Artist Information:
Samuel Bintz
Dillsboro, NC
United States
Member Since: Sep 2007
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Artist Statement:
A good deal of my life I have
chosen to spend in silence;
this presses me to focus and
fortify my mode of expressive
communication into painting,
drawing, and graphics.
My interests are problem
solving and impossibilities;
human error and personal
politics; optimism and
pessimism. It is my opinion
that my artist’s statement is
a political one. Revolution
is my aim, although I do not
believe in anarchy. I believe
in finding decency in cultural
values; bringing back
old-fashioned obsessions with
the simplicity and complicity
of nature.
My art is founded on a
historical platform, while
implementing the playful and
devastating extremes of modern
modalities: the readers of
books versus the writers of
books. What I enjoy the most
is imagining what people are
going to say when they look at
the work. What I work with,
more so, is the technique of
re-inventing conceptual modes
and formulas of creating the
image.
All works of art from all
places and times have
influenced my style of art.
Fundamental stylistic
structures such as line
drawing and color blocking
allow me to compose something
special and dedicated within
the framed space of the
2-dimensional surface. This is
postmodern ...
Further Information
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Samuel Bintz's Free Artist Portfolio
Welcome to Samuel Bintz's Portfolio.
A good deal of my life I have chosen to spend in silence; this presses me to focus and fortify my mode of expressive communication into painting, drawing, and graphics.
My interests are problem solving and impossibilities; human error and personal politics; optimism and pessimism. It is my opinion that my artist’s statement is a political one. Revolution is my aim, although I do not believe in anarchy. I believe in finding decency in cultural values; bringing back old-fashioned obsessions with the simplicity and complicity of nature.
My art is founded on a historical platform, while implementing the playful and devastating extremes of modern modalities: the readers of books versus the writers of books. What I enjoy the most is imagining what people are going to say when they look at the work. What I work with, more so, is the technique of re-inventing conceptual modes and formulas of creating the image.
All works of art from all places and times have influenced my style of art. Fundamental stylistic structures such as line drawing and color blocking allow me to compose something special and dedicated within the framed space of the 2-dimensional surface. This is postmodern ... |
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