Artist Information:
Usha Tsonkova
New York, NY
United States
Tel: 917-363-7260
Member Since: Jun 2004
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Artist Statement:
The art is an intimate
exploration of my internal
spiritual
space-emotions,passions
,desires and experiences are
mixed up as well the negatives
and techniques on the paper.
The technical process is
quaint –I use
very thin photo paper (which
has been out of
production for ten years now)
which ...
Further Information
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Artist Exhibitions:
Self Exhibitions:
1979-The Cinema House-Sofia
1986-The Photoclub-Plpvdiv
1987-The Photoclub-Yambol
1986-87-Winter Academy of Arts
“Apolonia”-Sozopol
1987-The Pataky
Gallery-Budapest
1988-Pforzheim-West Germany
1990-La Roshelle-France
1993-Berlin-exhibition and
work-shop
1994-The National Palace of
Culture-Sofia
1994-...
Further Information
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Artist Galleries:
Her works are property of the
National Library/Paris/,Musee
de L’Elisee/Lausanne/,Shadai
Galerry/Tokyo/,JapanFoundation/
Tokyo/,NationalArtGallery/Sofia
/,CityArtGallery/Plovdiv/,priva
te collections in the
USA,Japan,France,England,etc.
...
Further Information
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Artist Reviews:
Awards:
1983-Second prize in the
Biennale of Bulgarian
Photography-Sofia
1985-Award Banner of Peace in
“Children of Bulgaria”
exhibition-Sofia
1985-First
prize-Photovacantion
“Oasis”-Bulgaria
1986-Grand
Prix-SIRP,Royan-France/salon
for research photography/
1989-Grand
Prix-SIRP,Royan-France
1990-Award in the Art of ...
Further Information
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Collections:
Collective Exhibitions:
1979-89-Biennale of Bulgarian
Photography,Sofia
1988-Baroque in the
Photography-Cant,France
1987-88 Art of
Today-Budapest,Hungary
1989-Looking
East-Amsterdam,The Netherlands
1989-East European
Photography-Musee de
L’Elysee,Lausanne,Swiss
1989-End of Citation-Union of
Bulgarian Artists,Sofia
1990-Biennale ...
Further Information
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Commissions:
Coming Soon!
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Usha Tsonkova's Premiere Artist Portfolio
Welcome to Usha Tsonkova's Portfolio.
The art is an intimate exploration of my internal spiritual space-emotions,passions ,desires and experiences are mixed up as well the negatives and techniques on the paper.
The technical process is quaint –I use
very thin photo paper (which has been out of
production for ten years now) which gets crumpled in
the process of printing and tortured with various
concoctions of chemicals, the result of which are the
tawny-brownish, ocher and tan hues on purely
black-and-white paper without the use of any toners.
Thus every piece that emerges is unique, no editions
possible.
The pain and joy of creation join together.
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explore works by: price - latest uploaded - theme - chronologically - quick thumbs Page 1 of 28: <<
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3
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