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Sally Trueman's Main Portfolio Page
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Contact Information:
Sally Trueman
Toulouse,
France
Member Since: Jan 2002

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Artist Exhibitions:
New Exhibition “Lovers of
Light” at the Margate Gallery
in January 2012.

Sally Trueman and Patricia
Castle are holding a joint
exhibition at the Margate
Gallery, the gallery will be
open late on Friday the 17th
of February until 8.00 pm,
both artist will be present.
All are welcome!

...

Further Information
Artist Galleries:
Modern Painters, London,(By
appointment only.)
Email
sallytrueman@modernpainters.eu

http://www.modernpainters.eu

Royall Fine Art 52 The
Pantiles, Tunbridge Wells,
Kent, TN2 5TN. E mail:
enquiries@royallfineart.co.uk
http://www.royallfineart.co.uk/
page59.html

Island Fine Arts Ltd, 53 High
St, Bembridge, Isle of Wight
P035 ...

Further Information

Artist Reviews:



Catalogues and publications

LA DEPECHE.FR 21/07/2010

LADEPECHE.FR 23/11/2010

Art of England,September, 2010


2009 Pratique des Arts n°95 du
07 décembre 2010

Contemporary Art, New York,
Lucy Holden 2009
Art of England, September 2009
Artists and Illustrators,
September 2009
Artists and Illustrators...

Further Information

Collections:
Public Collections

United Kingdom - Lloyds/T.S.B
Group
United Kingdom - Brighton
Museum Service
United Kingdom - Hove Museum
Service
United Kingdom - National
Westminster Bank
United Kingdom - Russell Cotes
Museum & Art Gallery
United Kingdom - Southampton
City Hospital
United Kingdom - Brighton
Museum
France - Museum Carcassonne
China – Bank of China


Private Collections

United ...

Further Information
Commissions:
Prizes

2003 Paris – Galerie Encadra
‘l'Art et le Sport’
(First prize)
2003 Canada, Montreal -
International Exhibition of
Art
(First prize)

Commissions

2008 Invane Zazare Collection
Contemporary Art, Italy
2003 - 2005 Multiple
commissions - Dr. Katherine
Morton. N.Y
2003 Portrait commission -
Vice president Calvin Klein
2003 Portrait commission –
Zinedine Zidane
...

Further Information

Artist Statement for Sally Trueman

Artist Statement (February, 2012.)

“The medium that I work in is dictated by the ideas that I have. The relationship between the idea and the material for me is very important. In the last few years, I have worked predominantly in pastel, although it is one of the most permanent mediums, it is also possibly the most fragile.

My ideas and work continue to explore, through the human figure, the theme of “intimacy between bodies”. The familiarity and closeness of lovers or the chance meeting that turns a stranger into a confident. Set in a world in which figurative painting can coexists with abstract patterns, created by the reflections of light on water.

The powder pigments of pastels have a similar quality to the idea of “lovers” — both hover between being there and not being there.
Pastels don’t have the material certainty of oil paints. So the with pastels, it’s almost as if you could blow them away. It’s like dust in the desert.

The choice of medium has to compliment the idea. The pastel medium mirrors the fragility of love. So the relationship between the idea and the material is more fragile executed in pastels then it would be in oil paint. However, the destructive power of love and the weight of unrelinquished love can be portrayed and enhanced with the heavier material such as oil, on canvas.

I am continuing to develop this relationship between the materials that I use to help convey the “idea” in a painting.

The theme “intimacy between bodies” embraces my new series of oil paintings depicting my relationship with the Kent coast of England. Also known as the Garden of England, Kent has many miles of diverse coast line.

Why do I love the sea? It stirs up so many powerful emotions within me, but most of all because of its incredible beauty.”

“The sea, once it casts its spell, holds one in its net of wonder forever. “ Jacques Yves Cousteau


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