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Artist Statement:
The feelings I illustrate on the canvas can vary on the scale of the moods, by reaching the peak point of them and then sliding down gradually to the depression and emotional deepness itself. This conflict and contradict that I always try to visualize on my paintings, that shows that every feeling is a mixture of its opposite, and thus you can never find reconciliation in them, you can just accept their existence as they are. This acquisence and reconciliation to this fact makes my paintings that solid every time, after illustrating all the possible limits of the human emotions in one circle, limiting it to the canvas itself I am painting to. Finally as related to the methods I paint let me just say that I am only the tool of the feelings I want to highlight and the painting is the best way for me to do it, consequently I play only a minor role in the whole process, where the impressions take the main role....
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Artist Exhibitions:
Hungarian Spirit - Contemporary Art Exhibition
27-31 May, 2009, Tokyo-Ginza
J-Trip Art Gallery
The Rows Daikanyama 2F, 2-3 Daikanyama-cho, Shibuya-ku,
Tokyo, 150-0034, Japan
http://open.sesames.jp/j-trip/h tml/_TOP/
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From 27 to 31 May, 2009 the following painters will be representing the ...
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Artist Galleries:
Coming Soon!
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Artist Reviews:
http://www.prissymag.com/Profil e-of-an-Artist/Peter-Sukosd-Pai nter.html
Profile of an Artist: Peter Sukosd, Painter
Written by Priscilla Lalisse
Peter Sukosd is from Budapest and comes from a talented family of artists. Painting since he was six years old, this phenomenal painter has had his work ...
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Peter Sukosd Biography:
| Biographical information for Peter Sukosd can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
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| Your Personal Biography |
I was born in 1979 in a town called Pecs, known as the “Mediterranean heart” of Hungary. It is also a kind of cultural centre of the country itself; just imagine a place full of theatres, lots of festivals, a bunch of art exhibitions and a wide range of different universities and their faculties. This diversity of culture and education reflects my personality as well, apart from being a fan of plays, classical music (mainly Beethoven, Chopin and Gerschwin) I am also addicted to statues, which can be derived from the fact that my godfather, called Zoltan Pal, is a famous sculptor in Hungary. My family is divided into an intellectual and artistic part and this fortunate “symbiosis” can also be found in my personality, sometimes enriching it, but sometimes making it quite confusing and lonely as well.
Talking about the painter part of my personality first of all let me remark that I have been painting since I could distinguish the difference between colours, and this is not exaggeration. I then went on to become a student at an Independent Art School, from 1991-1997, which operates under the direction of a world-famous Hungarian painter, Mr Ferenc Lantos.
In 1998 I was admitted to another art school where I mainly made lithographs and etchings under the direction of Mr Tamas Odrobina, who specializes in these techniques.
After a long infertile period I restarted my painting career in Denmark in 2001. The paintings of the so-called 'vessel series' are from this period where I worked mainly with oil pastel.
The feelings I illustrate on the canvas vary according to my moods, reaching the peak and then sliding down gradually to the depression and emotional deepness itself. This conflict and contradiction that I always try to visualize on my paintings, shows that every feeling is a mixture of its opposite, and thus you can never find reconciliation in them, you just accept their existence. This acquiescence and reconciliation to this fact makes my paintings very solid, illustrating all possible limits of human emotions in one circle, limiting it to the canvas I am painting on. Finally as concerns the methods for my painting, let me just say that I am only the tool of the feelings I want to highlight and painting is the best way for me to do it, consequently I play only a minor role in the whole process, where the impressions take the main role.
I have already had several exhibitions, mainly abroad, in Copenhagen, Strasbourg, Prague and Florence. Many reproductions have been made of my paintings and some of my paintings have been used as illustrations in books. |
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