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Artist Exhibitions:
2008 "New Horizon", Sherrie Gallerie, Columbus, OH
2007 Charles Herndon Gallery, Cleveland, OH
2007 "One Night Suite'r", Ohio Art League Show, Columbus, OH
2006 “Nudes”, Synapse Gallery and the Center of Photography, Benton Harbor, MI
2006 “One Night Suite”, Ohio Art League Show, Columbus, OH
2006 Columbus College of ...
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Artist Galleries:
Sherrie Gallerie
694 North High Street,
Columbus, OH 43215
(614) 221 8580
www.sherriegallerie.com
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Artist Reviews:
Exhibit sherrie gallerie
Metal plates replace paper in abstract photos
Sunday, February 3, 2008 3:30 AM
By Kaizaad Kotwal
For The Columbus Dispatch
Hiroshi Hayakawa inventively develops his photographs of nudes directly on corroding metal plates using "liquid light."
Emotionally layered, the photos are also technically dazzling.
In his ...
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Collections:
Dr. Robert Falcone,
Columbus, OH
Michael Radcliff,
Columbus, OH
Margo Bear,
Columbus, OH
Madeline Sekara,
Columbus, OH
Laura Heyman,
San Francisco, CA
Cindy McCracken,
Columbus, OH
Anedith Nash,
Columbus, OH
Kayoko Ikeda,
Tokyo, Japan
Elizabeth Chrisman,
Columbus, OH
Richard Mayer,
New Ark, OH
Andrea Cambern,
Columbus, OH
Ellen Grevey,
Columbus, ...
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Commissions:
Coming Soon!
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Artist Statement for Hiroshi Hayakawa
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My photographic work deals with the transformation of the physical and conceptual properties of the medium by means of time. My images are printed on oxidized sheet metal through the application of photographic emulsion onto the surface. In this process the rust on the metal penetrates the image from underneath and surfaces to become part of the image. The time represented by a photographic image, which belongs to the past, is physically shifted and relocated by the decay of the material, which is the manifestation of on-going time. The senses of permanence and timelessness conventionally associated with photographic prints are re-examined by the impermanence implied by the material. In a literal and symbolic sense, my main subject-matters: female nudes provide the ground where these 2 opposite points in time meet and the figures work as a catalyst to accelerate this transformation of the medium due to the transient nature of beauty with which female nudes are viewed. By juxtaposing oxidation against the figure or by blending the oxidation with the figure, I try to create visual and psychological tension. I would like to continue exploring a new possibility of dialogue which would bridge images, materials and time.
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