challenging in the sense of capturing the spirit of the sitter as well as a mechanical likeness, and simplified, almost caricature ...
Further Information
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Artist Exhibitions:
Coming Soon!
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Guy Rushton Biography:
| Biographical information for Guy Rushton can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
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Age
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33
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| Gender |
Male
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| Status |
Single
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| Children |
99
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| Religion |
not provided |
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| Education |
Post Graduate Degree |
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| Hobbies / Interests |
Argentine Tango - the other love of my free time. I used to row, obsessively. Fishing, cooking, politics |
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| Favorite Artistic Medium |
Sculpture Ceramic
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| Favorite Arthistory Movement |
not provided
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| Favorite Visual Artist |
Many!!!!
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| Favorite Work of Art |
Also too numerous!
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| Biggest Artistic Inspiration |
Rodin, Michaelangelo, Praxiteles, Giacometti, early Henry Moore, Egyptian monuments, Assyrian and Babylonian relief work... |
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| Why Did You Become An Artist |
not provided |
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| Your Personal Biography |
Born in the UK in 1975 I grew up drawing and making models rather than playing with toys. I started sculpting at school and had a choice at 18 whether to go to Art school or University to study Engineering. I chose the science route and studied Mechanical Engineering at Durham University, followed by a PhD at Cambridge on gas-turbine aerodynamics.
Once I left University and started on my professional career the art began to re-emerge and I have been building up my studio and starting to take commissions over the last few years.
The future is open but I hope that it will see me making at least part of my living as a sculptor and growing and developing into new areas and new styles. Portraiture and the nude have a huge appeal to me, a very different range from the light-hearted naive pieces mostly featured here.
The humour of these stylized pieces does however offer a vehicle for more serious political and social comment in some of the works, for those that care to try and find them. |
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