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Artist Statement:
FROM E-WASTE TO JUNKART EXHIBITION
The paramount action of Mag Michel is to recover objects dedicate to the destruction, recycling and to make use of it as bases of its work. Once collections, these corpses of consumption are then to cut out, fold, emaciate. These rejected parts are specially chosen, selected, these last being objects of the daily life but which convey a strong image because of their profusion or of their notoriety in the world of consuption (e-waste, IT-waste).
Mag Michel vacuum their substance, splits up them, and wants to show that these parts unrecognizable remain omnipresent in our unconscious collective.
Discharge with the exposure, the object is transformed into sculpture, assembly, sequence, series without never becoming a figurative work but an icon.
The spectator is not present to decode the object in the course of dematerialization but to undergo a face to face.
There is no new figuration which emerges from the object transformed. Nothing is to recover in order to be recomposed, work is a report. The artist plastics technician becomes a contemporary urban archaeologist who by principle recovers to show timeless elements.
Mag Michel falls under the movement Junk Art. His works want ...
Further Information
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Artist Exhibitions:
2007 The Dune Pondichery ....India.... - Eco alternative exhibition/fragmentation
2009 ....APW Gallery.. ..New York.. ..Usa.... – Group exhibition/world of imagination
2010 COROMANDEL ART GALLERY PONDICHERY INDIA FRAGMENTATION & DISTORTION
2011 ANATA GALLERY L.A USA GROUP EXHIBITION
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Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Michel Mag Biography:
| Biographical information for Michel Mag can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
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Age
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47
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| Gender |
Male
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| Status |
not provided
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| Children |
99
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| Religion |
not provided |
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| Education |
not provided |
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| Hobbies / Interests |
not provided |
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| Favorite Artistic Medium |
Mixed Media
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| Favorite Arthistory Movement |
not provided
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| Favorite Visual Artist |
not provided
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| Favorite Work of Art |
not provided
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| Biggest Artistic Inspiration |
not provided |
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| Why Did You Become An Artist |
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| Your Personal Biography |
MAG Michel is working in India since 1999
MAG Michel can be associated to the Junk Art Movement .
His artworks called Fragmentation and Distorsion can be indentified in a different way .
Mag wants to magnify the subject and give a soul to the debris of society of consommation which are not for him the alienation of the century.
By using vehicles parts, discarded material, squashed or folded steel, MAG produces a serial work based on the observation of our violent environmental decadence.
These fragmentations represent MAG’s new powerful sculptures.
He magnifies everyday elements but icon ones to raise issues about the recycling.
He describes his work as ‘a poetic-ethnic urban junk celebration!’
By elevating ordinary objects to the status of art, he challenges ideas about what constitutes art.
Conceptual art expression with pictural or sculptural mix media .
-Exploration of the world of consumption and its environmental aspect such as recycling.
-Action through fragmented icons (vehicle..), sacred idea (indian cows, crucifix..), junk items (dolls, shape), distorsion (material and social), print (perennial)
-Ban the cliché or the figurative image but show archetypes and try to raise issue concerning our violent environmental decadence.
-Work on a project about the tridimensionnal concept of the Print. (Empreinte)
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