|
|
Artist Statement:
Doll Stills Statement
These still life paintings explore relationships and expectations. Through found objects, dolls and other toys, notions of purpose, simulation and sensibility are portrayed with curiosity, mystery and humor. My use of dolls specifically, explores the nature of surface and expectation. Dolls are created as generic representations of babies and used as toys. Yet their idiosyncratic bodies and faces exude a power and energy, that reminds me of Native American katsina dolls
of the south west.
In assembling a still life, I allow my present life and my past to surface. I spend time looking through shelves of objects that I have collected over time. As if in a meditative state,
I find situations or themes emerge in my minds eye focusing my attention, which directs my selection of objects. I work with dolls that resonate in unexpected ways and with other objects that are frequently actual vessels (ie. nests, tea pots, mugs). As the scene comes into being, I think about emotions, memories, my present moment and unspecified potential.
Suzy Kitman
21 September 2007...
Further Information
| |
Artist Exhibitions:
Coming Soon!
|
|
Artist Galleries:
Coming Soon!
|
|
Artist Reviews:
Coming Soon!
|
|
Collections:
Coming Soon!
|
|
Commissions:
Coming Soon!
|
|
|
Suzy Kitman Biography:
| Biographical information for Suzy Kitman can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
|
Age
|
48
|
| |
| Gender |
Female
|
| |
| Status |
Committed
|
| |
| Children |
0
|
| |
| Religion |
|
| |
| Education |
Masters of Fine Arts |
| |
| Hobbies / Interests |
|
| |
| Favorite Artistic Medium |
Painting Oil
|
| |
| Favorite Arthistory Movement |
|
| |
| Favorite Visual Artist |
|
| |
| Favorite Work of Art |
|
| |
| Biggest Artistic Inspiration |
|
| |
| Why Did You Become An Artist |
|
| |
| Your Personal Biography |
After receiving my B. A. from Kenyon College in Gambier, Ohio, I moved to New York City. There I furthered my studies in art. While I worked as a patina artist at The Metropolitan Museum of Art and in various commercial art related jobs, I began to study figure drawing at the New York Academy of Art.
My study of realism led me to the National Academy of Design, School of Fine Arts, where I began to use oils. A merit scholarship from the Art Students League enabled me to continue to study for one year. After 13 years in New York, I headed west, and received my M.F.A. in Painting from The University of Montana in May 1997.
My fruit, portrait, landscape, and still life series have been shown in invitational shows and gallery settings across the country, and have received numerous awards. My work has appeared on the cover of the book, The Baby Can Sing, by Judith Slater, and the periodicals ArtCalendar Magazine and Menninger Perspective. I have also had editorial illustrations published in Menninger Perspective, Calyx and Cutbank. Generous residency fellowships from The MacDowell Colony, New York Mills Art Retreat and Blue Mountain Center have greatly aided in the development of my painting.
Currently my work may be seen at the at Proper Eats (8638 N. Lombard), at The White Bird Gallery in Cannon Beach and the Westwind Frame and Gallery in Hood River, Oregon. I live, paint and teach in Portland. Studio visits and commissions are encouraged. Please feel free to contact me with any questions you might have.
|
| |
|