Artist Information:
Lynette Miller
Fletcher, NC
United States
Member Since: Jul 2005
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Artist Statement:
ARTIST’S STATEMENT
Lynette Miller
“What you need to know about
the next piece is contained in
the last piece.”
- David Bayles & Ted Orland,
Art & Fear
There is no question that
Dadaist collage and the
Bauhaus tradition of
experimentation have been
major influences on my art
making. I find both
alternative process
photography techniques and
digital particularly amenable
to the introduction of other
media and frequently
incorporate several forms of
media into one piece. The end
result has almost always been
dictated by process.
I’m very interested in
exploring the relationships
and new meanings created by
the simultaneous viewing of
disparate imagery. Perhaps it
is no surprise that I
gravitated to a medium of
transparency. I often
appropriate information,
juxtapose layers of images and
integrate text into much of my
photographic work.
My current body of work is an
exploration of knowledge
systems, and combines iconic
representations of medieval
and Renaissance religious
painting with medical
illustration, scientific
schematica, geometrical
construction and mathematical
diagrams. While these were
periods of intense
intellectual exploration, they
were also times when science,
magic, and religion were not
so clearly delineated as we
prefer to think they are now.
Just as our systems of
knowledge ...
Further Information
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Lynette Miller's Free Artist Portfolio
Welcome to Lynette Miller's Portfolio.
ARTIST’S STATEMENT
Lynette Miller
“What you need to know about the next piece is contained in the last piece.”
- David Bayles & Ted Orland, Art & Fear
There is no question that Dadaist collage and the Bauhaus tradition of experimentation have been major influences on my art making. I find both alternative process photography techniques and digital particularly amenable to the introduction of other media and frequently incorporate several forms of media into one piece. The end result has almost always been dictated by process.
I’m very interested in exploring the relationships and new meanings created by the simultaneous viewing of disparate imagery. Perhaps it is no surprise that I gravitated to a medium of transparency. I often appropriate information, juxtapose layers of images and integrate text into much of my photographic work.
My current body of work is an exploration of knowledge systems, and combines iconic representations of medieval and Renaissance religious painting with medical illustration, scientific schematica, geometrical construction and mathematical diagrams. While these were periods of intense intellectual exploration, they were also times when science, magic, and religion were not so clearly delineated as we prefer to think they are now. Just as our systems of knowledge ... |
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