Artist Information:
John Williams
Toronto,
Canada
Member Since: Aug 2004
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Artist Statement:
The Vanishing City:
For twenty years I’ve been painting the changing urban scene of a North American city. Not the quaint cityscapes but the architecture of the everyday: the old, tawdry and forgotten places that we’ve lived and worked in. The backstreet houses, old commercial buildings, and dusty ...
Further Information
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Artist Exhibitions:
Selected Exhibitions
• 2005, Toronto City Hall Outdoor Art Show, Toronto
• 2004, May Works Arts Festival, Canadian Auto Workers Hall, Toronto
• 2003, May Works Arts Festival, Canadian Auto Workers Hall, Toronto
• 2002, From out of our Past, May Works Arts Festival, Winchevsky Centre, Toronto
• 2001, Tooning In, Hamilton Art Gallery, Hamilton
• ...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Testimonial
Excerpt from an article in Ward 9 News by Allan O’Mara
Artist finds inspiration in suburban
parking lots
The inspiration to paint comes from many sources: a view from a window, a walk in the
country, a vivid dream, a memorable event.
When John Williams needs inspiration he ...
Further Information
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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John Williams's Artist Portfolio
Welcome to John Williams's Portfolio. The Vanishing City:
For twenty years I’ve been painting the changing urban scene of a North American city. Not the quaint cityscapes but the architecture of the everyday: the old, tawdry and forgotten places that we’ve lived and worked in. The backstreet houses, old commercial buildings, and dusty automobiles. The banal things we’re programmed to tune out can have a power in memory and imagination that the clichéd or monumental often lack.
Drawing encouragement from urban painters as diverse as John Sloan, Edward Hopper, and contemporaries like Wayne Thiebaud, James Doolin and Richard Estes, I’ve painted these scenes in a straight-ahead style that respects their nature instead of idealizing them. Of course I don’t paint these scenes because I think they’re ugly. On the contrary, the look of afternoon light on the old brick of an Italianate warehouse, or the cool shadow thrown by the bold diagonal of a freeway ramp are some of the reasons I love the city.
While there are few architectural gems in these scenes, their mixed-up but vital textures, materials and period clichés vividly tell the story of our free market development patterns and values. ... |
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Skyline, 2006 Acrylic Painting, 36 x 24 X 1 inches Availability: Sold
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Cars and trains, 2004 Acrylic Painting, 30 x 20 X 1 inches Availability: Sold
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