Sculpture For Sale - Price Range: $800 - $899

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Discover 62 original sculpture artworks for sale between $800 - $899. Contemporary emerging artists: Mac Worthington, Eric Jacobson, Vincenzo Montella, David Vanorbeek, Robert Pulley, Gabor Bertalan, Tzipi Biran, Robert Hargrave, Scott Mohr, Marty Scheinberg, Berthold Neutze, Don Dougan, Louise Parenteau, David Rocky Aguirre, Jack Hill are exhibiting their affordable original art. You can buy artwork online and browse 3 pages for more originals at the end of this page. To view detailed information for any of these artworks click the image or browse the artist's portfolio website.


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Mac Worthington: 'single petal edition 2', 2021 Aluminum Sculpture, Abstract Figurative. Metal flower painted acrylic. Shadowbox framedDelivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. com...
Abstract Figurative - Sculpture
32 x 32 inches (81.3 x 81.3 cm)
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Mac Worthington: 'embrace', 2021 Aluminum Sculpture, Abstract Figurative. Welded aluminum painted acrylic enamel metallic bronze on a solid wood block.Available. Signed   dated. Certificate of Authenticity.Delivery, hanging   shipping availableStudio: 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email: macwartist aol. ...
, 2021
Abstract Figurative - Sculpture
15 x 22 inches (38.1 x 55.9 cm)
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Mac Worthington: 'go bucks', 2021 Aluminum Sculpture, Sports. High polished aluminum with a machine brush finish.  Tabletop or may go outdoors.Available.  Signed dated.  Certificate of Authenticity.Delivery shipping availableStudio 5935 Houseman Rd, historic Ostrander, Ohio.For further information on this piece or to discuss a custom design please call 614 | 582 | 6788 or email macwartist aol.  ...
, 2021
Sports - Sculpture
18 x 25 inches (45.7 x 63.5 cm)
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Mac Worthington: 'perfect couple', 2019 Aluminum Sculpture, Abstract Figurative. Perfect Couple hearts are aluminum painted automotive enamel.Signed   dated. Certificate of Authenticity. Ready to hang. ...
Abstract Figurative - Sculpture
40 x 30 inches (101.6 x 76.2 cm)
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Eric Jacobson: 'BrassMobile III', 2011 Other Sculpture, Abstract.    This organic sculpture is made of brass tubing, has a mobile, creates sound when the elements hit one another, and could be part of a small water feature.               ...
Abstract - Sculpture
15 x 31 inches (38.1 x 78.7 cm)
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Eric Jacobson: 'BrassMobile II', 2010 Other Sculpture, Abstract.   This organic sculpture is made of brass tubing, has a mobile, creates sound when the elements hit one another, and could be part of a small water feature.              ...
Abstract - Sculpture
21 x 37 inches (53.3 x 94.0 cm)
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Vincenzo Montella: 'Lady', 2009 Aluminum Sculpture, Abstract.
, 2009
Abstract - Sculpture
22 x 48 cm (8.7 x 18.9 inches)
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Vincenzo Montella: 'Alien zoology 3', 2008 Aluminum Sculpture, Abstract.  folden aluminium ...
Abstract - Sculpture
25 x 20 cm (9.8 x 7.9 inches)
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Vincenzo Montella: 'Alien zoology 2', 2008 Aluminum Sculpture, Abstract.  folden aluminium ...
Abstract - Sculpture
28 x 25 cm (11.0 x 9.8 inches)
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Vincenzo Montella: 'Alien zoology 1', 2008 Aluminum Sculpture, Abstract.  folden aluminium ...
Abstract - Sculpture
26 x 28 cm (10.2 x 11.0 inches)
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David Vanorbeek: 'praying mantis', 2021 Sculpture, Abstract. Abstract Praying Mantis...
Abstract - Sculpture
46 x 10 cm (18.1 x 3.9 inches)
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David Vanorbeek: 'smaller star', 2020 Sculpture, Abstract. Metal ARTWeldedRecycling iron...
Abstract - Sculpture
20 x 20 cm (7.9 x 7.9 inches)
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David Vanorbeek: 'small abstract sculpture', 2021 Steel Sculpture, Abstract. Welded sculpture15 x 15 x 14 cm1,705 kg Adeg2021...
Abstract - Sculpture
15 x 15 cm (5.9 x 5.9 inches)
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Robert Pulley: 'Conic Oculus', 2019 Clay Sculpture, Abstract. The term oculus refers to the conical piercing of this simple form that frames a view.  This could be installed outdoors on a patio or in a garden.  A hole in the bottom can anchor it to a stone or steel plate for stability.  Hardware available on request. ...
Abstract - Sculpture
22 x 17 inches (55.9 x 43.2 cm)
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Gabor Bertalan: 'girl with curls', 2017 Bronze Sculpture, Figurative. Abstract...
Figurative - Sculpture
10 x 40 cm (3.9 x 15.7 inches)
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Gabor Bertalan: 'Salome', 2017 Bronze Sculpture, Figurative. Dance of Salome...
, 2017
Figurative - Sculpture
10 x 41 cm (3.9 x 16.1 inches)
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Tzipi Biran: 'having fun', 2016 Glass Sculpture, nudes. woman, figurative, body, naked, Made of broken glasses, partly transperent...
, 2016
nudes - Sculpture
17 x 20 cm (6.7 x 7.9 inches)
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Robert Hargrave: 'Most Favored Vessel', 2015 Wood Sculpture, Home.  Vessel...
Home - Sculpture
34 x 12 inches (86.4 x 30.5 cm)
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Robert Hargrave: 'The Magic Lamp', 2014 Wood Sculpture, undecided.
undecided - Sculpture
12 x 7 inches (30.5 x 17.8 cm)
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Scott Mohr: 'Two to Tango', 1988 Bronze Sculpture, Figurative.  These stylized dancers are mounted on a lazy Susan so they spin. . . they can truly dance   ...
Figurative - Sculpture
6 x 8 inches (15.2 x 20.3 cm)
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Marty Scheinberg: 'My Venus', 2011 Stone Sculpture, Abstract Figurative.  Snow & Ice Alabaster  ...
, 2011
Abstract Figurative - Sculpture
7 x 15 inches (17.8 x 38.1 cm)
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Robert Pulley: 'Little Grace', 2012 Bronze Sculpture, Abstract Figurative. Abstract Bronze sculpture on a black marble base.  Table or pedestal scale.  Modern.  black and brown patina.  ...
Abstract Figurative - Sculpture
7 x 12 inches (17.8 x 30.5 cm)
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Berthold Neutze: 'The Return of the Belly Button', 2012 Wood Sculpture, Abstract.            beechwood, oiled, 2012          ...
Abstract - Sculpture
12 x 30 cm (4.7 x 11.8 inches)
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Berthold Neutze: 'morbus moralis', 2011 Wood Sculpture, Abstract.           beechwood, oiled, 2010         ...
Abstract - Sculpture
30 x 15 cm (11.8 x 5.9 inches)
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Don Dougan: 'POINTS ON THE PERIPATETIC STROLLIN WITH HADRIAN', 2009 Mixed Media Sculpture, Abstract Figurative. dyed lizella earthenware, porphyry verde, tusk shells ...
Abstract Figurative - Sculpture
10 x 9 inches (25.4 x 22.9 cm)
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Louise Parenteau: 'INNU', 2009 Mixed Media Sculpture, Cosmic.
, 2009
Cosmic - Sculpture
68 x 139 cm (26.8 x 54.7 inches)
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David Rocky Aguirre: '5 months back', 1997 Ceramic Sculpture, nudes.  This model was 5 months pregnant.  Glazed stoneware on granite base.  ...
nudes - Sculpture
6 x 10 inches (15.2 x 25.4 cm)
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David Rocky Aguirre: '5 months front', 1997 Ceramic Sculpture, nudes.  This model was 5 months pregnant.  Glazed stoneware on granite base. ...
nudes - Sculpture
6 x 10 inches (15.2 x 25.4 cm)
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Jack Hill: 'Whoops', 2007 Bronze Sculpture, Food.  Bronze, cast in the lost wax method, hand applied heat patina ...
, 2007
Food - Sculpture
9 x 8 inches (22.9 x 20.3 cm)
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Paul Orzech: 'Prometheus', 2006 Bronze Sculpture, Mythology.  Prometheus, in Greek mythology, stole fire from the gods and gave it to the mortals.  This figure holds up that precious knowledge in his left hand, which also serves as a candle holder.  Prometheus if finished in a French Brown Patina and his base has a silver nitrite finish.  Please...
, 2006
Mythology - Sculpture
7 x 9 inches (17.8 x 22.9 cm)
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(Page 1 of 3) - MORE ARTWORKS

Artists Describing Their Art:

Mac Worthington - BIO Internationally recognized and locally renowned, Mac Worthington continues his inspirational fine art past his studio and into your home. Each piece reflects his desire for difference and neglect for the norm. Born and raised in Canton, Ohio also known as i?1/2Little Chicagoi?1/2, Mac was privileged to be molded around a family of artists. His father John i?1/2Jacki?1/2 Worthington was a local artist, well-known for this bronze sculptures, specifically busts for movie stars and sports figures included in the Pro Football Hall of Fame located in Canton, Ohio. His mother Marion Worthington was skilled in enameling and silver work. The combination of creative talent and environment made him destined for artistic success. Serving in the jungles of Vietnam at the age of nineteen Mac interpreted the indescribable feelings of war into powerful expressions of art. He attributes additional creativeness to influences such as Hells Angels, Elvis, Bob Dylan, Marlon Brando and the 60i?1/2s era. Going back to his roots he entered the world of heavy metal. Teaching himself to weld he used steel and iron to create massive, grandiose outdoor sculptures. Becoming more skilled with his mediums, he discovered the versatile use of high tech aluminum. This skill ...

Eric Jacobson - My work is influenced by a variety of sources from mandalas to contructivism "drawing in space" and nature: artists like David Smith, Mark Di Suvero, Miro, Picasso, etc. My current work incorporates brass tubing with mobiles and water. Some of these create sound as well. I have also created steel "frames", often octagonal that enclose a series of elements floating within this environment. I have been exploring the use of depth(perspective), color and balance in my work. I am very interested in the "layers" that make up each person's life history and mind, and therefore create layers in my sculpture to symbolize this. I often see things in the world as having an" inner and an outer", sometimes revealed to the world at large and sometimes hidden. This includes the human mind. People often keep parts of themselves hidden or protected even sometimes from themselves. Sometimes thes things are revealed in artwork. My sculptures also involve the relationship of the natural and man-made environments and the balance or imbalance between them....

Vincenzo Montella - Vincenzo Montella was born in Benevento, Italy the 7/14/1952 and lives in Naples where works as psychiatrist. He is graduated in Medicine and Philosophy and specialist in psychiatry and family psychotherapy. He is artist, poet and photographer. He studied photography at the Toscana Photographic Workshops attending courses of William Allard, Michael Yamashita, Machiel Botman, Alex Webb, Jeff Jacobson, Arkady Llove, Sarah Moon, Carol Dragon. ...

David Vanorbeek - Metal speaks to me. Firstly it calls to me, drawing me to it with a magnetic pull that is impossible to resist. I might be walking or driving when suddenly I know for certain that discarded and abandoned metal is nearby, waiting for me to find it. And I always do. And then, when I see the beauty of the metal, it speaks to me again, telling me how it must be worked and shaped into a piece of sculpture that everyone can enjoy and share. For me, the great joy in my work comes from turning something considered worthless into the artwork it becomes. In this way I am showing my respect for the metal. The thread that runs like red wire through all my work is recycling. If I could, I would turn all the old metal and scrap iron I find into a museum of modern art. Just thinking of this idea makes my heart beat faster. My work has developed and taken different directions over the past twenty years, but was originally inspired by insects. In the same way, I see the beauty in these tiny and delicate, but at the same time immensely strong and ...

Robert Pulley - A friend told me recently that it was helpul for her to know how an art work is created and how the artist thinks. That led me to consider what I have to say about my art work. When one looks at my sculpture I hope one sees strength, mystery, sensuousness, spiritual energy and more. How these constructions in modeled clay can stir such responsed in myself and others is a mystery to me, but I can say something about my methods and way of thinking. I have always been intuitive, reactive and spontaneous. I love improvisation, expression and the power of chance and serendipity. This may not seem obvious in large pieces that must be carefully crafted over weeks or months. Here is how it works. When I began the first pieces in this body of work many years ago they were purely improvisational. I would begin each piece with a flat slab of clay that I cut into a shape that would be the bottom of the sculpture. I usually had a vague idea of the proportions I wanted. This general notion set the theme within which I worked. In the manner of free jazz I would consider ...

Gabor Bertalan - CURRICULUM VITAE I WAS BORN IN SALGOTARJAN, HUNGARY IN 1956. I ATTENDED SCHOOL IN BUDAPEST. I LEARNED SCULPTURAL ARTS THROUGH PRIVATE CHANNELS, PARTLY IN HUNGARY UNDER THE DIRECTIONS AND WITH THE HELP OF ATTILA BOBALY AND JOZSEF SOMOGYI, AND PARTLY IN MENTON, FRANCE. IN 1996 I ATTENDED THE SUMMER ART ACADEMY OF THE UNIVERSITY OF APPLIED ARTS IN BUDAPEST. I HAD INDIVIDUAL EXHIBITIONS IN THE MADACH GALLERY OF SALGOTARJAN IN 1993, IN THE SERBIAN CHURCH OF BALASSAGYARMAT IN 1997, AND IN THE UJPEST GALLERY IN 2004. GROUP EXHIBITIONS: 1993: SZECSENY 1995: BUDAPEST, MENTON 1996: BALASSAGYARMAT, SALGOTARJAN, NAGYATAD 1999, 2000, 2003, 2005: SALGOTARJAN - SPRING EXHIBITION, OPEN-AIR SCULPTURE EXHIBITION 2000: CANNES 2005: NAGYATAD, NATIONAL EXHIBITION OF WOOD SCULPTURES SZECSENY, WINTER EXHIBITION - PRIZE OF THE TOWN OF SALGOTARJAN CURRENTLY I LIVE AND WORK IN BUDAPEST. INITIALLY I WORKED EXCLUSIVELY WITH WOOD. NOW THE MATERIAL OF MY SCULPTURES IS MAINLY WAX AND BRONZE CAST AFTER A WAX MOULD. MY THOUGHTS, FEELINGS AND THE PLASTIC FORMS GUIDED BY THE FORMER ARE FOCUSED ON TWO MAIN CONCEPTS: "NATURALNESS AND SIMPLICITY" ...

Tzipi Biran - I try to express the feminine experience as a complete individual that is constantly engaged in fulfilling her independence and femininity. Parallel to this, I emphasize the potential of a harmonious and holistic connection within a nourishing, supporting and creative relationship between a couple, a promoting and protective partnership within a spiritual and physical connection. The figures in my works are like the dance of life in which the steps of one are adjacent, connecting, opposing, and supporting to that of others, creating a changing and constant movement. ...

Robert Hargrave - Beauty is often found in unexpected places. Few people would expect anything made from plywood to be beautiful, yet they are surprised and intrigued when they learn this fact about my work. I laminate a very special Birch plywood from Russia to a darker Lauan plywood from Indonesia, then carve them to reveal the previously hidden core. The results are often compared to some rare and exotic wood, skillfully brought to life. The Plywood Sculpture line consists of nearly seventy contemporary designs that are functional as well as decorative. There are over two dozen mirrors in many shapes and sizes. The designs range from figurative to geometric, from celestial to functionally conservative. Several figurative sculptures are balanced by some furniture designs. The line is rounded out by many gift items, such as picture frames, boxes and other accessories." All of my designs have a fluid sense of movement, emphasized by the black glue line. The alternating light and dark woods have a variety of colors in natural, however dyed colors offer even more possibilities. Each piece is signed and given a smooth, maintenance free lacquer finish. A free, full color catalog is available upon request. ...

Berthold Neutze - Artists Statement Art from wood is either turned (pretty bowl), roughly hewed (pure artistic laziness) or from selected ugliness regarding to the choice of wood. The flashy the material the less you see the sloppy work of the artist Why do I use wood after all? Besides hard and splintery beechwood? The work is risky and tedious, demands concentration and sensitivity for the material's structure - thus a challenge for craftmanship. Together with the subtle texture and unexitedly tint of beechwood that makes it to my favourite material. Beechwood allows undisguised view towards the form language. The shiny smooth surface means a distance to ,,harsh" nature to me. The outcoming piece is a picture, not copy. The tactile dimension. There is this invitation to the spectator to touch it, to feel the inherent warmth of wood, to feel out the incorporated strings and muscles to append another dimension to his phantasy. Subject follows function. My abstract -, as well as the anthropo- and zoomorphic sculptures emerge from the curiosity what other structures evolution could find - or improve - to add another niche in nature. I mostly work without preceding drawings und start to work unintentionally; the ,,idea" evolves during the progress - the ...

Don Dougan - My work comprises both abstracted and figurative imagery executed in a variety of mixed materials, with stone being the predominate medium. Other materials used (usually in conjunction with stone) include foundry cast metals, carved and joined wood, cast and fabricated plastics, cold-worked and kiln-formed glass, cast and carved hydraulic cements, cast/formed paper, welded/fabricated metals, gilding, and found/assembled objects. The more abstracted imagery is worked in pedestal pieces, large freestanding sculptures, and in wall-mounted relief sculptures. The figurative lip series is usually presented in wall-mounted reliefs, deep shadowbox framing, and occasionally as either a pedestal piece or a large freestanding work. The most recently begun series of work comprises pedestal-sized pieces using the imagery of the ship or the boat hull. Each series or each type of work allows me to express aspects of the human condition - the more abstracted works tend to reveal a more universal emotional/rational characterization of subject matter, the lip series tends to allow sensuality, humor, and more visceral expressions, while the ship series delves into personal/cultural memories and emotional journeys. For more images and information on myself, my work, and my working methods please visit my ...

Louise Parenteau - ARTISTIC STATEMENT I studied fine arts at the University Of Quebec In Montreal (1986-1991). I was involved in various artistic activities in which I took a strong stand against injustice, poverty, and social exclusion. My work took shape using different methods of research and observation. I articulated my artistic approach inspired by existential human sufferings. I created portraits of individuals with unusual physical traits, expressions, deformities, attitudes... These characters inspired me to use colour in contrasts and splashes. My aim was to express the life animating the characters by an internal light. For my installations, I used a physical space to transpose socio-political situations and dramatic events. With the barest resources, my intention was to stimulate the interest of the viewer. My material supplies: Acrylic, rubbish, wood, metal, rust, polystyrene panels, personal objects, used clothing, etc. In 1995, I realized that I had reached limits with my artistic approach. I decided to have a period of questioning with the aim of going further in my research in terms of intention and expression. This process enabled me to explore, to experiment with different materials and to reposition myself using sculpture as my main form of expression. Ever...

David Rocky Aguirre - ************** To me, Art seems to be a universal language. It can be used to portray something beautiful and uplifting, or to portray a tragedy to motivate and move people to act. To motivate them to help in some way as in Picasso's "Guernica 1937". I have a wide range in creative interests, from most forms of painting- oil to watercolor and on to print forms, sculpture, photography, film and computer animation. Contact me for any creative projects you may have....

Jack Hill - All of my sculptural work is bronze, cast in the "lost wax" technique. Besides sculpting the original work, I am hands on with all the phases of the casting process, including the molds, waxes, metal, and application of the patinas. My foundry experience allows me to ensure the quality and integrity of each idea, from inspiration to final presentation. The ideas are born from observation of the human existence, in all its splendor and absurdity. The addition of my own whimsy and uncommon approach brings about an expression of life in the permanence of bronze. People are only one part of the whole planet and my anthropomorphic works are an exploration of the blending of man into various parts of the environment. With attention to anatomic detail and a tongue-in-cheek twist I wish to stimulate the imagination and, maybe, tickle the funny bone. Questions? Call me at 305/240-3238 A new line of work has been added that I call "Body Armor". The human form is treated as if skin was an armor that could be put on or removed as needed. If it had been lost long ago and recently rediscovered, what would it look like. ...