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Britta Jager's Main Portfolio Page
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Artist Information:
Britta Jager
London,
United Kingdom
Member Since: Oct 2004

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Picture of Britta Jager, Artist



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Artist Exhibitions:
2009 WESTMINSTER ARTS OPEN
EXHIBITION, SW1 Gallery,
London, UK
2008 WESTMINSTER ARTS OPEN
EXHIBITION, SW1 Gallery,
London, UK
2006 THE PEACE CAMP hosted by
Bob and Roberta Smith, Brick
Lane Gallery, London
2006 DIGITAL SHOW, Part of the
independent Liverpool Biennal
Festival of Contemporary Art
2006 ART IN MIND 10, ...

Further Information
Artist Galleries:
Coming Soon!
Artist Reviews:
SAATCHI ONLINE DAILY MAGAZINE:
18 - 24 Feb 2008
WEEKLY TOP TEN ARTIST chosen
by Ana Finel Honigman

'Germaine Greer might believe
that 'the woman who displays
her own body as her artwork
seems to me to be travelling
in the tracks of an outworn
tradition that spirals
downward and inward ...

Further Information
Collections:
Coming Soon!
Commissions:
Carsten Nagels, Frankfurt...

Further Information

Artist Statement for Britta Jager

ART IS A PARASITE. ART IS MISINTERPRETED DATA. ART IS TERROR: My work gives insights into different form of territories, data, dolls and robotics interacting within the urban spaces and urban life. Believing strongly and deeply in my artwork as a host for an emancipated audience, the source of my work is a voluptuous engagement with scientific thin-king, autobiographic momentum and development of gender robotics. Replenishing the feminist strategies of the past which transformed dynamically into an ‘equality of differences’ my interest prolongs from body data observations to social critical interactive urban data. My installations approach the spectators with questions about data movements, strategies in social behaviour and future progress of urban interaction. ART IS BIOCHEMICAL. ART IS A PARASITE: The host system is the human body. Art exists as a parasite in the mind of the viewer. My interest in art is the effect to operate like a hallucination: to appear and to disappear like a mirage in the brain. My investigations concern’s is to manufacture ‘disappearances’ provoking a moment of data transfer. I toggle between inner and outer worlds. My concern in art is to escort these forms of hallucinatory processes, to set up fresh wounds where a new form of madness emerges. ART IS TERROR: When the artwork has terrorised the spectator entering in the sphere of his brain, my work is completed. As main focus remains to initiating the confusion of the brain parts. ART IS MISINTERPRETED DATA: The Freedom of art is to function as a platform on which it accumulates versions of perceptions which differ.


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