Artist Information:
Christian Schuetz
Berlin,
Germany
Member Since: Jul 2009
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Artist Statement:
Not only birth, pain,
sexuality, work, death, the
human body as expressed in
manners, gestures and facial
expressions are basic human
and cultural experiences, but
also the individual voice
impressive in all its shades
for emotional layers and
articulated speech.
Even the perception and design
of signs in its communicative
and meditative meaning is a
cultural experience, which is
common to all cultures.
Universal signs are therefore
a fundamental theme in my
work.
This work is not about their
mere aesthetical illustration,
but is to respect their
ability to relate to complex
issues, expressed in almost
"endless” variations (such as:
The Wanderer, BA-CH, Strings).
For the changes that a sign is
experiencing, I have developed
certain methods that are put
into action only on the
computer.
Analogue methods are also
found in music, mathematics
and even in poetics.
Art for me is therefore a
recognition level to which the
universal perception is
displayed.
...
Further Information
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Artist Exhibitions:
1984 East-Berlin (first
exhibition after long
political ban)
1989 MIR, Gelsenkirchen
1995 Hannover
2001 Karlshorst, Berlin
2002 Frankfurt/Main
2003 Galerie Wilhelmstraße,
Berlin
2003 Airport Olbia
(Sardinia/Italy)
2004 Kunsthalle Anklam
(Germany)
2008 Montreal, Canada, Gallery
Gora
2009 Kopenhagen, Art Forum
"Sounds of Art"...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Dr. Werner Seebauer,
Frankfurt/Sevelen Schweiz
Prof. George Seligman, New
York
Volker Hertel, Berlin, Germany
Harry Pflaum, Berlin, Germany
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Further Information
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Commissions:
Humbold University, Berlin,
Germany
Prof. Gililov, Köln, Germany
Prof. Seligman, New York
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Further Information
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Christian Schuetz's Free Artist Portfolio
Welcome to Christian Schuetz's Portfolio.
Not only birth, pain, sexuality, work, death, the human body as expressed in manners, gestures and facial expressions are basic human and cultural experiences, but also the individual voice impressive in all its shades for emotional layers and articulated speech.
Even the perception and design of signs in its communicative and meditative meaning is a cultural experience, which is common to all cultures.
Universal signs are therefore a fundamental theme in my work.
This work is not about their mere aesthetical illustration, but is to respect their ability to relate to complex issues, expressed in almost "endless” variations (such as: The Wanderer, BA-CH, Strings).
For the changes that a sign is experiencing, I have developed certain methods that are put into action only on the computer.
Analogue methods are also found in music, mathematics and even in poetics.
Art for me is therefore a recognition level to which the universal perception is displayed.
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