Artist Information:
Taiko Fujimura
San Francisco, CA
United States
Member Since: Mar 2005
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Artist Statement:
A series of avant-garde
ikebana is an experimental
abstract three dimensional
form that asks the audience to
define their personal
aesthetic sensibilities.
Similar to how the placement
of each flower in a vase may
evoke distinct aesthetic
reactions about the entire
arrangement, the abstract
depictions of objects in these
pieces are constructed using
discrete mathematical and
technical principles.
Each complementary color is
viewed through the window of
another color. In other words,
the colors complement each
other using their respective
negative spaces. Unified in
space, to me, these colors and
forms evince absolute harmony
and peace.
On a humanistic level, the
mirrored reflections from the
wood plates and squares of
plexiglas suggest the
connectivity of people. The
materials are both organic and
industrial. People may be
viewed initially from one
dimension, but are in fact
connected through multiple
linear relationships both
conditionally and
unconditionally. The pieces
reflect and interact with each
other through the mirror just
as people connect with one
another through their senses.
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Further Information
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Artist Exhibitions:
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Artist Galleries:
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Artist Reviews:
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Collections:
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Commissions:
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Taiko Fujimura's Free Artist Portfolio
Welcome to Taiko Fujimura's Portfolio.
A series of avant-garde ikebana is an experimental abstract three dimensional form that asks the audience to define their personal aesthetic sensibilities. Similar to how the placement of each flower in a vase may evoke distinct aesthetic reactions about the entire arrangement, the abstract depictions of objects in these pieces are constructed using discrete mathematical and technical principles.
Each complementary color is viewed through the window of another color. In other words, the colors complement each other using their respective negative spaces. Unified in space, to me, these colors and forms evince absolute harmony and peace.
On a humanistic level, the mirrored reflections from the wood plates and squares of plexiglas suggest the connectivity of people. The materials are both organic and industrial. People may be viewed initially from one dimension, but are in fact connected through multiple linear relationships both conditionally and unconditionally. The pieces reflect and interact with each other through the mirror just as people connect with one another through their senses.
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