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Matthew Kinsey's Main Portfolio Page
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Artist Information:
Matthew Kinsey
Cambridge, OH
United States
Member Since: Aug 2008

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Artist Statement:
Coming Soon!
Artist Exhibitions:
Coming Soon!
Artist Galleries:
Art Access Gallery, 540 South
Drexel Avenue, Bexley, OH
43209 (614-338-8325)

Closson's (www.clossons.com),
10100 Montgomery Avenue
Cincinnati, OH 45242
(513-891-5531)

Mitchell Sotka
(www.mitchellsotka.com), 19071
Old Detroit Road, Rocky River,
Ohio 44116 (440-333-1735)

J&W Gallery
(www.jwgallery.com), 20 ...

Further Information
Artist Reviews:
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Collections:
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Commissions:
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Matthew Kinsey Biography:

Biographical information for Matthew Kinsey can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public.
Age
40
 
Gender Male
 
Status Committed
 
Children 99
 
Religion Atheist
 
Education Bachelor of Fine Arts
 
Hobbies / Interests Vegetarian cooking, gardening
 
Favorite Artistic Medium Painting Oil
 
Favorite Arthistory Movement Renaissance - (1400 - 1600)
 
Favorite Visual Artist Chardin
 
Favorite Work of Art The Arnolfini Wedding, Van Eyck
 
Biggest Artistic Inspiration not provided
 
Why Did You Become An Artist not provided
 
Your Personal Biography Matthew Kinsey is a traditional oil painter specializing in still life and figurative art, working in a style that employs techniques of the Old Masters and 19th Century European academies. Matthew’s work has been selected for numerous private collections and commissioned portraits. His paintings have been featured in many solo and group shows at private and public galleries over two decades.

Matthew Kinsey’s website classicalworkshop.com provides an archive of many out of print texts on painting and traditional art materials, artists’ classified ads and other resources for representational painters. Utrecht Art Supplies retains Matthew as a consultant and technical writer. Matthew is chief representative for the “Ask the Experts” service offered by www.utrecht.com.
 


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