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Artist Statement:
I was born in Romania in 1980,
before the fall of the iron
curtain. My family and I
escaped Communism and
immigrated to the United
States in mid-1980’s which
shaped some of my earliest
memories. In 2002 I received a
BFA from the School of the Art
Institute of Chicago where my
work developed around the
broad theme of old and new
world nostalgia.
For the most part my work
deals with various aspects of
memory or recollection. The
images are usually nostalgic
in a very literal sense. The
word nostalgia is derived from
the Greek nostos, meaning
"return home," and algia,
meaning "pain." As an
immigrant, I wish to explore
the affects of assimilating
into another culture. Both the
joys and the hardships that
accompany wandering from one
country to another are evident
in the narratives.
The stories run the gamut of
human emotions and endeavors
and implicitly reference an
irrecoverable past. The
individuals, objects, and
locations have been trudged
over by the current of
history. They are the victims
of circumstance, pollution,
human depravity, misuse, war,
politics, and rebellion. The
stories are also of anonymous
antiheroes, political, and
social misfits cut down in
their youth or ...
Further Information
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Artist Exhibitions:
Solo Exhibitions:
2008 Memorabilia,
Zolla/Lieberman Gallery,
Chicago, IL
2006 Il Male Del Ritorno,
Zelle Arte Contemporanea,
Palermo, Italy
2004 Bella Noir,
Zolla/Lieberman Gallery,
Chicago, IL
Selected Group Exhibitions:
2008
Art Chicago 2008,
Zolla/Lieberman Gallery,
Chicago, IL
RE: vision,
Zolla/Lieberman Gallery,
Chicago, IL
2007
Art Miami 2007, ...
Further Information
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Artist Galleries:
Coming Soon!
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Artist Reviews:
Coming Soon!
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Collections:
Coming Soon!
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Commissions:
Coming Soon!
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Teodor Dumitrescu Biography:
| Biographical information for Teodor Dumitrescu can be found below. The artist may choose what information to display. Sometimes the artist chooses not to display personal information to the general public. |
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Age
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27
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| Gender |
Male
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| Status |
Committed
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| Children |
99
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| Religion |
not provided |
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| Education |
Bachelor of Fine Arts |
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| Hobbies / Interests |
not provided |
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| Favorite Artistic Medium |
Illustration
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| Favorite Arthistory Movement |
not provided
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| Favorite Visual Artist |
not provided
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| Favorite Work of Art |
not provided
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| Biggest Artistic Inspiration |
not provided |
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| Why Did You Become An Artist |
not provided |
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| Your Personal Biography |
I was born in Romania in 1980, before the fall of the iron curtain. My family and I escaped Communism and immigrated to the United States in mid-1980’s which shaped some of my earliest memories. In 2002 I received a BFA from the School of the Art Institute of Chicago where my work developed around the broad theme of old and new world nostalgia.
For the most part my work deals with various aspects of memory or recollection. The images are usually nostalgic in a very literal sense. The word nostalgia is derived from the Greek nostos, meaning "return home," and algia, meaning "pain." As an immigrant, I wish to explore the affects of assimilating into another culture. Both the joys and the hardships that accompany wandering from one country to another are evident in the narratives.
The stories run the gamut of human emotions and endeavors and implicitly reference an irrecoverable past. The individuals, objects, and locations have been trudged over by the current of history. They are the victims of circumstance, pollution, human depravity, misuse, war, politics, and rebellion. The stories are also of anonymous antiheroes, political, and social misfits cut down in their youth or abandoned in their old age. However, among the rubble of bombed out buildings we still find hope, love, and beauty in individuals who endure hardship and live their lives to the fullest.
The sepia toned, and monochromatic renderings are in reference to the camera’s ability to document “real life”. Ironically, the narratives reference moments whose time frame is obscure at best, and in all likely-hood may have never occurred. By using photographic references, the paintings maintain two degrees of separation from reality. The layering of images refers to the complexity of memory and how we can take universally recognizable objects and experiences and make them personally significant.
Beauty, hope and a celebration of the evanescence of life are inherent in the narratives. They show that in hindsight, we can find beauty and wonder in the most desperate of moments and the most obscure places. By imbuing inanimate objects with emotions we create a world in which we are affected by everything around us. From sentimentality to fear we let our memories of people and things guide us and shape our future.
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