Artist Information:
Sandra Bray
Elmira,
Canada
Member Since: Jan 2005
|
|
Artist Statement:
When I decided to create
artworks on the theme of
global peace and dialogue for
an exhibition in Turkey, I was
launched from painting
landscapes into a new world.
After a month of sketchbook
work and research, black and
white seemed the obvious and
only choice for these images,
so I reluctantly gave up my
sumptuous oil paints.
Two concerns with working in
b/w presented themselves:
firstly, I find b/w rather
stark and cold; additionally,
I don’t like framing that
separates the viewer and the
work, with glass. Drawing on
unprimed canvas solved both of
these issues as raw canvas was
a warm-sepia in tone and
didn’t require glass.
After years of oil painting, I
can achieve a sense of form in
my work. However, my drawing
work has had a flat quality
with which I wanted to
experiment. The technical
issue of achieving structure
became my goal in what had now
become a series in my mind.
Books have a simple structure
that can be manipulated and
were the perfect objects to
work while developing form.
As the days of thought and
scribbled sketches passed, the
next consideration grew: what
message do I want ...
Further Information
| |
Artist Exhibitions:
Selected Exhibitions
2009 - The Gibson Cultural
Centre, Alliston, ON -
invitational
2009 – Boxheart Gallery,
Pittsburgh, PA – invitational
2007 – Georgian College
Gallery, Barrie, ON – group
2007 – Ars Latina Camina,
State Gallery, Castellon la
Plana, Spain – invitational
2007 - Arts and Letters Club,
Toronto, ON - invitational
2006 - Uluslarasi Sanat
Festivali, Adana, Turkey –
invitational
2006 - ...
Further Information
|
|
Artist Galleries:
Coming Soon!
|
|
Artist Reviews:
Coming Soon!
|
|
Collections:
Coming Soon!
|
|
Commissions:
Coming Soon!
|
|
|
Sandra Bray's Free Artist Portfolio
Welcome to Sandra Bray's Portfolio.
When I decided to create artworks on the theme of global peace and dialogue for an exhibition in Turkey, I was launched from painting landscapes into a new world. After a month of sketchbook work and research, black and white seemed the obvious and only choice for these images, so I reluctantly gave up my sumptuous oil paints.
Two concerns with working in b/w presented themselves: firstly, I find b/w rather stark and cold; additionally, I don’t like framing that separates the viewer and the work, with glass. Drawing on unprimed canvas solved both of these issues as raw canvas was a warm-sepia in tone and didn’t require glass.
After years of oil painting, I can achieve a sense of form in my work. However, my drawing work has had a flat quality with which I wanted to experiment. The technical issue of achieving structure became my goal in what had now become a series in my mind. Books have a simple structure that can be manipulated and were the perfect objects to work while developing form.
As the days of thought and scribbled sketches passed, the next consideration grew: what message do I want ... |
|
|
Premiere Portfolio Artists:
|
contact artist
