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Artist Statement:
I love to explore my own self
and image; this is the
culmination of the fusion of
science and art for me. I try
to see things in my own way,
shaped by my life and my
experiences. For each viewer
this experience an entry into
this personal world through
visual or mental images, can
be uniquely his own.
...
Further Information
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Artist Exhibitions:
Solo and two artists shows
2009 BARBARA MARKS and VANILIA
MAJOROS, Gallery 195, New
Haven, CT
2009 ONCE UPON A TIME,
Westville Gallery, New Haven,
CT
2003 SUN, w Tamas K. Lengyel.
Gallery Cirko, Budapest,
Hungary
2001 3.14., Gallery Cirko,
Budapest, Hungary
1999 DIALOG, w Peter Barak.
Gallery of ...
Further Information
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Collections:
Hungarian National Gallery,
Budapest, Hungary
Petofi Literary Museum,
Budapest, Hungary
Private Collections,
Australia, Austria, China,
Germany, Hungary, Ireland,
Japan, Switzerland, USA
...
Further Information
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Commissions:
Coming Soon!
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Reviews for Vanilia Majoros:
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REVIEWS
Judy Birke: An intimate exhibit at Gallery 195 gives glimpse into artists' studios. New Haven Register, February 7, 2010
Aknai Katalin: Tukor es fatyol. Uj Muveszet, 1999/9.
The photos of Valeria Majoros. Liget, 1998. December.
The photos of Valeria Majoros. 2000, 1998. November.
Esther Vecsey: Artwork displayed in monumental proportions
across a city. The Budapest Sun Style, 1998. January
8-14.,4.
Esther Vecsey: Graffiti art-history. The Budapest Sun
Style,1998. January 8-14., 1-2.
Csordas Lajos: Nagyvarosi illuziok a tuzfalakon.
Nepszabadsag, 1997. December 8., 29.
Gyorgy Szucs: Stilusgyakorlatok. Majoros Valeria
fotokiallitasa. Uj Muveszet, 1996/1-2., 18-21.
The Portrait of Ivan Sanders. USA, 1988/62., 84.
CATALOGUES
Murals (1995), with commentary by Janos Sturcz
Street pictures (1996)
Reflection New York (1997), with commentary by Andras Zwickl
Illusion (1998), with commentary by Tibor Wehner
Parallels (1998-1999), with commentary by Peter Balogh and Klara Hudra
Haiku (1999), with haikus by Yosa Buson, Kobayashi Issa, Matsuo Basho
Dialog (1999) (together with computer graphics by Peter Barak), with commentary by Zsofia Beke
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contact artist
