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Artist Information:
Harthur Dicrayon
Vazante,
Brazil
Member Since: Feb 2007

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Harthur Dicrayon Biography:

Biographical information for Harthur Dicrayon can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public.
Age
42
 
Gender Male
 
Status Single
 
Children 99
 
Religion not provided
 
Education not provided
 
Hobbies / Interests not provided
 
Favorite Artistic Medium Painting Oil
 
Favorite Arthistory Movement not provided
 
Favorite Visual Artist not provided
 
Favorite Work of Art not provided
 
Biggest Artistic Inspiration not provided
 
Why Did You Become An Artist not provided
 
Your Personal Biography He was born in Vazante, Minas Gerais, Brazil, in September, 16 th, 1969. He�s Mario Moreira dos Santos and Maria Moreira das Dores, son.
he participated in Harthur Dicrayon lived all its childhood and adolescence close his family. In spite of his modest origin, he finished the hight school in 1987; In this same year, its first steps in the plastic arts started, when several expositions of local and surrounding arts.
Seeing his sisters drawing, still a child, his interest for the art. Grew up autodidactic, he gave himself in 1986 the birth of his first work, the picture called �Jesus and the Samaritana�. Already in the following year, his talent was denounced to the faithful�s from S�o Vicente de Paulo church in Vazante MG, When ther saw his frescos in the parochial living room.
He had degenerative problems in his tendons, after thirteen years working in a bank as taller. He stood back from the bank, for the opportunity, it was enlarged his sweats art in a trip to Europe, where he could know with, vastness works and great master�s of the painting lives; of those his work made praises for two know Spanish, Salvador Dal�.
Nowadays with prevalent surrealismo, the works of �Harthur Dicrayon�reject the logical conceptions of the spirit and it is only joined in the unconscious, for the artist�s definitive liberation.
 


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