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Luigi Biagini's Main Portfolio Page
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Artist Information:
Luigi Biagini
Marina di Carrara,
Italy
Member Since: Aug 2000

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Photo of Luigi Biagini, Artist



biographybiography
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Artist Statement:
Main Publications
La Gipsoteca dell¹Accademia di
Belle Arti di Carrara, ed.
Lions Club
Scultura a Carrara
(Ottocento), ed. CRC (Carrara)

Architectural Stone, ed. John
Wiley & Sons (New York)
La Pelle del Monte, ed. Aldus
I Laboratori ritrovati, ed.
Comune di Carrara
Forme dal Bianco, ed. ARS
Due scultori nel paese del
marmo, ed. Mori
La Toscana ad Assisi, ed.
Regione Toscana
Dalla materia al linguaggio,
ed. Mori
Yorkshire sculpture park (Igor
Mitoraj, sculptures), ed.
Clare Lilley (London)
Francisco Guerau (Hopkinson
Smith), ed. Astrée Auvidis
(Gentilly France)
Gaspar Sanz (Hopkinson Smith),
ed. Astrée Auvidis (Gentilly
France)
International Skulptur i
Europa, ed. Mori
Profili e voci di donne a
Carrara, ed. Comune di Carrara

Bianco candido marmo, ed. ARS
Storie di Genti, Costumi e di
Vino della Lunigiana, ed.
r.m.e.
Tourist book città di Carrara,
ed. Comune di Carrara
Torano, notte e giorno, ed.
SGF
L¹Uomo di Marmo, ed. r.m.e.
Verso il sogno di Afrodite,
ed. SEA
TerraViva (bimestrale), ed.
r.m.e.
Marmi Pietre e Mosaico, ed.
Alinea
Le vie bianche in Toscana, ed.
Petrartedizioni
La Storia di Carmo, ed.
Ingrassedi, (Sevilla -España)
- 2003
Il Lardo di Colonnata, ed. F.
Motta (MI) - ...

Further Information

Artist Exhibitions:
Mostre

Trasformazioni ambientali,
Firenze, I, 1971
Zone plate photography,
Haarlem, NL, 1987
Diffraction Only, Montevideo,
Gallery, Antwerpen, B 1990
Mostra internazionale di
scultura, Odense Radhushal,
Dn, 1991
Collettiva Internazionale di
Sculture, Finter Bank Chiasso,
CH, 1996
I laboratori Ritrovati, Museo
del Marmo, Carrara, I, 1999
La Pelle del Monte, fondo ...

Further Information
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Luigi Biagini Biography:

Biographical information for Luigi Biagini can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public.
Age
57
 
Gender Male
 
Status Married
 
Children 2
 
Religion cattolica
 
Education Professional Work
 
Hobbies / Interests early music, landscapes, cruise ships interior decoration
 
Favorite Artistic Medium Artistic Book
 
Favorite Arthistory Movement English Landscape School - (1600 - 1800)
 
Favorite Visual Artist Turner
 
Favorite Work of Art Divine Comedy
 
Biggest Artistic Inspiration music, countryside, marble quarries
 
Why Did You Become An Artist not provided
 
Your Personal Biography Luigi Biagini was born in 1954 in Carrara, where he still lives today.
He started taking photographs and printing in the dark room in 1968, initially using a 35 mm camera. He later progressed to medium and large formats, preferring black and white landscape photography. He has studied and applied Ansel Adams' zonal system since 1986.
The innate love for his mountains and particularly for the marble quarries and marble "as a material which captures light and reflects it, multiplying it", encouraged him to carry out, for a long time, from 1970 to the early 90s, a strongly topical research into the landscape, quarrymen and Grafting in sculpture workshops.
Witness of time, he observes the passage of the marble cutting technique from helicoid wire to diamond wire (in the late 80s), and also the radical change in the landscape of the quarries; numerous roads are surfaced, signposts are put up and properties are cordoned off with gates and wire fences.
The romantic landscape of the quarry changes, so Luigi Biagini stops taking photographs of them and begins to look at marble in its essence, as a contrast of light and shade, creating natural shapes of abstract and figurative sculptures on its skin.
Since the end of the 80s, he has also carried out a photographic "research" activity, focusing on the Tuscan countryside which was probably beginning to undergo a phase of irreversible change. Thus he intensifies his observation, to immortalise atmospheres, but also to sensitise public opinion to prevent the indiscriminate devastation of the landscape.
He is currently completing his research into the Vie Bianche (White Roads) of the Tuscany, Umbria and Emilia-Romagna countryside. If his pictures are able to do nothing to prevent asphalt and concrete from advancing through the countryside, they will definitely remain as a historical memory of the landscape...
He also works as a landscape photographer, developing artistic, architectural and social projects.
His work has been included in numerous publications in Italy and abroad, and in the monographs of numerous artists.
In addition to photography, he has a passion for early music and plays renaissance and baroque lutes.
 


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