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Artist Statement:
ARTIST’S STATEMENT
Where does a painting begin and where does it end? Sometimes it ends abruptly because of an unexpected edge, maybe an edge with a surge of color that just may interpret my mood at the very moment it evolved. Painted collage, “papier’ colle’, is a freeing of the soul, a ride through reality on broken edges. Sometimes these edges take on a life of their own. Riding through abstract color fields, stopping only to pick up a lost fragment of emotion.
Emotion of color. In my painting color takes on emotion. As my hands move across the surface I can feel the energy as each turn of color grabs a space to eternalize a hidden emotion in paint.
The Square of Life is a painting that was created through emotion of color, every nuance of space is filled with sensual color. Edges become caretakers of color. Color becomes boundaries for edges. To create this way is a freeing of the spirit. My heart travels on many levels with color and edges becoming the vehicle to carry the realities into the abstract, the abyss.
Squares can take on a life of their own. So often when I paint, ...
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Artist Exhibitions:
Westmoreland Art Nationals
Westmoreland County Community College
Youngwood, PA
June-July 2006
Along the Way
One-person exhibit of
sculpture and paintings
Arts Center @ Old Forge
Adirondacks, NY
April 3 -May 16, 2003
Reception: May 16, 6-8PM
http://www.lindabigness.com/Alo ngtheWay.html
Abstract Paintings
Hudson Opera House Gallery
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Artist Galleries:
Nan Miller Gallery
500 Winton Place
Rochester, New York
Gallery Manager: Gail Leese
585-292-1430
Memorial Art Gallery
500 University Ave.
Rochester, New York
Gallery Store Director:
Colleen Griffin-Underhill,
Manager., Gallery Store
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Collections:
Merril Lynch, Rochester, New York
Bausch and Lomb, Rochester, New York
Haylor, Freyer and Coon, Syracuse, New York
Bond, Schoeneck & King, PLLC, Syracuse, New York...
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Commissions:
Temple B'rith Kodesh, Mural commission completed 2003, oil on canvas
Rochester, New York...
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Reviews for Linda Bigness:
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Observer-Dispatch, Sunday, Oct. 21, 2001, Art Exhibit features colorful interpretations of Mozart’s
musical masterpieces. Jonas Kover, critic.
Syracuse New Times: “Get Your (Glue) Gun”, Carl Mellor, Arts Critic, June 21, 2000
Syracuse New Times:: “Let It All Hang Out” Carl Mellor, Arts Critic, March 31, 1999
Stars Magazine, Syracuse Herald American, “Linda Bigness’ oils, mixed-media works are haunting,
powerful. Sherry Chayat, Art Critic, Author, Nov. 17, 1996
Syracuse New Times, “ ART Fantasy Land, Linda Bigness takes her landscapes through the looking
glass.” Alis Wintle Sefick, Writer, Critic.
Utica Observer, “Main Attraction,” Jonas Kover, Art Critic 1/96
Utica/Albany Observer Dispatch, “Galleries Take On A Feminine Introspection,” 3/27/94
Syracuse New Times, “Twin Bill-Revitzky and Bigness...,” 5/26/93
Syracuse New Times, “Painting on Several Levels,” 12/25/91
Eagle Bulletin, Fayetteville, N.Y., “Passing In Review,” Sallie Bailey, Writer
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