Artist Information:
Michel Mag
Kottakuppam Pondicherry,
India
Member Since: Mar 2008
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Artist Statement:
FROM E-WASTE TO JUNKART
EXHIBITION
The paramount action of Mag
Michel is to recover objects
dedicate to the destruction,
recycling and to make use of
it as bases of its work. Once
collections, these corpses of
consumption are then to cut
out, fold, emaciate. These
rejected parts are specially
chosen, selected, these last
being objects of the daily
life but which convey a strong
image because of their
profusion or of their
notoriety in the world of
consuption (e-waste,
IT-waste).
Mag Michel vacuum their
substance, splits up them, and
wants to show that these parts
unrecognizable remain
omnipresent in our unconscious
collective.
Discharge with the exposure,
the object is transformed into
sculpture, assembly, sequence,
series without never becoming
a figurative work but an icon.
The spectator is not present
to decode the object in the
course of dematerialization
but to undergo a face to face.
There is no new figuration
which emerges from the object
transformed. Nothing is to
recover in order to be
recomposed, work is a report.
The artist plastics technician
becomes a contemporary urban
archaeologist who by principle
recovers to show timeless
elements.
Mag Michel falls under the
movement Junk Art. His works
want ...
Further Information
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Artist Exhibitions:
2007 The Dune Pondichery
....India.... - Eco
alternative
exhibition/fragmentation
2009 ....APW Gallery.. ..New
York.. ..Usa.... – Group
exhibition/world of
imagination
2010 COROMANDEL ART GALLERY
PONDICHERY INDIA FRAGMENTATION
& DISTORTION
2011 ANATA GALLERY L.A USA
GROUP EXHIBITION
...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Michel Mag's Free Artist Portfolio
Welcome to Michel Mag's Portfolio.
FROM E-WASTE TO JUNKART EXHIBITION
The paramount action of Mag Michel is to recover objects dedicate to the destruction, recycling and to make use of it as bases of its work. Once collections, these corpses of consumption are then to cut out, fold, emaciate. These rejected parts are specially chosen, selected, these last being objects of the daily life but which convey a strong image because of their profusion or of their notoriety in the world of consuption (e-waste, IT-waste).
Mag Michel vacuum their substance, splits up them, and wants to show that these parts unrecognizable remain omnipresent in our unconscious collective.
Discharge with the exposure, the object is transformed into sculpture, assembly, sequence, series without never becoming a figurative work but an icon.
The spectator is not present to decode the object in the course of dematerialization but to undergo a face to face.
There is no new figuration which emerges from the object transformed. Nothing is to recover in order to be recomposed, work is a report. The artist plastics technician becomes a contemporary urban archaeologist who by principle recovers to show timeless elements.
Mag Michel falls under the movement Junk Art. His works want ... |
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