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Artist Exhibitions:
PUBLIC ART COMMISSIONS
No. 3 Road Art Columns, Brighouse Station, Canada Line, Richmond, BC (2010 – 2011)
AB Avenue Streetscapes, Edmonton, AB (2010)
Muttart Conservatory, Edmonton, AB, (installed 2009)
SOLO EXHIBITIONS
2010 In the Land of Sleep, The Muttart Conservatory, Edmonton, AB
2006 Reflected Fantasies, Firehall Theatre Gallery, Vancouver, BC
2005...
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Artist Galleries:
TU Gallery, Edmonton AB Canada www.tugallery.ca
Latitude 44 Gallery, Toronto ON Canada www.latitude44gallery.ca
Grey Area Gallery, Chilliwack BC Canada www.greyareagallery.com
Bernstein and Gold, Vancouver BC Canada www.bernsteinandgoldinteriors.c om
www.miaweinberg.com...
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Artist Reviews:
Living The Dream In The Land Of Sleep
In the Land of Sleep helps Mia Weinberg realize her dream of becoming a full-time artist
Published April 22, 2010 by Marliss Weber in Arts Feature, SEE Magazine, Edmonton
Vancouver artist Mia Weinberg lately lives in the land of sleep. At ...
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Collections:
Vancouver General Hospital, Vancouver, BC Canada
National Research Council, Vancouver, BC Canada
The Walter Phillips Gallery, Banff, AB Canada
Paul D. Fleck Library & Archives, Banff, AB Canada
Green College, UBC, Vancouver, BC Canada
McCarthy Tétrault LLP, Vancouver, BC Canada
Maddies Natural Pet Products, Vancouver, BC Canada
Malinka Financial, Vancouver, ...
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Commissions:
No. 3 Road Art Columns, Brighouse Station, Canada Line, Richmond, BC (2010 – 2011)
AB Avenue Streetscapes, Edmonton, AB (2010)
Muttart Conservatory, Edmonton, AB, (installed 2009)
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Artist Statement for Mia Weinberg
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Vancouver artist Mia Weinberg creates digital photograms that call attention to the tiniest fragments of organic matter. She believes there is potential in the microscopic to reawaken us and bring us face to face with something we too often forget: that life on this earth is full of wonder, full of mystery. Her hope is that these photograms will help the viewer become re-enchanted by the truly marvellous in the everyday. She is inspired by the delicate details that reside in the groves, gardens and architectures of the smallest corners of our world. She often chooses to work with botanical specimens that are in the process of decay because especially in their passage through death, they lead to regeneration, new beginnings, and exhibit extraordinary beauty.
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