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Artist Statement:
Statement: Individual works /
Grit Höhn
Photography and Installation
are the media for my artistic
work, with Video becoming an
ever stronger influence over
the past two years. The
central point of my work is
man´s relationship to his
environment, whereby
communication with people is a
very important aspect.
Behavioural situations beget
confrontation. The artistic
debate begins at that point
where I feel the structure of
the behaviour becomes complex
and complicated. The moment is
subjective. To me it is the
circumstantial which is of
interest – the interwoven
structures are captured and
become visible in my work.
Existing and/or insinuated
Situations are captured using
various means (there is no
limitation to the media I
utilize). The first step is
collection, the second
selection. I combine the
chosen material, confronting
various states with one
another in order to develop
relational structures which
provide the subject of my
debate with a theme and
visibility.
This approach mirrors my
experiences, whereby I still
wish to remain down to earth -
representative of a simple and
free person while at the same
time offering a constructive
portrayal. Differing measures
of various qualities emerge
from teamwork which become
united during the exchange
conceptual ideas – ...
Further Information
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Artist Exhibitions:
Coming Soon!
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Artist Galleries:
Coming Soon!
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Artist Reviews:
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Collections:
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Commissions:
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Grit Hoehn Biography:
| Biographical information for Grit Hoehn can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
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Age
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32
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| Gender |
Female
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| Status |
Committed
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| Children |
0
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| Religion |
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| Education |
Graduate Work |
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| Hobbies / Interests |
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| Favorite Artistic Medium |
Other
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| Favorite Arthistory Movement |
Contemporary Art - (Now)
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| Favorite Visual Artist |
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| Favorite Work of Art |
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| Biggest Artistic Inspiration |
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| Why Did You Become An Artist |
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| Your Personal Biography |
RESUME: Grit Hoehn (Höhn)
* 28.09.1975, Jena/Germany
activities:
2007 - artist in residence program; “Fundacion Valparaiso”, Mojacar/Spain,
http://www3.sympatico.ca/m.j.therrien/fund.htm
http://www.transartists.nl/air/fundacion_valparaiso.2702.html
2006 - lecture of art (winter semester 2006/07); Bauhaus-University Weimar;
workshop “photographic results”/”Fotografische Folgen“ integreated in the Innovation project „Alumni Power For The Art“, project initiative by Prof. Elfi Fröhlich
http://www.uni-weimar.de/gestaltung/alumni/
2004 - trip to Japan;
participation in the exhibit/participation in the construction of the exhibit „Transit unfolded“; Toyota municipal museum of art, Toyota/Japan
since 2003 - freelance as an artist active, briefcase preparations for beginning art students
2002 - project care and organisation of the 2nd art festival, Jena/Germany, exhibit participation, catalogue production
2001 - Supervision and guidances by the exhibit Frank Stellas,
JENOPTIK AG, area of Public relations, seat Jena
2000 - Foundation member, participation in organisation and exhibit of the 1st art festival, Jena/Germany
publications:
2007 - 'NY Arts Magazine', issue Nov./ Dec.,
New York, USA
http://www.nyartsmagazine.com/index.php option=com_content&task=view&id=7702&Itemid=175
2007 - „Moment. Das Kulturmagazin aus der Mitte Deutschlands.“;
Bad Langensalza, Germany, publisher Silke Arpert, Christian Mörstedt, Wilfrid Sons, 2007
http://www.moment-online.de/content/view/647/33/
2006 - „Pink – The Exposed Color in Contemporary Art and Culture“ by Barbara Nemitz,
©2006 Hatje Cantz Verlag
http://www.uni-weimar.de/projekte/rosa/index.php?inhalt=artists
http://www.iamas.ac.jp/~adoka98/vein/
2004 - „Erste Dekade Jahrbuch der Fakultät Gestaltung“; Heft 3; Juli 2004, Universitätsverlag der Bauhaus – Universität Weimar; Hrsg. Fakultät Gestaltung, ISBN 3-86068-226-1
2004 - „ARTCORE“, newspaper for art, publisher by Prof. E. Fröhlich; Bauhaus – University Weimar, 2004
2003 - “ARTCORE”, newspaper for art, publisher by Prof. E. Fröhlich; “complicated release VII“, Bauhaus-University Weimar, 2003
2001 - How could survive the unicorn the flood?, Part 1, “tingler”, book 1
publisher Kunstsammlungen zu Weimar, 2001,(„Wie konnte das Einhorn die Sintflut überstehen?“ Teil 1; Anpfiff; Hrsg. Kunstsammlungen zu Weimar; 2001)
2001 - “visual speech – year-book of the faculty design”, publisher Bauhaus-University Weimar, 2001,
http://www.katharinahohmann.de/seiten/kurator/kurator11.htm
education:
2003-2005 - continuing education in the alliance of visual artists of
Berlin/Germany (BBK-Berlin)
2003 - graduation of Fine Arts (Diplom Freie Kunst), Prof. E. Fröhlich,
Bauhaus-University Weimar
1999-2003 - student of Fine Arts at Bauhaus-University Weimar
1994-1999 - student of lectureship for secondary school for the subjects Art and Philosophy at
Friedrich-Schiller University Jena
exhibitions:
2007 - “Topos” (single exhibit); gallery “Galerie o.T.” (Kunstwestthüringer e.V.);
Mühlhausen/Germany
2006 - “if(does) this fit(?)”/“passt das” (solo exhibit /team); art space/atelier;
Jena/Germany; “if(does) this fit(?)”/”passt das”, installation
2005/06 - “change”/“wechsel” (group exhibit); store;
Jena/Germany;
”pop mades tips”/”pop mades kippt”, mixed media installation
2005 - 'does not go. there is not this.'/“geht nicht. gibt`s nicht.” (group exhibit); gallery „just paint and move“,
Berlin/Germany; ”pink pop very closely”/”rosa pop hauthah”, mixed media installation
2005 - “The Exposed Colour: Pink”/”Die Entblößte Farbe: Rosa” (group exhibit); “The Chinnretsukan Gallery of Tokyo”, National University of Fine Arts and Music;
Tokyo/Japan; ”pink pop very closely”/”rosa pop hauthah”, mixed media installation
2005 - “without title II”/“ohne Titel II” (group exhibit); store;
Weimar/Germany; “better half - a demonstration of the dependence”/”Die bessere Hälfte – eine Demonstration der Abhängigkeiten”, digital print
2004 - “transit unfolded” (group exhibit); Toyota Municipal Museum of Art;
Toyota/Japan; ”pack of patches”, mobile Installation/modell
2004 - “art in contact II” (group exhibit);gallery “Berliner Kunstprojekt”;
Berlin/Germany; “pack of patches”, mobile Installation
2004 - “art in contact – BAUHAUS GOES BERLIN SO36” (group exhibit); art space “Glück 21”;
Berlin/Germany; “pack of patches”, mobile Installation
2003 - ”The Setendary Nomad”/”Der sesshafte Nomade” (graduation/solo exhibit);
Bauhaus – University Weimar/Germany; ”The Setendary Nomad”/”Der sesshafte Nomade”, foto installation
2003 - 'Stubborness, Fake, Appropiation' / “Eigensinn, Fake, Appropiation” (group exhibit);
Bauhaus – University Weimar/Germany; ”Konica 7050”, foto installation,
2002 - “conceptualism and subconscious”/“Konzeptualisierung und Unterbewusstes” (group exhibit); store;
Weimar/Germany; ”connecting people”/”Menschen verbinden”,
foto installation
2002 - “hyperreality and hypermentality“/“hyperreal, hypermental”(group exhibit); store;
Weimar/Germany;“Sleeper(s)”/”Schläfer”, fotoinstallation,
2002 - “unpleasant touch”/“unangenehm berührt”(group exhibit);
store “a – z Markt”;
Weimar/Germany; ”pieptuul 2002”, video, sound, installation
2002 - “Native country (home)”/“Heimat”(group exhibit);
Bauhaus-University Weimar/Germany; Home”/”Heimat”, installation, ready mades
2002 - “jena goes public”(group exhibit); Theatre-house;
Jena/Germany; “cardboardfilm”, video, prints, installation
2002 - “like robinson c. you can’t live”/“wie robinson c. kann man nicht leben” (group exhibit); 2nd art festival, historic Johannes-cementery,
Jena/Germany; “shadow projections”/“Schattenprojektionen”, slide installation; “artbook about artists(art festival 2002)”, concept, aktion; “trendsetting pictures”/“visionäre Bilder”,slide projektion, photogrphy
2001 - “How could survive the unicorn the flood?” Part 1, “tingler”/”Wie konnte das Einhorn die Sintflut überstehen?”, Teil 1, “Anpfiff” (group exhibit);
Neues Museum Weimar/Germany; ”Cybele”, installation, ready mades
2001 - “Lumilux” (group exhibit);
NGBK-Berlin(New society of visual artists-Berlin)/Germany; ”shadow projections”/”Schattenprojektionen”, slide installation
2001 - “Photography willfulness in invented and real worlds”/“Fotografischer Eigensinn in erfundenen und realen Welten” (group exhibit);
Bauhaus – University Weimar/Germany; “Dedication”/”Widmung”,photography, installation
2000 - „complicated release (2)“/“Komplizierte Auslöser (2)” (group exhibit); “Villa Haar”(valuable building),
Weimar/Germany, “without title, w.t.”/”o.T., o.T.”, photography, installation
2000 - “Lumilux” (group exhibit); gas-works ( “Gaswerk-Weimar”),
Weimar /Germany; “shadow projections”/“Schattenprojektionen,”, slide projection, installation
2000 - “art living – lifeart”/“Kunst leben – LebensKunst” (group exhibit); 1st art festival Jena;historic Johannis-cementery,
Jena/Germany; “without title, without title”/”o.T., o.T.”, photography, installation |
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