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Artist Statement:
In his poem `Welcome to
Thomas Mann` (1937) the great
Hungarian poet, Attila Jozsef
writes:
'... You know this
well: the poet never lies, /
The real is not enough;
through its disguise
Tell us the truth
which fills the mind with
light / Because, without each
other, all is night. ...
Transrealism is ...
Further Information
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Artist Exhibitions:
- Withdrawn Promises --
February 1985 Lorand Eotvos
University, Budapest, Hungary
- Exchange Group
(Exchange-series Philosophical
ArtForwardAcademy) March 1-8.
1985. - Young Artists Club,
Budapest, [2]
- La Malade Imaginaire --
April 1987 Lorand Eotvos
University, Budapest, Hungary
- joint exhibit at Georges
Cziffra pianist master course,
Keszthely, June, 1987 - Castle
Festetics
- Shipwreck -- November,
1987...
Further Information
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Commissions:
Coming Soon!
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Zsuzsa Mathe Biography:
| Biographical information for Zsuzsa Mathe can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
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Age
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0
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| Gender |
Female
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| Status |
not provided
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| Children |
99
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| Religion |
not provided |
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| Education |
not provided |
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| Hobbies / Interests |
music |
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| Favorite Artistic Medium |
Painting Oil
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| Favorite Arthistory Movement |
not provided
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| Favorite Visual Artist |
Csontvary-Koszka Tivadar
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| Favorite Work of Art |
Blue Singer (1981) by Helmut Middendorf
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| Biggest Artistic Inspiration |
life |
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| Why Did You Become An Artist |
not provided |
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| Your Personal Biography |
She was two years old when her father, returning from a business trip in Switzerland brought her a ballpoint pen as a present. Ballpoint is a tool that can not be erased and thus one must be able to draw a line right the first time over. Thus her education in fine art begun.
At primary school she attended high-school drawing classes and art history. She was advised on various subjects such as anatomy and the likes.
At high school she attended to the prestigious Ferenczy Circle, a highly esteemed class on drawing and modeling for the nearby Academy of Fine Arts.
After graduating high school she attended and graduated a special collage on print shop work, thus learning the basics of additive and subtractive coloring and all other details that makes one a fine print-shop retoucher.
She was 20 when, in 1984 when her first exhibit, The Gate Between Within and Beyond opened.
At the same time she got involved in Duna Circle, an alternative environmental protection group opposing a water-dam over the river Danube. This, later earned her a high spot on the blacklists of then still Communist Hungary.
Despite being blacklisted and secret agents were regular visitors the following years each brought feature exhibits Withdrawn Promises (1985), La Malade Imaginaire (1987), and a joint exhibit with the master course of world-known concert pianist George Cziffra.
As her mail was torn, telephone evesdropped and conditions became unbearable to express her disagreement with the regime she left Hungary in early 1988.
Having learned the local language in 1990 she was accepted to the world-famous Bezalel Academy of Art and Design.
20 years of silence followed while she adventured around the world trying herself in various fields and professions.
Today, back in Hungary, she is painting again.
In his poem `Welcome to Thomas Mann` (1937) the great Hungarian poet, Attila Jozsef writes:
'... You know this well: the poet never lies, / The real is not enough; through its disguise
Tell us the truth which fills the mind with light / Because, without each other, all is night. ...
Transrealism is the art of the 21st century fulfilling the long awaited return to the basics: art is communication, and it shall be understandable by the observer; it shall not expect the audience to be sophisticated or educated in the subject. Instead it is the artist's responsibility to be versed enough in their profession and their tools of art to be able to express themselves to convey a message and be universally understood.
If you like the work please do take your time to comment on what you like in it and what it makes you feel like. Any feedback is appreciated because a piece of art if not communicating is probably not worth creating.
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