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Artist Statement:
The base of my work remains the functional clay pot and how pottery speaks to what groups of people have in common. Tableware implies an abundance of food and a willingness to share it. Earthenware is the most common clay and ubiquitous throughout human cultures for millennia. These pots attempt to combine the things I love about pots from around the world. I am particularly interested in slipware from the cultures surrounding the Mediterranean and near east during the 9th through 12th century AD. The local pots of the Islamic and Byzantine Empires had very similar shapes and patterns even though they were locked in nearly permanent conflict they ate from the same plates. Well-traveled trade routes existed between China and Iraq where porcelain met cobalt. Rome and the crusades brought this Mediterranean melting pot aesthetic to early English pottery. I blend and borrow elements of these and other cultures to make work that might sprout fresh leaves on the potter’s family tree while remaining true to it’s roots. George Ohr, the Mad Potter of Biloxi, called his pots “Mud Babies”, and in that spirit it is my hope that these pots reflect some of the joy ...
Further Information
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Artist Exhibitions:
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Artist Reviews:
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Collections:
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Commissions:
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Paul Linhares (Page 2 of 2)
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