Artist Information:
Sarah Intemann
Brooklyn, NY
United States
Member Since: Dec 2008
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Artist Statement:
My work is primarily about the
investigation of the evocative
nature of line. Discovering
its abilities and limitations
to describe shapes, form, and
tone, poses a challenge that I
find highly stimulating. I am
interested in consistently
pitting graceful smooth
ribbons of line against strong
rough gesture marks, and
defining course bulky forms
with sinewy elegant lines. My
constant objective is to
illustrate the delicate play
between chaos and order, while
consciously maintaining a
visual harmony and balance.
I draw my visual vocabulary
from nature. Specifically,
referencing images of
geoformations, caves, glacial
landforms, urban landscapes,
and delineations on facets of
bone surfaces, for their more
structural elements. For a
more delicate vernacular, I
draw from botanical and
aquatic life, subcutaneous
anatomy, and silky patterns in
nature, such as water and
smoke. Though I often use a
paint medium, the conscious
choice to keep my work in the
realm of drawing is important.
Drawing reveals its own
process, leaving a lasting
mark seen through transparent
layers of ink and paint. This
permanence in the drawing and
evidence of the building of
layers is an integral part of
each painting. In creating
these invented malleable
landscapes, I am continuously
stretching the limit ...
Further Information
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Artist Exhibitions:
2003 The Sacred and the
Profane, Robert & Elaine Stein
Experimental
Gallery, Dayton, OH
2004 Paintings & Drawings of
Sarah Intemann and Kathy
Moore, Robert & Elaine
Stein Experimental Gallery,
Dayton, OH
2004 The 14th Annual Dayton
Area Works on Paper, Rosewood
Gallery, Dayton, OH
2005 Senior Exhibition, Robert
& Elaine Stein Main Gallery,
...
Further Information
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Artist Reviews:
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Collections:
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Commissions:
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Sarah Intemann's Free Artist Portfolio
Welcome to Sarah Intemann's Portfolio.
My work is primarily about the investigation of the evocative nature of line. Discovering its abilities and limitations to describe shapes, form, and tone, poses a challenge that I find highly stimulating. I am interested in consistently pitting graceful smooth ribbons of line against strong rough gesture marks, and defining course bulky forms with sinewy elegant lines. My constant objective is to illustrate the delicate play between chaos and order, while consciously maintaining a visual harmony and balance.
I draw my visual vocabulary from nature. Specifically, referencing images of geoformations, caves, glacial landforms, urban landscapes, and delineations on facets of bone surfaces, for their more structural elements. For a more delicate vernacular, I draw from botanical and aquatic life, subcutaneous anatomy, and silky patterns in nature, such as water and smoke. Though I often use a paint medium, the conscious choice to keep my work in the realm of drawing is important.
Drawing reveals its own process, leaving a lasting mark seen through transparent layers of ink and paint. This permanence in the drawing and evidence of the building of layers is an integral part of each painting. In creating these invented malleable landscapes, I am continuously stretching the limit ... |
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