Artist Information:
Tupper Malone
Portland, OR
United States
Member Since: Jan 2008
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Artist Statement:
I have come to painting by a
circuitous route having worked
for over 25 years as a
sculptor. In 2000, I took up
watercolor and collage as my
creative outlets.
In recent work, I am creating
Journies. In the Terra Series
I am using imaginary mapping
and symbols to focus on
exploration. I have done ten
of the pieces to date and
intend to continue adding
definition to this work.
In Sacred Words Imperfect, I
am employing two primary
techniques—air brush and
watercolor pours. I use
airbrush to create and array
of angles criss-crossing the
jumble of letters creating
words and mystery.
In Technicolor Cows and the
Opus Series, I use a
“watercolor pour”-- permitting
a spontaneous reaction to the
color as it is set down on
paper. Using watercolor
crayons along with negative
painting draws the subject off
of the paper as I work on the
painting. Using the
watercolor crayons on top of a
pour, the colors layer on top
of one another in an ever
changing the dimension. The
layering of the crayon, pour
and negative painting adds a
depth to the visual work that
creates excitement. I enjoy
working in these styles and
feel ...
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Tupper Malone's Free Artist Portfolio
Welcome to Tupper Malone's Portfolio.
I have come to painting by a circuitous route having worked for over 25 years as a sculptor. In 2000, I took up watercolor and collage as my creative outlets.
In recent work, I am creating Journies. In the Terra Series I am using imaginary mapping and symbols to focus on exploration. I have done ten of the pieces to date and intend to continue adding definition to this work.
In Sacred Words Imperfect, I am employing two primary techniques—air brush and watercolor pours. I use airbrush to create and array of angles criss-crossing the jumble of letters creating words and mystery.
In Technicolor Cows and the Opus Series, I use a “watercolor pour”-- permitting a spontaneous reaction to the color as it is set down on paper. Using watercolor crayons along with negative painting draws the subject off of the paper as I work on the painting. Using the watercolor crayons on top of a pour, the colors layer on top of one another in an ever changing the dimension. The layering of the crayon, pour and negative painting adds a depth to the visual work that creates excitement. I enjoy working in these styles and feel ... |
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