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Artist Statement:
Solo Exhibitions:
Indian Art Collectors,
November 2010 (Online)
Indian Art Collectors, May
2009 (Online)
Indiaart Gallery (Sponsored),
Pune, India, 2007.
Birla Academy of Art & Culture
(Duet) (Sponsored), Kolkata,
2006.
Chitrakoot Art Gallery
(Sponsored), Kolkata, 2004.
Archer Art Gallery
(sponsored), Ahmedabad, 2003.
Birla Academy of Art &
Culture, Kolkata, 2002.
Academy of Fine Arts, Kolkata,
2002.
Fortune Landmark Hotel,
(Welcome Group), Ahmedabad,
2001.
Group Exhibitions:
“Celebrating The Sprit Of
India”- Convention Foyer,
India Habitat Centre, New
Delhi, October 2010.(Organiged
by Indian Art Nouveau Gallery,
Gurgaon)
“Celebrating The Sprit Of
Love”- Experimental Art
Gallery, India Habitat Centre,
New Delhi, October
2010.(Organiged by Indian Art
Nouveau Gallery, Gurgaon)
“Kolkata Art Fair” Organiged
by Kolkata Art House at-
“A Rainbow Of Colours”-
Epicentre, Organiged by Indian
Art Experience Gallery,
Gurgaon, July 2010.
“An Extravaganza Of Colours”-
Art Lounge, The Claridges ,
Faridabad Organized by Indian
Art Experience Gallery & The
Claridges, New Delhi April
2010.
“Colours Of India”- The Art
Experience Gallery, Gurgaon,
January 2010.
“Life Is Not Black & White’-
Visual Art Gallery, India
Habitat Centre (Organized by
Indian Art Experience
Gallery), New Delhi, October,
2009.
“Life Is Not Black & White’-
Epicentre, Organiged by Indian
Art Experience Gallery,
Gurgaon, October 2009.
“Mystic Expressions " - Visual
Art ...
Further Information
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Artist Exhibitions:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Reviews for Jiaur Rahman:
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PAINTING EXHIBITION "Mystic Abstracts & Fuguratives" Group Show at Mystiq Art Gallery - 11th to 24th July 08
Time : 11:00 am -7:00 pm
Event Details : Group show of artists including Alka Raghuvanshi, Bikash Poddar, Dharmender Rathore, Manisha Gawade, Niren Sen Gupta, Seema Kohli, Sidharth, Siraj Saxena, Sridhar Iyer, Ram Dongre, Pankaj Saroj, Mohammed Suleman, Jiaur Rahman and others.
Jiaur Rahman - The work of Jiaur Rahman titled Friendship:
Jiaur Rahman's canvas shows the spirit of friendship in a very colourful way. The contrast of the background in a brick reddish colour with the bright yellow and blue adorned by the boys is very powerful, it is attractive, yet subtle, it draws your attention but does not obscure the overall theme of the canvas. All the boys have their backs facing the viewer and are intertwined with each other as each has his arm over the shoulders of his friend and their is a sort of wrinkle on their garments that seem to run across all the boys, a force or common sense of purpose seem to be binding them all. Their is an unmistakable sense of common purpose that these lads are pursuing.
Jiaur Rahman has used water color on paper to portray the life in a rural area that is close to either a river or the sea. The liberal use of white,brown, green and blue has brought to life the day to day activities you'd associate in such idyllic surroundings.
You have fisherman cherishing the days catch, surveying their nets for any damages, baskets over laden with fish ready to be sold. Others are viewing the horizon as they wait for their folk to return from the sea. The entire portrait is done in blue, earthy browns and silver hues.The sea is a riot of blue and the ocean reaching the shore and spreading its white foamy spray is vividly captured.
Then there is this depiction of what seems a corridor of power in yester years. The columns now seem dilapidated and the vibrant colors that probably adorned the walls is now just a memory. The floors that were trodden by the powers that be are now barren and eroded with the passage of time. Rahman's use of subdued colors in no way takes away the feeling that this was once something important. The corridor leads to a passage way ending into an entrance, the top of which has an unmistakable presence of what is probably a coat of arms. The image is of a power subdued, lost in the passage of time.
Rahman also contrasts rural life with urban life as well. What catches the eye and numbs the senses is the loneliness the town represents. Mortar, bricks and electrical poles seem more close to each other, rather than human beings. The blackish background of an urban surrounding, of people lost in their own world gives out vibes that are uncomfortable.
Contrast that with the canvas depicting a rural setting. Its as if you have just wiped clean a murky window and can now see everything clearly. The scene is friendly and welcoming. Dogs, sheep and chickens are seen mingling together. The houses are mere huts, but they are homes and not houses of the city. The rural surroundings are clean and not cluttered with the waste associated with an urban landscape. The image is one of an unhurried life associated with the villages.
Place : Mystiq Art Gallery, D 3, Defence Colony, New Delhi - 110024.
Please visit- www.mystiqart.com
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