Artist Information:
Nabakishore Chanda
kolkata,
India
Member Since: Aug 2007
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Artist Statement:
'VERSIFICATION OF LINE AND
COLOUR'
Line is the forte of
Nabakishore's paintings. They
swirl, surge, intertwine, even
retreat and move
diagrammatically convering the
pictorial space. Nabakishore
lets his pen or brush move on
the paper freely. The figures
born out of those lines and of
the exuberant colour splashes
have a naive charm about them.
They show faces of a next-door
girl or of a folk deity and
recall the images that we see
in folk art of rural Bengal.
In his paintings, symboils
including the phallic ones
create a primordial ambience.
His browns and yellows, red
and greens trapped in the
darkness make up a rich fabric
of forms.
Nabakishore is a self taught
painter who teaches Bengali
language and literature in a
college. his knowledge of
medieval Bengali poetry is
simply reflected in the images
that he paints. As a painter,
he recreates the world of
mythology and folklore in a
visual language that seems
unique.
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Further Information
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Artist Exhibitions:
Solo Exhibition:-(1)2004Birla
Academy of Art &
Culture,kolkata,India(2)2007-Sa
mokal Art
Gallery,Kolkata,India(sponsored
)(3)2008-PegasusArt
Gallery,Hyderabad,India(sponsor
ed).
Group Exhibition:-
1. 2003 - Academy of Fine Arts
Kolkata, India.
2. 2003 - Lalit kala Academy,
New Delhi, India.
3. 2005 - Chemold Art Gallery,
Kolkata, India.
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Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Bewitching lines
Nabakishore Chanda’s paintings
seem to emanate from the earth
itself despite the intricacy
of lines that seem to dominate
them. The pristine quality of
the faces that emerge from the
lines startle us with their
freshness which reminds us of
vernal showers at times. On
the other...
Further Information
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Collections:
Coming Soon!
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Nabakishore Chanda's Free Artist Portfolio
Welcome to Nabakishore Chanda's Portfolio.
'VERSIFICATION OF LINE AND COLOUR'
Line is the forte of Nabakishore's paintings. They swirl, surge, intertwine, even retreat and move diagrammatically convering the pictorial space. Nabakishore lets his pen or brush move on the paper freely. The figures born out of those lines and of the exuberant colour splashes have a naive charm about them. They show faces of a next-door girl or of a folk deity and recall the images that we see in folk art of rural Bengal. In his paintings, symboils including the phallic ones create a primordial ambience. His browns and yellows, red and greens trapped in the darkness make up a rich fabric of forms.
Nabakishore is a self taught painter who teaches Bengali language and literature in a college. his knowledge of medieval Bengali poetry is simply reflected in the images that he paints. As a painter, he recreates the world of mythology and folklore in a visual language that seems unique.
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