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Rashi Jain's Main Portfolio Page
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Artist Information:
Rashi Jain
Mumbai,
India
Member Since: Jan 2008

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Photo of Rashi Jain, Artist



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Artist Statement:

Art is not bound only to
appreciation of beauty and
aesthetics. It is a dynamic
zone where existing symbols
influence their connections,
through time. The visual
reality creates an illusion
governed by these symbols. The
urban scenario and its impact
on our thoughts is reflected
in some of my work. ...

Further Information
Artist Exhibitions:
'Pottermania', Bilmat
Zeramics, Mumbai 2008

'Peter Thompson &
Friends',Anagama-Clay at The
Attic, Delhi 2007

'Blue', group show of potters:
Claychakra,
Art & Soul Gallery & Artists
Centre, Mumbai 2006

'101 Teapots',Bilmat Zeramics
Gallery, Mumbai 2006
part of the Kala Ghoda Arts
(KGA) Festival, Mumbai

'The Ceramic Camp',

2004
by the...

Further Information
Artist Galleries:
The Attic, New Delhi
Gallery Art & Soul, Mumbai
Artists Centre, Mumbai
...

Further Information
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Rashi Jain Biography:

Biographical information for Rashi Jain can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public.
Age
0
 
Gender Female
 
Status not provided
 
Children 99
 
Religion not provided
 
Education Professional Work
 
Hobbies / Interests Ayengar Yoga & Trekking,Athletics & Sports,Travel,Photography,Writing,
Cinema & Music

 
Favorite Artistic Medium Ceramics Handbuilt
 
Favorite Arthistory Movement not provided
 
Favorite Visual Artist not provided
 
Favorite Work of Art not provided
 
Biggest Artistic Inspiration not provided
 
Why Did You Become An Artist not provided
 
Your Personal Biography Coming to terms with change is a challenge. The fun is in the ‘process’. It is that ‘change in process’ I enjoy in clay. The recent series of sculptures, ‘Disco men’ and the voluminous wheel thrown vases, ‘Jar of Secrets’, is a representation of my perception of situations. The ‘Disco men’ portray the rhythm one sees in movement. When I look at people dance in the flashes of disco light; they pose each as a picture; leashed energy, frozen in moments.

I began with watching village potters back in Bangalore at ‘The Valley School’, three years ago. Working at ‘The Golden Bridge Pottery’ in 2007, under the guidance of Ray Meeker, Deborah Smith and assisting resident Australian artist, Peter Thompson for an Anagama firing, resulted in a group show at ‘The Attic’, Delhi, 07. I have exhibited with Claychakra and numerous potters. I now work off my studio in Mumbai, Studio Karva.
 


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